|
Group
|
Red Grooms |
|
|
SELECTED GROUP EXHIBITIONS |
||
|
1980 |
Drawings: The Pluralist Decade, 39 Esposizione Internazionale, La Biennale di Venezia, Venice, Italy (U.S. entry); traveled to Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania |
|
|
Collaborations, Mary and Leigh Block Gallery, Northwestern University, Evanston, Illinois |
||
|
ROSC 1980, Dublin, Ireland |
||
|
Laughter, Center for the Arts, Muhlenberg College, Allentown, Pennsylvania |
||
|
Aspects of the 70’s, Rose Art Museum, Brandeis University, Waltham, Massachusetts |
||
|
Selected 20th-Century American Self-Portraits, Harold Reed Gallery, New York, New York |
||
|
American Figure Painting: 1950-1980, Chrysler Museum, New York, New York |
||
|
Urban Encounters, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania |
||
|
1980-81 |
Drawings in Black and White: 1970-1980, Brooklyn Museum of Art, Brooklyn, New York |
|
|
1981 |
Contemporary American Realism Since 1960, The Pennsylvania Academy of Fine Art, Philadelphia, Pennsylvania; traveled to Oakland Museum, Oakland, California; Richmond Museum of Fine Art, Richmond, Virginia |
|
|
1982 |
Human Figure in Contemporary Art, Contemporary Arts Center, New Orleans, Louisiana |
|
|
Homo Sapiens: the Many Images, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut |
||
|
Sculpture: Red Grooms, Dimitri Hadzi, Reuben Nakian, Tony B. Rosenthal, H.C. Westermann, Library of the Boston Athenaeum, Boston, Massachusetts |
||
|
Cast in Carbondale, Laumeier International Sculpture Park, St. Louis, Missouri; traveled to Alexandria Museum, Alexandria, Louisiana |
||
|
1982 Carnegie International, Museum of Art, Carnegie Institute, Pittsburgh, Pennsylvania; traveled to Seattle Art Museum, Washington |
||
|
Self-Portraits: From the Mirror, Allan Frumkin Gallery, New York, New York |
||
|
The Kitchen and the Gallery: The Artist and the Chef, The Charles Burchfield Center, Buffalo, New York |
||
|
Narrative Sculpture, Sculpture Center, New York, New York |
||
|
Selections from the Dennis Adrian Collection, Museum of Contemporary Art, Chicago, Illinois |
||
|
1983 |
Self-Portraits: The Antic Vision, Allan Frumkin Gallery, New York, New York |
|
|
The Early Sixties: Red Grooms and Peter Saul, Allan Frumkin Gallery, New York, New York |
||
|
The Painterly Figure: Veteran Expressionist Figure Painters, Monique Knowlton Gallery, New York, New York |
||
|
The Great East River Bridge 1883-1983, Brooklyn Museum, New York, New York |
||
|
Works on Paper, Marlborough Gallery, New York, New York |
||
|
Faces Since the Fifties, Center Gallery, Bucknell University, Lewisburg, Pennsylvania |
||
|
From the Beginning: A Graphics Exhibit of 24 Major American Artists, Pratt Graphics Center, New York, New York |
||
|
Bodies & Souls, Artists’ Choice Museum, Sutton Gallery, New York, New York |
||
|
Painted Light, Artists’ Choice Museum, The Reading Public Museum, Reading, Pennsylvania; traveled to The Queens Museum, Flushing, New York; Colby College Art Museum, Waterville, Maine; The Butler Institute of American Art, Youngstown, Ohio |
||
|
Time Out: Sport and Leisure in America Today, Tampa Museum, Tampa, Florida |
||
|
1984 |
Metamanhattan, Whitney Museum of American Art, Downtown Branch, 26 Wall Street, New York, New York |
|
|
Intermedia: Between Painting and Sculpture, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut |
||
|
The Vermilion Touch: Master Prints from a Minneapolis Studio’s Archives, Minneapolis Institute of Arts, Minneapolis, Minnesota |
||
|
Figurative Sculpture: 10 Artists/2 Decades, California State University, Los Angeles, California |
||
|
