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In the beginning of his career, Ruscha
depicted stereotypically American subjects such as roadside gas stations,
showing the influences of Hopper and Hockney. He would gradually introduce
words into his art until they eventually became his focus. Many of his
paintings and prints of the 1960s featured a single word depicted in unique
fashion, often in trompe l' oeil. In the 1970s, Ruscha, along with Barbara
Kruger and Jenny Holzer among others, began using entire phrases in his
works, a distinctive characteristic of the post-Pop Art generation. |
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