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BEVERLY PEPPER
Selected Commissions and Installations
1962
Spoleto, Italy, Festival dei Due Mondi: Icarus, Stainless steel, 18’ high.
1963
New York, William Kaufman Company, U.S. Plywood Building: Contrappunto. Stainless steel, 18’ high.
1964
Rehovoth, Isreal, Weizmann Institute: Kennedy Memorial. Stainless steel and basalt, 30’ high.
1966
Memphis, TN, Southland Mall: Strands of Mirror. Stainless steel, 23 1/2" high.
1969
Atlanta, GA: Flags Over Georgia, Torre. Stainless steel, 10’ high.
1971
Boston, MA, Government Center: Sudden Presence. Cor-ten steel, 21 1/2" long.
Dallas, TX, North Park: Land Canal-Hillside. Corten steel and planting, 280’ long.
1972
New York, G. Oestreicher Company: Paraclete. Corten steel, 192" x 108" x 342".
1973
Albany, NY, Albany Mall: Compound. Stainless steel, 92" x 200" x 50".
1974
New York State Council on the Arts, New York State Award: Council. Stainless steel, edition of 10.
Reynolds Metals Company, R.S. Reynolds Memorial Award, Sculpture. Aluminum, edition of 2.
1974-76
Philadephia, PA, Federal Reserve Bank: Phaedrus. Painted steel, 62’ long.
1974-76
Bedminster, NJ, AT&T Long Lines Building: Amphisculpture. Concrete and ground covering, 270’ diameter x 14’ deep x 8’ high.
1975
San Diego, CA, San Diego Federal Building: Excalibur. Painted steel, 35’ x 45’ x 45’.
1975-77
Hanover, NH, Dartmouth College: National Endowment for the Arts Award, Thel. Corten steel and ground covering: 103’ long x 38’ wide 12’ high.
1978
Niagara Falls, NY, The Carborundum Company: Palimpsest 6. Award, sculpture. Stainless steel, edition of 6.
1979
Toledo, OH, City Hall: Major Ritual II. Painted steel, 14’ x 35’.
Seattle, WA, Physiocontrol Company: Ascension/Descension. Painted steel, 50’.
Todi, Perugia, Italy: Anfiscultura II.
Toledo, OH, Toledo Civic Center: National Endowment, Arts Grant: Major Ritual. Painted steel, 13’ x 22’ 6" x 14’ 6".
Buffalo, NY, Buffalo Convention Center: Maxi Zig Zag, Stainless steel, 92" x 91" x 28".
1981
Trenton, NJ, Richard J. Hughes Justice Complex: Symbiotic Marker, cast ductile iron, 45’ 1" high, 20" widest, Mute Metaphor, cast ductile iron, 33’ high, 3’ widest, Primary Presence, cast ductile iron, 26’ high, 2’ 2" widest.
1982
Houston, Texas, Four-Leaf Towers, Cesar Pelli, architect: Houston Sentinels, cast ductile iron, 60’ high.
1983
New York, Museum Tower, Museum of Modern Art
New York, Metropolitan Museum of Art, Triad, cast iron, 10’ 6" high
Virginia Polytechnic Institute & State University, Blacksburg, VA, Polytech Marker, cast steel, 11’ high
New York, Doris C. Freedman Plaza, Central Park, "Messenger Series," ductile iron; Interrupted Messenger, 29’ high; Measured Presence, 24’; Volatile Messenger, 27’; Valley Marker, 25’ 8". 3,500 to 3,800 pounds. Public Art Fund, Inc., and New York City Department of Parks. Through June 1984.
1982-85
Pontiac, MI, Phoenix Center, National Sculpture Award: 70’ long.
1983-85
Laumeier International Sculpture Park, St. Louis, MO: Gromech Glen, sod and earth amphitheatre, 200’ diameter.
1983-84
Baltimore, MD, Johns Hopkins Hospital: Great Ascension. Steel painted Selected Commissions and Installations, white: 59’ long, 15’ high.
1983-84
New York, Memorial Sloan-Kettering Cancer Center: Genesis, cast bronze metal.
1983-84
Buffalo, NY, University of Buffalo: Vertical Presence-Grass Dune. Site sculpture, sod and steel: 62’ column rising out of 150 diameter sod and steel sculpture.
1984
First Interstate Center, Seattle, WA: Claudio Column, 9’6", Deere Split Column, 8’5 1/2", Lima Marker III, 9’6", Mauro Column II, 8’8", Triangle Sentinel I, 10’ 7".
1985
Corcoran Gallery of Art, Washington, DC: Maia Toltec. 17’ column.
Top Gallant Farm, Pawling, NY: group installation.
1985-86
Iowa State University, Ames, Iowa: Janus Agri Altar. Patinated bronze: 14’ high.
1986
Barcelona, Spain: Sol y Ombra Park. Specific site land sculpture, sod, ceramic tiles and trees.