Artists in the Theater, Hillwood Art Gallery, Long Island University (CW Post Campus), Greenvale, New York; traveled to Guild Hall Museum, East Hampton, New York |
||
|
Return of the Narrative, Palm Springs Desert Museum, Palm Springs, California |
||
|
Art and Friendship: A Tribute to Fairfield Porter, Guild Hall Museum, East Hampton, |
||
|
New York; traveled to Artists’ Choice Museum, New York, New York; New Britain Museum of American Arts, New Britain, Connecticut |
||
|
Blam! The Explosion of Pop, Minimalism, and Performance, 1953-1964, Whitney Museum of American Art, New York, New York |
||
|
On 42nd Street, Philip Morris Building, Whitney Museum of American Art, NewYork, New York |
||
|
Monotypes from the Garner Tullis Workshop, John Berggruen Gallery, San Francisco, California |
||
|
American Bronze Sculpture: 1850 to Present, Newark Museum, Newark, New Jersey |
||
|
1985 |
Masters of Mischief; The Irreverent Spirit in Current Painting, Allen Frumkin Gallery, New York, New York |
|
|
18th Biennale, Open Air Museum for Sculpture, Middelheim, Antwerp, Belgium |
||
|
Red Grooms and Warrington Colesott, Masters of Contemporary Satire, Sewell Art Gallery, Rice University, Houston, Texas |
||
|
Wit in Sculpture, Ingber Gallery, New York, New York |
||
|
Contemporary American Monotypes, The Chrysler Museum, Norfolk, Virginia |
||
|
Innocence and Experience, Greenville County Museum of Art, South Carolina |
||
|
20th Century American Drawings: The Figure in Contest, National Academy of Design, New York, New York |
||
|
Works in Bronze, Palm Springs Desert Museum, California |
||
|
1986 |
Signs of the Times: Pop Art and Photorealism in America, Artrain; traveled to twenty-one cities throughout Michigan, Nebraska, Missouri and Indiana |
|
|
Third Wave Fusion, Artists’ Choice Museum, New York, New York |
||
|
An American Renaissance: Painting and Sculpture since 1940, Museum of Art, Fort Lauderdale, Florida |
||
|
Print Making, Four Approaches: An Exhibition of Original Prints 1969-1985, Wilson Art Center, Rochester, New York |
||
|
A Feast for the Eyes, Allentown Art Museum, Allentown, Pennsylvania |
||
|
Landscape, Seascape, Cityscape: A Major Exhibition of Contemporary American Painting, Contemporary Arts Center, New Orleans, Louisiana; traveled to The New York Academy of Art, New York, New York |
||
|
1986-87 |
Contemporary Cutouts, Whitney Museum of American Art at Philip Morris, New York, New York |
|
|
1986-88 |
Hollywood: Legend and Reality, organized by the Smithsonian Institution Traveling Exhibition Service, National Museum of American History, Smithsonian Institution, Washington D.C.; traveled to Cooper-Hewitt Museum, New York, New York; Center for the Fine Arts, Miami, Florida; Cincinnati Art Museum, Cincinnati, Ohio; Denver Art Museum, Colorado; Los Angeles County Museum of Natural History, Los Angeles, California |
|
|
After Matisse, organized and circulated by Independent Curators Inc., New York, New York; traveled to The Queens Museum, Flushing, New York; The Chrysler Museum, Norfolk, Virginia; Portland Museum of Art, Portland, Maine; Bass Museum of Art, Miami Beach, Florida; The Phillips Collection, Washington D.C.; Dayton Art Institute, Dayton, Ohio; Worcester Art Museum, Worcester, Massachusetts |
||
|
1987 |
The Grand Game of Baseball, Museum of the Borough of Brooklyn, Brooklyn College, Brooklyn, New York |
|
|
The Gleaning Eye: Selections from the Collection of Sandy Seawright, University of North Carolina, Charlotte, North Carolina |
||
|
Friends Collect: Selections from Private Collections of Friends of Art at Colby, Colby College Museum of Art, Waterville, Maine |
||
|
Printmaking: The Third Dimension, The Picker Art Gallery, Colgate University, Hamilton, New York |
