| Group
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Richard Estes |
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| Selected Group Exhibitions |
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| 1966 |
Ninety-ninth Exhibition, American Watercolor Society, National Academy Galleries, New York |
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| 1967 |
Biennial Exhibition of American Art, Krannert Art Museum, University of Illinois, Champaign-Urbana, Illinois |
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| 1968 |
Realism Now, Vassar College Art Gallery, Poughkeepsie, New York |
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| The Wellington-Ivest Collection, Museum of Fine Arts, Boston, Massachusetts |
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| 1969 |
American Report on the 60s, Denver Art Museum, Denver, Colorado |
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| Contemporary American Painting and Sculpture, Krannert Art Museum, University of Illinois, Champaign-Urbana, Illinois |
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| Directions 2: Aspects of a New Realism, Akron Art Institute, Ohio, traveled to; Milwaukee Art Center, Wisconsin; Contemporary Arts Museum, Houston, Texas |
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| Painting and Sculpture Today, 1969, Indianapolis Museum of Art, Indianapolis, Indiana |
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| Painting from the Photo, Riverside Museum, New York |
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| Thirty-fourth Annual Mid-Year Show, Butler Institute of American Art, Youngstown, Ohio |
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| 1970 |
American Painting 1970, Virginia Museum of Fine Arts, Richmond, Virginia |
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| Centennial Exhibit, Indiana State University, Indianapolis, Indiana |
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| Cool Realism, Albright-Knox Art Gallery, Buffalo, New York, traveled to; Everson Museum of Art, Syracuse, New York |
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| The Cool Realists, Jack Glenn Gallery, Corona del Mar, California |
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| Directly Seen-New Realism in California, Newport Harbor Art Museum, Balboa, California |
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| The Highway, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, traveled to; Institute for the Arts, Rice University, Houston, Texas; Akron Art Institute, Akron, Ohio |
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| New Realism 70, Neadley Hall Gallery, St. Cloud State College, St. Cloud, Minnesota |
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| Painting and Sculpture Today, 1970, Indianapolis Museum of Art, Indianapolis, Indiana |
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| 22 Realists, Whitney Museum of American Art, New York, New York |
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| 1971 |
Art Around the Automobile, Emily Lowe Gallery, Hofstra University, Hempstead, New York |
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| Art of the 1960s, Sammlung Ludwig, Wallraf-Richartz Museum, Cologne, Germany; traveled to; the National Academy of Design, New York, New York |
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| Contemporary Selections 1971, Birmingham Museum, Birmingham, Alabama |
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| Neue Amerikanische Realisten, Galerie de Gestlo, Hamburg, Germany |
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| New Realism, State University College, Potsdam, New York |
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| New Realism, Old Realism, Bernard Danenberg Gallery, New York, New York |
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| Radical Realism, Museum of Contemporary Art, Chicago, Illinois |
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| Thirty-second Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, D.C. |
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| Whitney Annual, Whitney Museum of American Art, New York, New York |
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| 1972 |
Colossal Scale, Sidney Janis Gallery, New York, New York |
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| Documenta and No-Documenta Realists, Galerie de Gestlo, Hamburg, Germany |
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| Documenta 5, Kassel, West Germany |
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| LHyperréalistes Américains, Galerie des Quatre Mouvements, Paris, France |
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| Phases of the New Realism, Lowe Art Museum, University of Miami, Coral Gables, Florida |
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| The Realist Revival, New York Cultural Center, New York, New York |
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| Seventieth American Exhibition, Art Institute of Chicago, Illinois |
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| Sharp-Focus Realism, Sidney Janis Gallery, New York, New York |
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| Thirty-sixth International Biennial Exhibition, Venice, Italy |
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| Whitney Annual, Whitney Museum of American Art, New York, New York |