1987-88
Koll Center, Irvine, CA: group installation, Roman Ritual, 12’ H, Normanno Wedge, 17’ H, Basalt Ritual, 7’11" H.
1989-90
Villa Cella, Pistoia, Italy, cast iron and sod, 70’ x 16’ x 200’.
1988
Bedford Properties, Fremont, CA, The Bedford Project at Ardenwood; Site specific sculptural installation on 3 1/2 acres.
1990
JMB Urban Development Company, Los Angeles, CA, cast bronze, 26’ x 32’ x 20’.
1990-91
Lonny Ganz & Associates, Marina Del Rey, CA., Homage to Chaos, cast bronze, 26’ high.
1990-91
Smithsonian Institution, Washington, D.C., National Museum of American Art, Ternana Altar II; cast ductile iron and steel: 7’8 2/3" high
1991
Urban Land Institute, Washington, D.C., Painting: 7’ x 28’, Detroit Institute of Arts, Detroit, MI: Normanno Wedge I, steel
1992
Neo-Hodos, Adachi-ku Machizukuri Corporation, AdachiCity, Tokyo, Japan; Gotanno Community Park, site specific sculpture made of cast iron, sod, earth and wood, 12’ x 96’ x 65’
United States National Arboretum, Friendship Garden, Washington, D.C., Split Ritual, ductile cast iron, 10’ high x 8’ deep.
Societe des Amis du National d’Art Moderne, Centre Georges Pompidou, 3 panel screen, cast aluminum, 80" high, edition of 8.
Credit-Suisse, Zurich, Switzerland, site-specific sculpture, Palingenesis.
General Services Administration, New York, NY, "The Garden at 26 Federal Plaza"; 200’ L x 15’H wall relief and seventeen sculptures; 7’ - 16’H
1993
University of Michigan, Ann Arbor, Michigan, "Triad Ritual"; ductile cast iron, 12’H
Public Art Fund, Battery Park City Authority, New York, NY, Cleopatra’s Wedge; steel; 18’6" H x 6’4 1/8" x 3’ 2 1/2" D.
1994
Jerusalem Foundation, Jerusalem, Israel; "Jerusalem Ritual"; four ritual sculptures, 14’8" H 10’ D
1995
Kitakyusha-city, Japan, "Kitakyushi Polygenesis"; cor-ten steel, 25 meters H
Venice, Italy, The Todi Columns
General Services Administration, Kansas City, MO, Charles Evans Whittaker U.S. Courthouse
1996
Grounds for Sculpture, Mercerville, NJ, Split Ritual II, 1992; four ductile cast iron columns, 10’ high x 8’ diameter
Works in Public Collections, United States
Albany, NY, Albany Mall
Ames, IA, University of Iowa, Ames
Ann Arbor, MI, University of Michigan
Bellingham, WA, Western Washington University’s Outdoor Museum
Birmingham, AL, Birmingham Museum of Art
Boston, MA, Boston Museum of Fine Arts
Buffalo, NY, Albright-Knox Art Gallery
Cambridge, MA, Fogg Museum
Massachusetts Institute of Technology
Davenport, IA, Davenport Art Gallery
Detroit, MI, Detroit Institue of Arts
Ghent, NY, The Fields at ART/OMI Sculpture Park
Hanover, NH, Dartmouth College
Indianapolis, IN, Indianapolis Museum of Art
Jacksonville, FL, Jacksonville Museum of Art
Lincoln, NE, De Cordova Museum and Sculpture Park
Minneapolis, MN, Walker Art Center
Milwaukee, WI, Milwaukee Arts Center
New Brunswick, NJ, Rutgers University
New York, NY, Metropolitan Museum of Art
Olcott, NY, Charles Rand Penney Foundation
Parkersburg, WV, Parkersburg Art Museum
Poughkeepsie, NY, Vassar College
Rochester, NY, Rochester Art Museum
St. Louis, MO, Laumeier Sculpture Park
San Diego, CA, San Diego Federal Building
South Hadley, MA, Mount Holyoke College
Syracuse, NY, Everson Museum of Art
Toledo, OH, Toledo City Hall
Washington, DC, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution National Museum ofAmerican Art
National Arboretum
Worcester, MA, Worcester Art Museum
Works in Public Collections, Abroad
Australia, Power Institute of Fine Art, Sydney
Austria, Albertina Museum, Vienna
France, Societe des Amis du National d’Art Moderne, Centre Georges Pompidou, Paris
Israel, Weizmann Institute, Rehovath
Jerusalem Foundation, Jerusalem
Italy, Galleria d’Arte Moderna, Florence
Galleria Civica d’Arte, Turin
Fattoria Celle, Pistoia
Florence Museum of Art
Japan, Neo-hodos, Adachi-ku Machizukuri, Tokyo
Spain, Barcelona Museum of Modern Art
City of Barcelona, Estacion del Norte
Contemporary Art Collection, U. S. Embassy Residence, Madrid
Sweden, Instituto Italiano di Cultura, Stockholm