||
|
Diamonds Are Forever: Artists and Writers on Baseball, The New York State Museum, Albany, New York |
||
|
Urban Visions: The Contemporary Artist and New York, University Center Gallery, Adelphi University, Garden City, New York |
||
|
After Pollock: Three Decades of Diversity, Iannetti Lanzone Gallery, San Francisco, California |
||
|
1987-88 |
Contemporary Cutouts, Whitney Museum of American Art, Stamford, Connecticut |
|
|
1988 |
Visions/Revisions: Contemporary Representation, Marlborough Gallery, New York, New York |
|
|
John Bernard Myers Memorial Exhibition, Camillos Kouros Gallery, New York |
||
|
1988 Butler Midyear Exhibition, Butler Institute of American Art, Youngstown, Ohio |
||
|
From The Back Room, Saxon-Lee Gallery, Los Angeles, California |
||
|
Homage to Edward Hopper: Quoting the American Realist, Baruch College Gallery, New York, New York |
||
|
Sculpture Inside Outside, Walker Art Center, Minneapolis, Minnesota; traveled to Museum of Fine Arts, Houston, Texas |
||
|
The Artist, the Book and the Child, Lockport Gallery, Illinois State Museum, Lockport, Illinois; traveled to Illinois State Museum, Springfield, Illinois; Chicago Public Library Cultural Center, Chicago, Illinois |
||
|
Un Recorrido Por el Arte Moderno: Seleción de obras del Museo de Arte Contemporaneo de Caracas, Museo de Arte Coro, Coro, Venezuela |
||
|
Alice and Look Who Else, Through the Looking Glass, Bernice Steinbaum Gallery, New York, New York |
||
|
Twentieth-Century Drawings from the Anderson Collection, Stanford University Museum of Art, Stanford, California |
||
|
1989 |
Reagan: Cultural Icon, Center Gallery, Bucknell University, Lewisburg, Pennsylvania |
|
|
Sculpture by Abakanowicz, Botero, Bruskin, Davies, Grooms, Mason, Marlborough Gallery, New York, New York |
||
|
Selections from the Collection of Marc and Livia Strauss, Aldrich Museum of Contemporary Art, Aldrich, Connecticut |
||
|
Sculpture, John Berggruen Gallery, San Francisco, California |
||
|
American Works on Paper III, Spanierman Gallery, New York, New York |
||
|
The Future Now: Art of the Eighties, Bass Museum of Art, Miami Beach, Florida |
||
|
1989-90 |
The Figure, The Arkansas Arts Center, Little Rock, Arkansas |
|
|
1990 |
American Art Today: The City, The Art Museum at Florida International University, Miami, Florida |
|
|
Marlborough en Pelaires, Centre Cultural Contemporani Pelaires, Palma de Mallorca, Spain |
||
|
Fantasy in Fabric: The Artist as Couturier, Modern Art Museum of Fort Worth, Fort Worth, Texas |
||
|
Breakthroughs: Avant-Garde Artists in Europe and America, 1950-1990, Wexner Center for the Arts, Ohio State University, Columbus, Ohio |
||
|
1991 |
Selections from the Mary and Crosby Kemper Collection, Kansas City Art Institute, Kansas City, Missouri |
|
|
Poets/Painters Collaborators, Brooke Alexander Editions, New York, New York |
||
|
Height, Width, Length: Contemporary Sculpture from the Weatherspoon Collection, Weatherspoon Art Gallery, The University of North Carolina, Greensboro, North Carolina |
||
|
1991-92 |
American Realism & Figurative Art: 1952-1991, The Miyagi Museum of Art, |
|
|
Sendai, Japan; traveled in Japan to Sogo Museum of Art, Yokohama; The Tokushima Modern Art Museum, Tokushima; The Museum of Modern Art, Shiga; Kochi Prefectural Museum of Folk Art, Kochi |
||
|
1992 |
Transforming the Western Image, Palm Springs Desert Museum, Palm Springs, California |
|
|
On Paper, Marlborough Gallery, New York, New York |
||
|
City Views, University Art Gallery, Staller Center for the Arts, State University of New York, Stony Brook, New York |
||
|
Cocart, Bianca Pilat, Milan, Italy |
||
|