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| 1972-73 |
Amerikanischer Fotorealismus, Württembergischer Kunstverein, Stuttgart, traveled to; Frankfurter Kunstverein, Frankfurt; Kunst und Museumsverein, Wuppertal, West Germany |
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| 1973 |
American Art Third Quarter Century, Seattle Art Museum, Seattle, Washington |
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| Amerikansk Realism, Galleri Ostergren, Malmö, Sweden |
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| East Coast/West Coast/New Realism, University Art Gallery, San Jose State University, California |
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| The Emerging Real, Storm King Art Center, Mountainville, New York, traveled to; Galleria Civica dArte Moderna, Turin, Italy |
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| Grand Maitres Hyperréalistes Américains, Galerie des Quatre Mouvements, Paris, France |
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| Hyperréalistes Américains, Galerie Arditti, Paris, France |
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| Iperrealisti Americani, Galleria La Medusa, Rome |
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| Mit Kamera, Pinsel und Spritzpistole, Ruhrfestspiele Recklinghausen, Städtische Kunsthalle, Recklinghausen, West Germany |
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| Options 73/30, Contemporary Arts Center, Cincinnati, Ohio |
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| Photo-Realism, Serpentine Gallery, London |
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| The Super-Realist Vision, DeCordova and Dana Museum, Lincoln, Massachusetts |
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| Twenty-five Years of American Painting, Des Moines Art Center, Des Moines, Iowa |
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| Hyperréalisme, Galerie Isy Brachot, Brussels, Belgium |
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| 1973-78 |
Photo-Realism 1973: The Stuart M. Speiser Collection, Smithsonian Institution, Washington, D.C., traveled to; Johnson Museum, Ithaca, New York; |
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| Louis K. Meisel Gallery, New York, New York; Addison Gallery of American Art, Andover, Massachusetts; Allentown Art Museum, Allentown, Pennsylvania; University of Texas Art Gallery, Austin, Texas; Witte Memorial Museum, San Antonio, Texas |
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| 1974 |
Amerikaans Fotorealisme Grafiek, Hedendaagse Kunst, Utrecht, traveled to; Palais des Beaux-Arts, Brussels, Belgium |
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| Ars 74 Ateneum, Fine Arts Academy of Finland, Helsinki, Finland |
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| Art 5, 74, Basel, Switzerland |
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| Contemporary American Paintings from the Lewis Collection, Delaware Art Museum, Wilmington, Deleware |
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| Hyperréalistes Américains-Réalistes Européens, Centre National dArt Contemporain, Paris, France |
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| Kijken Naar de Werkelijkheid, Museum Boymans-van Beuningen, Rotterdam, Netherlands |
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| New Images: Figuration in American Painting, Queens Museum, Flushing, New York |
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| New Photo-Realism, Wadsworth Atheneum, Hartford, Connecticut |
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| Seventy-first American Exhibition, Art Institute of Chicago, Chicago, Illinois |
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| Three Realists: Close, Estes, Raffael, Worcester Art Museum, Worchestor, Massachusetts |
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| Tokyo Biennale, 74, Tokyo Metropolitan Museum of Art, Tokyo, Japan, traveled to; Kyoto Municipal Museum; Aichi Prefectural Art Museum, Nagoya, Japan |
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| Twelve American Painters, Virginia Museum of Fine Arts, Richmond, Virginia |
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| Twenty-five Years of Janis: Part II, Sidney Janis Gallery, New York, New York |
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| 1975 |
Photo-Realists, Louis K. Meisel Gallery, New York, New York |
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| Realismus und Realität, Kunsthalle, Darmstadt, West Germany |
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| Trends in Contemporary American Realist Painting, Museum of Fine Arts, Boston, Massachusetts |
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| Watercolors and Drawings-American Realists, Louis K. Meisel Gallery, New York, New York |
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| 1976 |
Alumni Exhibition, School of the Art Institute of Chicago, Chicago, Illinois |
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| America as Art, National Collection of Fine Arts, Smithsonian Institution, Washington, D.C. |
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| American Master Drawings and Watercolors: Works on Paper from Colonial Times to the Present, Whitney Museum of American Art, New York, New York |
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| Art 7 76, Basel, Switzerland |
