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Group
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VINCENT DESIDERIO |
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| GROUP EXHIBITIONS |
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| 1979 |
Philadelphia College of Performing Arts, Philadelphia, Pennsylvania |
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| 1981 |
Emerging Artists, Lawrence Oliver Gallery, Philadelphia, Pennsylvania |
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| 1982 |
Lawrence Oliver Gallery, Philadelphia, Pennsylvania |
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| 10 Philadelphia Area Artists, Villanova University, Villanova, Pennsylvania |
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| 1983 |
Untitled, 1983, Lawrence Oliver Gallery, Philadelphia, Pennsylvania |
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| 1984 |
Creative Artists Network, Philadelphia, Pennsylvania |
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| Disdain for False Authorities, Independent Group Exhibition, Philadelphia, Pennsylvania |
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| New Realism, Robert Kidd Gallery, Birmingham, Michigan |
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| 1985 |
Mass, The New Museum, New York, New York |
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| University Museum Invitational Exhibition, Indiana University of Pennsylvania, Indiana, Pennsylvania |
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| The Clocktower, P.S. 1, National & International Studio Artists Institute for Art & Urban Resources, Long Island City, New York |
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| 1986 |
Small Format, Lang & O’Hara Gallery, New York, New York |
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| 1986 |
The Drawing National, The Everson Museum of Art, Syracuse, New York, traveled to; Moody Art Gallery, University of Alabama, Tuscaloosa, AL; University of Arizona Museum of Art, Tucson, AZ; Snug Harbor Cultural Center, Staten Island, New York; New Britain Museum of American Art, New Britain, Connecticut |
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| 1987 |
Summer Group Exhibition, Lang & O’Hara Gallery, New York, New York |
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| Morality Tales: History Painting in the 1980’s, curated by Thomas Sokolwski, traveled to; Grey Art Gallery, New York University, New York, New York; Laguna Art Museum, Laguna Beach, California; The Berkshire Museum, Pittsfield, Massachusetts; Wadsworth Atheneum, Hartford, Connecticut; The Lowe Art Museum, University of Miami, Coral Gables, Florida; Goldie Paley Gallery, Moore College of Art, Philadelphia, Pennsylvania; Duke University Museum of Art, Durham, North Carolina; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, Nebraska; Musée du Quebec, Quebec, Canada |
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| 1988 |
Visions/Revisions: Contemporary Representation, organized by Professor Sam Hunter, Marlborough Gallery, New York, New York |
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| 1989 |
Kunst der Letzten 10 Jahre, Museum Moderner Kunst, Vienna, Austria |
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| Works on Paper, Annina Nosei Gallery, New York, New York |
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| 1990 |
Persistence of Vision, Tibor de Nagy Gallery, New York, New York |
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| American Art Today: The City, Florida International University Art Museum, Miami, Florida |
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| Polyptyques et Paravents: Un Siècle de Creation 1890-1990, Galerie Bellier, Paris, France |
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| 1991 |
In the Looking Glass: Contemporary Narrative Painting, Mint Museum of Art,Charlotte, North Carolina |
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| Revising the Past, Oregon Art Institute, Portland, Oregon |
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| New Generations: New York, Carnegie Mellon Art Gallery, Pittsburgh, Pennsylvania |
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| Strange Vistas/Imagined Histories, Portland Art Museum, Portland, Oregon |
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| 1991-92 |
Art on Paper, Weatherspoon Art Gallery, Greensboro, North Carolina |
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| 1992 |
On Paper, Marlborough Gallery, New York, New York |
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| 1993 |
The Anxious Salon: Narrative Content in Recent Figurative Painting, Massachusetts Institute of Technology List Visual Arts Center, Cambridge, Massachusetts |
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| 1994 |
The Seer, O’Hara Gallery, New York, New York |
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| Contemporary Artists in New York, Edobori Gallery, Osaka, Japan |
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| 1995 |
Portrait of Our Times, Revolution Gallery, Ferndale, Michigan |
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| 1996 |
A Child’s Work, Dru Arstark Gallery, New York, New York |
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| Heroic Painting, Southeastern Center for Contemporary Art, Winston-Salem, North Carolina; traveled to Tampa Museum of Art, Tampa, Florida; Queens Museum of Art, Queens, New York; Knoxville Museum of Art, Knoxville, Tennessee; The Contemporary Arts Center, Cincinnati, Ohio; Museum of Art, Reno, Nevada; Mississippi Museum of Art, Jackson, Mississippi; University Gallery, University of Massachusetts at Amherst, Amherst, Massachusetts Thirtieth Annual Show of Contemporary Art in Monte-Carlo, Monte-Carlo, Monaco |
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| Reality Bites: Realism in Contemporary Art, curated by Barbara J. Bloemink, |
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| 1996 |
The Kemper Museum of Contemporary Art & Design, Kansas City, Missouri |
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| Body Language, curated by Judith Page and Adam Straus, Museum of Fine Arts, Florida State University, Tallahassee, Florida |
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| Contemporary Artists in New York, Edobori Gallery, Osaka Japan |
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| 1997 |
Queens Artists: Highlights of the 20th Century, Queens Museum of Art, New York |
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| ART 1997 CHICAGO: 5th Annual Expo of International Galleries Featuring |
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| Modern and Contemporary Art, Navy Pier, Chicago, Illinois |
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| The Unbroken Line, Pennsylvania Academy of Fine Arts, Pennsylvania |
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| 1998 |
Forma Y Figuración: Obras Maestras De La Colección Blake-Purnell, Guggenheim Bilbao |
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| 1998 |
Collector’s Show: The Arkansas Arts Center, Little Rock, Arkansas |
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| 1999 |
Ex-Capillary, Allen Sheppard Gallery, New York, New York |
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| 2000 |
Déjà vu: Reworking the Past, Katonah Museum, Katonah, New York |
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| 2001 |
Summer Show, Marlborough Gallery, New York |
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| 2003 |
Modern & Contemporary Portraits, Forum Gallery, New York |
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| Transforming the Commonplace, Susquehanna Art Museum, Harrisburg, Pennsylvania |
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| The Perception of Appearance, Frye Art Museum, Seattle, Washington |
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| Art History’s Heroes: The Masters of Contemporary Realism, Martin Art Gallery, Muhlenberg College, Allentown, Pennsylvania | ||
| 2004 | The Drawn Page, Aldrich Contemporary Art Museum, Ridgefield, Connecticut | |
| Realism Now, Part II: Traditions and Departures, Mentors and Protégés, Vose Galleries, Boston, Massachusetts | ||
| 2005 | Then as Now, Sordoni Art Gallery, Wilkes University, Wilkes-Barre, Pennsylvania | |
| Works on Paper, Marlborough Gallery, New York, New York | ||
| 2006 | Post Malcolm Modern, The Forbes Galleries, New York, New York | |
| Summer Group Show, Marlborough Gallery, New York, New York | ||
| 2007 | Great Exhibition of Contemporary Art in Poland , Nowi Dawni Mistrzowie/New Old Masters by Donald Kuspit, National Museum in Gdan´sk, Gdan´sk, Poland | |
| Old Masters by Donald Kuspit, National Museum in Gdan´sk, Gdan´sk, Poland | ||
| Summer Exhibition, Marlborough Gallery, New York, New York | ||
| Painting and Sculpture, Marlborough Gallery, New York, New York | ||