From America’s Studio: Twelve Contemporary Masters, The School of Art Institute of Chicago, Chicago, Illinois |
||
|
Wild and Wonderful!, Fletcher/Priest Gallery, Worcester, Massachusetts |
||
|
Contemporary Realist Watercolor, Sewall Art Gallery, Rice University, Houston, Texas |
||
|
Quotations: The Second History of Art, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut |
||
|
Figures of Contemporary Sculpture: Images of Man, Isetan Museum of Art, Tokyo; |
||
|
traveled to Damanu Muesum, Umeda-Osaka; Hiroshima City Museum of Contemporary Art, Hiroshima |
||
|
1992-93 |
Parallel Visions: Modern Artists and Outsider Art, Los Angeles County Museum of Art, Los Angeles, California; traveled to Centro de Renia Sofía, Madrid, Spain; Kunsthalle Basel, Basel, Switzerland; Setagaya Art Museum, Setagaya, Japan. |
|
|
1993 |
The Purloined Image, The Flint Institute of Art, Flint, Michigan |
|
|
11th Benefit Art Auction, Museum of Contemporary Art, Chicago, Illinois |
||
|
1994 |
Figures de l’Art d’Aujourd’hui, Galerie Marwan Hoss, Paris, France |
|
|
Art After Art, Nassau County Museum of Art, Long Island, New York |
||
|
New York Realism: Past & Present, Fukishima Prefectorial Museum of Art, The Japan Association of Art Museums, Tokyo, Japan, traveled to Odakyu Museum, Tokyo; Kagoshima City Museum of Art, Kagoshima; Kitakyushu Municipal Museum of Art, Kitakyushu; The Museum of Art, Kintetsu, Osaka; Fukushima Prefectoral Museum of Art, Fukushima, Japan. |
||
|
Debut: Selections from the Permanent Collection of Kansas City Art Institute, Kemper Museum of Contemporary Art, Kansas City Art Institute, Kansas City, Missouri |
||
|
Civic Virtues: Lights! Color! Action!, Nations Bank Plaza, Charlotte, North Carolina |
||
|
1994-95 |
Kenneth Koch: Collaborations with Artists, Tibor de Nagy Gallery, New York, New York |
|
|
1995 |
Il cinema amaggio di primi 100 anni del cinema, Galleria d’arte il gabbiano, Roma, Italy |
|
|
1996 |
Town and Country: In Pursuit of Life’s Pleasures, Nassau County Museum of Fine Art, Roslyn Harbor, New York |
|
|
On Paper, Galleria d’arte il gabbiano, Rome, Italy |
||
|
1997 |
Wit, Whimsy, and Humor, Castle Gallery, College of New Rochelle, New York |
|
|
CityScapes, Marlborough Gallery, New York |
||
|
ART 1997 CHICAGO: 5th Annual Expo of International Galleries Featuring Modern |
||
|
and Contemporary Art, Navy Pier, Chicago, Illinois |
||
|
1998 |
Coming Off the Wall, The Susquehanna Art Museum, Harrisburg, Pennsylvania |
|
|
Les Champs de la Sculpture II, Champs Elysées Avenue, Paris, France |
||
|
1999 |
Outward Bound: American Art at the Brink of the Twenty-First Century, Meridian International Center |
|
|
2000 |
Déjà vu: Reworking the Past, Katonah Museum of Art, Katonah, New York. |
|
|
On Paper: Selected Drawings of the 19th and 20th Centuries, Marlborough Gallery, New York |
||
|
The Figure: Another Side of Modernism, Newhouse Center for Contemporary Art, Staten Island, New York |
||
|
Paintings, Marlborough Gallery, New York; traveled to Marlborough Monte-Carlo, Monaco |
||
|
American Sculpture, International Sculpture Festival of Monte-Carlo, Monte-Carlo, Monaco |
||
|
Carnivalesque, Brighton Museum and Art Gallery, Brighton, England; traveled to Fabrica, Brighton, England; University Gallery, Brighton, England; Castle Museum and Art Gallery, Nottingham, England; Djanogly Art Gallery, Nottingham, England; City Art Centre, Edinburgh, Scotland |
||
|
Summer Show, Marlborough Gallery, New York, New York |
||
|
Self-Made Men, DC Moore Gallery, New York, New York |
||
|
Out of the Fifties — into the Sixties: 6 Figurative Expressionists, Michael Rosenfeld Gallery, New York, New York |
||