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| A Selection of American Art, The Skowhegan School 1946-1976, Institute of Contemporary Art, Boston, Massachusetts, traveled to; Colby Museum of Art, Waterville, Maine |
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| Seventy-second American Exhibition, Art Institute of Chicago, Chicago, Illinois |
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| Super Realism, Baltimore Museum of Art, Baltimore, Maryland |
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| Three Decades of American Art, Seibu Museum of Art, Tokyo, Japan |
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| Urban Aesthetics, Queens Museum, Flushing, New York |
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| 1976-77 |
Photo Realism in Painting, Art and Culture Center, Hollywood, Florida, traveled to; the Museum of Fine Arts, St. Petersburg, Florida |
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| 1976-78 |
America 1976: A Bicentennial Exhibition, curated by John Arthur, sponsored by the United States Department of the Interior, (all works for this exhibition were created expressly for the exhibition), Corcoran Gallery of Art, Washington, D.C., traveled to; Wadsworth Atheneum, Hartford, Connecticut; Fogg Art Museum, Cambridge, Massachusetts; and the Institute of Contemporary Art, Boston, Massachusetts; The Minneapolis Institute of Arts, Minneapolis, Minnesota; Milwaukee Art Center, Milwaukee, Wisconsin; The Fort Worth Art Museum, Fort Worth, Texas; San Francisco Museum of Modern Art, San Francisco, California; the High Museum of Art, Atlanta, Georgia; The Brooklyn Museum, New York, New York |
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| Aspects of Realism, sponsored by Rothmans of Pall Mall Canada, Ltd., Stratford, Candada, traveled in Canada to; Centennial Museum, Vancouver; Glenbow- Alberta Institute, Calgary; Mendel Art Gallery, Saskatoon; Winnipeg Art Gallery; Edmonton Art Gallery; Art Gallery, Memorial University of Newfoundland, St. Johns; Confederation Art Gallery and Museum, Charlottetown, P.E.I.; Musée dArt Contemporain, Montreal; Dalhousie University Museum and Gallery, Halifax; Windsor Art Gallery, Ontario; London Public Library and Art Museum and McIntosh Memorial Art Gallery, University of Western Ontario; Art Gallery of Hamilton, Ontario |
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| 1977 |
New Acquisitions Exhibition, Museum of Modern Art, New York, New York |
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| New Realism, Jacksonville Art Museum, Jacksonville, Florida |
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| A View of a Decade, Museum of Contemporary Art, Chicago, Illinois |
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| Washington International Art Fair, Washington, D.C. |
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| Whitney Biennial Exhibition, Whitney Museum of American Art, New York, New York |
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| Works on Paper II, Louis K. Meisel Gallery, New York, New York |
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| 1977-78 |
Illusion and Reality, Australian National Gallery, Canberra, traveled in Australia to; Western Australian Art Gallery, Perth; Queensland Art Gallery, Brisbane; Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide; National Gallery of Victoria, Melbourne; Tasmanian Museum and Art Gallery, Hobart |
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| 1978 |
Art About Art, Whitney Museum of American Art, New York, New York, traveled to; North Carolina Museum of Art, Raleigh, North Carolina; Frederick S. Wight Art Gallery, University of California, Los Angeles, California; Portland Art Museum, Portand, Oregon |
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| Art and the Automobile, Flint Institute of Arts, Flint, Flint, Michigan, traveled to; Monmouth Museum, Lincroft, New Jersey |
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| Photo-Realist Printmaking, Louis K. Meisel Gallery, New York, New York, traveled to; Tolarno Galleries; Melbourne, Australia |
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| Works by Living Artists from the Collection of Mr. and Mrs. Leigh Block, Santa Barbara Museum of Art, Santa Barbara, California |
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| 1979 |
America in the 70s as Depicted by Artists in the Richard Brown Baker Collection, Meadowbrook Art Gallery, Oakland University, Rochester, Michigan |
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| 1980 |
Directions in Realism, Danforth Museum, Framingham, Massachusetts |
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| The Morton G. Neumann Family Collection, National Gallery of Art, Washington, D.C. |
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| Realism/Photorealism, Philbrook Art Center, Tulsa, Arizona |
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| 1981 |
Real, Really Real, Super Real, San Antonio Museum of Art, San Antonio, Texas, traveled to; Indianapolis Museum of Art, Indianapolis, Indiana; Tucson Museum of Art, Tuscon, Arizona; Museum of Art, Carnegie Institute, Pittsburgh, Pennsylvania |
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| Seven Photorealists from New York Collections, Solomon R. Guggenheim Museum, New York, New York |
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| Toyama Now 81, Museum of Modern Art, Toyama, Japan |
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| 1981-82 |
