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Group
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MICHELE OKA DONER |
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GROUP EXHIBITIONS |
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2000 |
Women Designers in the USA, 1900-2000: Diversity and Difference, Bard Graduate Center, New York City (cat.; traveling exhibition) |
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Firing Cycle:50 years of Clay at the Potters Guild, Slusser Gallery, Ann Arbor, MI |
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Double Debut, Willoughby Sharp Gallery, New York, NY |
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Anableps, Studio Stefania Miscetti, Rome, Italy |
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1999 |
Heroines and Heroes, Cynthia Broan Gallery, New York, NY |
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New Editions Outdoors, Grounds For Sculpture, Hamilton, NJ |
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Dysfunctional Sculpture, Center For Creative Studies, Detroit, MI |
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1998 |
Collaboration: Celebrating 25 Years of Miami-Dade Art in Public Places, Miami-Dade Cultural Center, Miami, FL (brochure) |
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Acts of Faith, Abraham Lubelski Gallery, New York, NY |
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Born of Clay, Garth Clark Gallery, New York, NY |
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1997 |
Illuminations, Museum of Contemporary Art, North Miami, FL |
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Figure and Fragility, Franklin Parrasch Gallery, Inc., New York, NY |
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Form/Function or Metaphor, Paint Creek Center for the Arts, Rochester, MI |
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1996 |
Bare Witness: Clothing and Nudity, Metropolitan Museum of Art, New York, NY |
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1995 |
Body Language, National Design Museum, New York, NY |
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Art and Architecture = Miami, Center of Contemporary Art, Miami, FL |
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Back From Vacation, Art et Industrie, New York, NY |
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1994 |
Debut, Selections from the Permanent Collection, Kemper Museum of Contemporary Art and Design, Kansas City, MO |
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Mirrors, The second Parrish Art Museum Biennial, Southampton, NY |
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Art + Architecture: Philadelphia Criminal Justice Center, Philadelphia Art Alliance, Philadelphia, PA |
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1993 |
Palle, Galleria Stefania Miscetti, Rome, Italy |
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Linen, Fashion Institute of Technology, New York, NY |
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Industrial Elegance, Guggenheim Museum, New York, NY |
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Grounds For Sculpture, Atlantic Foundation, Hamilton, NJ |
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Sixties Ceramics From the Permanent Collection, American Craft Museum, New York, NY |
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Transcending Boundaries: An Aesthetic Exploration of Materials, Elsa Mott Ives Gallery, New York, NY |
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Two Decades of Public Art 1973-1993, Miami Dade Public Library, Main Branch, Miami, FL |
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Essentials, Charles Cowles Gallery, New York, NY |
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Formed by Fire, Carnegie Museum of Art, Pittsburgh, PA |
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Art/Functional Art, Turbulence Gallery, New York, NY |
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Dolls in Art: A Metaphor for Personal Identity, Haggerty Museum, Marquette University, Milwaukee, WI |
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1992 |
Architecture and Art, International Contemporary Art Fair,Yokohama, Japan |
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Reperti, National Museum of Fine Arts, Rio de Janeiro, Brazil |
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Design Resource, National Design Museum, New York, NY |
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1991 |
New Acquisitions, 20th C. American, Art Institute of Chicago, Chicago, IL |
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Weathervanes, The First Parrish Art Museum, Charlottesville, VA |
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Recent Acquisitions, National Design Museum, New York, NY |
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Magnets, Loren & Pere, New York, NY |
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1990 |
Project Rembrandt, Fashion Institute of Technology, New York, NY |
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The Human Icon, Baylor Museum, Charlottesville, VA |
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1989 |
Ceramic Traditions: The Figure, Palo Alto Cultural Center, Palo Alto, CA |
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A Different War, Whatcom Museum of Natural History and Art, Belingham, WA |
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1988 |
Counterparts: Tables and Still Lifes, Alice Simsar Gallery, Ann Arbor, MI |
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Interaction: Science and Art, The Squibb Gallery, Princeton, NJ |
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Art in Architecture, AIA National Convention, IDCNY, Long Island City, NY |
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In Bloom, BMW Gallery, New York, NY |
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1987 |
The Eloquent Object, The Philbrook Museum of Art, Tulsa, OK |
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Small Scale Sculpture, Woodruff Arts Center, Atlanta, GA |
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Inaugural Exhibition, Art en Industrie, New York, NY |
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1986 |
Proposals for Ocean Park, Sculpture Fainalists, Santa Monica, CA |
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Art Aid, Sotheby’s Exhibit and Auction, New York, NY |
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Artists Interpret Utility, Detroit Artists’ Market, Detroit, MI |
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1985 |
Artist’s Furniture, Lyric Theatre, Baltimore, MD |
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Artist’s Toys, Vanderwoude-Tananbaum, New York, NY |
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Sculpture in Architecture, Germans Van Eck Gallery, New York, NY |
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Soul Catchers, Stellweg/Seguy Gallery, New York, NY |
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1984 |
Artist’s Toys, Vanderwoude-Tananbaum, New York, NY |
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The Red Studio, New York, NY |
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Disarming Images, Contemporary Arts Center, Cincinnati, OH |
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Forms That Function, Katonah Museum, Katonah, NY |
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Affirmation Of Life, Kenkeleba House, New York, NY |
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1983 |
Artist’s Call, Judson Church, New York, NY |
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Patrick Lannon Collection, Lake Worth Museum, Lake Worth, FL |
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Ritual, Myth, Symbol, Detroit Artists’ Market, Detroit, MI |
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Sculpturesites, Amagansett, NY |
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1982 |
Detroit Collects Art, Detroit Institute of Arts, Detroit, MI |
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1981 |
The Mask as Metaphor, Craft and Folk Art Museum, Los Angeles, CA |
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Instruction Drawings, The Gilbert and Lila Silverman Collection, Cranbrook Academy of Art Museum, Bloomfield Hills, MI |
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1980 |
Image and Object in Contemporary Sculpture, P.S.1: Institue of Art and Urban Resources, Long Island City, NY |
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1979 |
The Unpainted Portrait, John Michael Kohler Arts Center, Sheboygan, WI |
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1977 |
Michigan Collects Art, Pontiac Creative Arts Center, Pontiac, MI |
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1976 |
Objects: USA, The Johnson Collection, Museum of Contemporary Crafts, New York, NY |
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1975 |
Dolls and Other Effigies, John Michael Kohler Arts Center, Sheboygan, WI |
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1974 |
Michigan Focus, Detroit Institute of Art, Detroit, MI |
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Fantastic Reality, Richard Nash Gallery, Seattle, WA |
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1973 |
The Plastic Earth, John Michael Kohler Arts Center, Sheboygan, MI |
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1972 |
Form, Space, Energy, Meadowbrook Art Gallery, Oakland University, Rochester, MI |
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1971 |
All Michigan, Flint Institute of Arts, Flint, MI |
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1970 |
58th Exhibition for Michigan Artists, The Detroit Institute of Arts, Detroit, MI |
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1968 |
Objects: USA, National collection of Fine Arts, Smithsonian Institute, Washington, DC (cat.; traveling exhibition) |
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Selected Images, Detroit Artists’ Market, Detroit, MI |
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