Contemporary American Realism Since 1960, Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania, traveled to; Virginia Museum of Fine Arts, Richmond, Virginia; Oakland Museum, Oakland, California. USICA-sponsored tour: Gulbenkian Museum, Lisbon; Germanisches Nationalmuseum, Nuremberg, West Germany |
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| Super Realism From the Morton G. Neumann Family Collection, Kalamazoo Institute of Arts, Kalamazoo, Michigan, traveled to; the Art Center, Inc., South Bend, Michigan; Springfield Art Museum, Springfield, Missouri; Dartmouth College Museum and Galleries, Hanover, New Hampshire; DeCordova and Dana Museum, Lincoln, Massachusetts; Des Moines Art Center, Des Moines, Iowa |
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| 1982 |
An Appreciation of Realism, Munson-Williams-Proctor Institute Museum of Art, Utica, New York |
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| Assignment: Aviation, sponsored by Smithsonian Institution Traveling Exhibition Service, The Columbus Museum of Art, Columbus, Georgia, traveled to; Springfield Art Museum, Springfield, Missouri |
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| Photo-Réalisme-Dix Ans Après, Galerie Isy Brachot, Paris, France |
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| 1983 |
American Super Realism from the Morton G. Neumann Family Collection, Terra Museum of American Art, Evanston, Illinois |
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| Modern Art in the West, Tokyo Metropolitan Museum of Art, Tokyo, Japan |
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| Realism Now, Museum of Modern Art, Saitama, Japan |
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| Americans in Venice 1873-1913 (Estes was the only contemporary painter included) Coe Kerr Gallery, New York, New York, traveled to; The Boston Athenaeum, Boston, Massachusetts |
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| Through the Looking Glass: Reflected Images in Contemporary Art, The Heckscher Museum, Huntington, New York |
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| 1984 |
America Seen, Adams-Middleton Gallery, Dallas, Texas |
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| Whats New? Important Recent Acquisitions & New Directions, Byer Museum of the Arts, Evanston, Illinois |
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| 1985 |
American Realism: The Precise Image, Isetan Museum, Tokyo, traveled to; Daimaru Museum, Osaka, Japan; Yokohama Takashimaya, Yokohama, Japan |
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| 1983-1985 |
Assignment: Aviation-The Stuart M Speiser Photo-Realist Collection, Smithsonian Institution traveling exhibition, Anchorage Historical & Fine Arts Museum, Anchorage, Arkansas; Denver Museum of Natural History, Denver, Colorado; Maryland Science Center, Baltimore, Maryland; Columbus Museum of Arts & Sciences, Columbus, Georgia; Neville Public Museum, Green Bay, Wisconsin; The Dane G. Hanson Memorial Museum, Logan, Kansas |
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| 1986 |
An American Renaissance-Painting and Sculpture Since 1940, Museum of Art, Fort Lauderdale, Florida |
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| Landscape, Seascape, Cityscape 1960-85, Contemporary Arts Center, New Orleans, Louisiana; The New York Academy of Art, New York, New York |
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| 1986-87 |
American Realism-20th Century Drawings and Watercolors From the Glenn C. Janss Collection, organized by the San Francisco Museum of Modern Art, San Francisco, California, traveling exhibition |
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| 1987 |
The Urban Landscape, Louis K. Meisel Gallery, New York, New York |
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| 1988 |
20th Anniversary (15 in SoHo)-Artists & Movements From our First Two Decades, Louis K. Meisel Gallery, New York, New York |
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| 1989 |
New York: City By Day/City By Night, Gallery Henoch, New York, New York |
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| Contemporary Scenes of New York City, Associated American Artists, New York, New York |
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| 1991 |
Annual Exhibition, National Academy of Design, New York, New York |
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| Images in American Art: 1960-1990, Southern Alleghenies Museum of Art, Lorretto, Pennsylvania |
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| In Sharp Focus: Super-Realism, Nassau County Museum of Art, Roslyn Harbor, New York |
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| 1991-92 |
American Realism & Figurative Art: 1952-1990, curated by John Arthur, organized by the Miyagi Museum of Art, the Japan Association of Art Museums, and the Yomuiri Shimbun, The Miyagi Museum of Art, Sendai, traveled in Japan to; Sogo Museum of Art, Yokohama; The Tokushima Modern Art Museum, Tokushima; The Museum of Modern Art, Shiga; and Kochi Prefectural Museum of Art, Kochi |
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| 1992 |
Six Takes on Photo-Realism, Whitney Museum of American Art at Champion, Stamford, Connecticut |
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| On the Edge: Forty Years of Maine Painting, 1952-1992, curated by Theodore F. Wolff, Maine Coast Artists Gallery, Rockport, Maine, traveled to the University of Maine at Presque Isle |
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| 1994 |
American Realism + Figurative Painting, Cline Fine Art Gallery, Santa Fe, New Mexico |
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| 1994-95 |
New York Realism: Past & Present, organized by the Japan Association of Art Museums, Tokyo, Japan, Odakyu Museum, Tokyo, Japan, traveled in Japan to Kagoshima City Museum of Art, Kagoshima; Kitakyushu Municipal Museum of Art, Kitakyushu; The Museum of Art, Kintetsu, Osaka; Fukushima Prefectural Museum of Art, Fukushima; traveled in the United States to; The Tampa Museum of Art, Tampa Florida |
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| 1995 |
Retrat de Barcelona,Centre de Cultura Contemporània, Barcelona, Spain |
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| Facing Eden: 100 Years of Landscape Art in the Bay Area, Fine Arts Museums of San Francisco, San Francisco, California |
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| Unser Jahrhundert Menschenbilder-Bilderwelten, Museum Ludwig, Köln, Germany |
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| 1996 |
The Landscape of American Culture, 1967-1975, John Berggruen Gallery, San Francisco, California |
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| Rediscovering the Landscape of the Americas, curated by Alan Gussow and Gayle Maxon-Edgerton, Gerald Peters Gallery, Santa Fe, New Mexico, traveled to: Museum of South Texas, Corpus Christi, Texas; Western Gallery, Western Washington University, Bellingham, Washington; Memorial Art Gallery, University of Rochester, Rochester, New York; Gibbes Museum of Art, Charleston, South Carolina (1998) |
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| On Paper, galleria darte il gabbiano, Rome, Italy |
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| La Ville Moderne en Europe: Visions Urbaines dArtistes et dArchitectes, 1870-1996, Museum of Contemporary Art, Tokyo, Japan |
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| Realism after Seven A.M., The Hopper House, Nyack, NY |
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| 1997 |
ART 1997 CHICAGO: 5th Annual Expo of International Galleries Featuring Modern and Contemporary Art, Navy Pier, Chicago, IL |
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| CityScapes, Marlborough Gallery, New York, NY |
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| Landscape: The Pastoral to the Urban, Center for Curatorial Studies and Art in Contemporary Culture, Bard College, Annadale-on-Hudson, NY |
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| 1998 |
New York Perspectives, MB Modern, New York, NY |
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| Le Futur du Passé, Lieu dArt Contemporain, Corbières Maritimes, France |
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| 2001 |
Third Annual Realism Invitational, Jenkins Johnson Gallery, San Francisco, CA |
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| Figuras: Visiones del Arte Contemporáneo, Centro Cultural Puerta Real, Granada, Spain |
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| ReApperance: Realism in Contemporary Art, Simmons Visual Arts Gallery, Brenau University, Gainesville, GA |
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| 2003 |
Transforming the Commonplace: Masters of Contemporary Realism, Susquehanna Art Museum, Harrisburg, Pennsylvania |
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| Iperrealisti, Chiostro del Bramante, Rome, Italy | ||
| Hyperréalismes USA: 1965-1975, Musée d’art moderne et contemporain de Strasbourg, Strasbourg, France | ||
2004 |
La Ingeniería Civil en la Pintura, Sala de Exposiciones de la Real Academia de Bellas Artes de San Fernando, Madrid, Spain | |
| New York, New York, Marlborough Madrid, Spain | ||
| Masterpieces from the Guggenheim Collection: From Renoir to Warhol, Bunkamura Museum of Art, Tokyo, Japan | ||
| Printed Light: Photographic vision and the Modern Print, National Gallery of Australia, Canberra, Australia | ||
2005 |
Sets, Series, and Suites: Contemporary Prints, Museum of Fine Arts, Boston, Massachusetts | |
| Landscape•Cityscape, Marlborough Gallery, New York, New York | ||
| True Colors: Meditations on the American Spirit,
The Sixth Floor Museum at Dealey Plaza, Dallas, Texas Double Take: Photorealism from the ‘60s and ‘70s, The Rose Art Museum, Brandeis University, Waltham, Massachusetts |
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| Big City: Cityscapes and Urban Life from the Collection, Orme Lewis Gallery, Phoenix Art Museum, Phoenix, Arizona (through 2006) | ||
| Who is Imitating Whom? Photography and Photo-Realism in Art, Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, Nebraska, traveled to Chadron State College, Chadron, Nebraska; McKinley Center, North Platte, Nebraska; Cornerstone Bank, York, Nebraska; High Plains Museum, McCook, Nebraska; Stuhr Museum, Grand Island, Nebraska; Columbus Art Gallery, Columbus, Nebraska (through 2006) | ||
2006 |
Highlights: Print Selections from the Permanent Collection, The Museum of the Arts of Virginia Commonwealth University, Anderson Gallery, Richmond, Virginia | |
| Variations on a Theme: American Prints from Albers to Lichtenstein, A Selection from the Anderson Graphic Arts Collection, Fisher Gallery, University of Southern California, Los Angeles, California | ||