Marlborough Gallery - Pablo Picasso: Celebrating the Muse: Women in Picasso’s Prints from 1905-1968

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    <dt>Pablo Picasso</dt> <dt class="title">Tête de femme<em>, 1905</em></dt><dd class="series information"><p>Etching<br />
Plate: 4 3/4 x 3 1/4 inches<br />
Sheet: 19 1/8 x 13 inches<br />
From the <em>Saltimbanques</em> suite. An impression on Japan paper, one of 27 or 29 impressions on this paper, printed by Fort in 1913, from a total edition of about 279</p></dd><dd class="reference information"><p>Cat. No. 1</p>
<p>Ref: Bloch 2; Geiser/Baer 3</p></dd><dd class="additional information"><p>© 2010 Estate of Pablo Picasso /  Artists Rights Society (ARS), <st1:place w:st="on"><st1:state w:st="on">New  York</st1:state></st1:place></p></dd>
  • Pablo Picasso
    Tête de femme, 1905

    Etching
    Plate: 4 3/4 x 3 1/4 inches
    Sheet: 19 1/8 x 13 inches
    From the Saltimbanques suite. An impression on Japan paper, one of 27 or 29 impressions on this paper, printed by Fort in 1913, from a total edition of about 279

    Cat. No. 1

    Ref: Bloch 2; Geiser/Baer 3

    © 2010 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

    More work by Pablo Picasso

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  • <dt>Pablo Picasso</dt> <dt class="title">Tête de femme<em>, 1905</em></dt><dd class="series information"><p>Etching<br />
Plate: 4 3/4 x 3 1/4 inches<br />
Sheet: 19 1/8 x 13 inches<br />
From the <em>Saltimbanques</em> suite. An impression on Japan paper, one of 27 or 29 impressions on this paper, printed by Fort in 1913, from a total edition of about 279</p></dd><dd class="reference information"><p>Cat. No. 1</p>
<p>Ref: Bloch 2; Geiser/Baer 3</p></dd><dd class="additional information"><p>© 2010 Estate of Pablo Picasso /  Artists Rights Society (ARS), <st1:place w:st="on"><st1:state w:st="on">New  York</st1:state></st1:place></p></dd>
  • <dt>Pablo Picasso</dt> <dt class="title">Les Saltimbanques<em>, 1905</em></dt><dd class="series information"><p>Drypoint<br />
Plate: 11 3/8 x 12 7/8 inches<br />
Sheet: 19 3/4 x 25 5/8 inches<br />
A very fine proof impression with strong burr before steel facing, inscribed in the lower edge of the sheet ‘1er état avant ac-angles aigus. HP’ on heavy wove paper, printed by Fort in 1913 before the plate was steel faced and printed in an edition of about 279</p></dd><dd class="reference information"><p>Cat. No. 6<br />
Ref: Bloch 7; Geiser/Baer 9</p></dd><dd class="additional information"><p><span class="standardfont"><font size="3" face="Times New Roman"><span style="font-size: 12pt;">© </span></font></span>2010 Estate of Pablo Picasso /  Artists Rights Society (ARS), <st1:place w:st="on"><st1:state w:st="on">New  York</st1:state></st1:place></p></dd>
  • <dt>Pablo Picasso</dt> <dt class="title">Salomé<em>, 1905</em></dt><dd class="series information"><p>Drypoint<br />
Plate: 15 3/4 x 13 3/4 inches<br />
Sheet: 25 1/2 x 19 5/8 inches<br />
A fine proof impression before steel facing on heavy wove paper (without watermark), printed by Fort in 1913 before the steel faced edition of about 279</p>
<p> </p>
<p>As a drypoint, this rare impression of Salomé printed before steel facing reflects Picasso’s highest achievement among his early prints in terms of technical handling, especially in the rendering of volume, which contrasts with the startling emptiness</p></dd><dd class="reference information"><p>Cat. No. 8<br />
<br />
Ref: Bloch 14; Geiser/Baer 17</p></dd><dd class="additional information"><p>© 2010 Estate of Pablo Picasso /  Artists Rights Society (ARS), <st1:place w:st="on"><st1:state w:st="on">New  York</st1:state></st1:place></p></dd>
  • <dt>Pablo Picasso</dt> <dt class="title">Visage [Visage de Marie-Thérèse]<em>, 1928</em></dt><dd class="series information"><p>Lithograph<br />
Image: 8 x 5 5/8 inches<br />
An impression on large format Japan paper,<br />
aside from the total edition of 225</p></dd><dd class="reference information"><p>Ref: Bloch 95; Geiser/Baer 243; Morluot XXII</p></dd><dd class="additional information"><p>© 2010 Estate of Pablo Picasso /  Artists Rights Society (ARS), <st1:place w:st="on"><st1:state w:st="on">New  York</st1:state></st1:place><st1:place w:st="on"><st1:state w:st="on"></st1:state></st1:place></p></dd>
  • <dt>Pablo Picasso</dt> <dt class="title">Femme nue devant une statue<em>, 1931</em></dt><dd class="series information"><p>From the <em>Suite Vollard</em><br />
Etching<br />
Plate: 12 1/4 x 8 7/8 inches<br />
Sheet: 19 5/8 x 15 1/4 inches<br />
Signed in pencil, from the deluxe edition of 50 on large format paper (before the regular edition of 260) on Montval laid paper</p></dd><dd class="reference information"><p>Cat. No. 34</p>
<p>Ref: Bloch 139; Geiser/Baer 205; SV 6</p></dd><dd class="additional information"><p><span class="standardfont"><font size="3" face="Times New Roman"><span style="font-size: 12pt;">© </span></font></span>2010 Estate of Pablo Picasso /  Artists Rights Society (ARS), <st1:place w:st="on"><st1:state w:st="on">New  York</st1:state></st1:place></p></dd>
  • <dt>Pablo Picasso</dt> <dt class="title">Quatre femmes nues et tête sculptée [Femmes entre alles avec voyeur sculpté. Clin d'oeil au "Bain Turc"]<em>, 1934</em></dt><dd class="series information"><p>From the <em>Suite Vollard</em><br />
Etching, grattoir and burin<br />
Plate: 8 3/4 x 12 1/4 inches<br />
Sheet: 15 x 19 3/4 inches<br />
Signed in pencil from the deluxe edition of 50 on large format paper (before regular edition of 260) on Montval laid paper</p></dd><dd class="reference information"><p>Cat. No. 58b</p>
<p>Ref: Bloch 219; Geiser/Baer 424; SV 82</p></dd><dd class="additional information"><p><span class="standardfont"><font size="3" face="Times New Roman"><span style="font-size: 12pt;">© </span></font></span>2010 Estate of Pablo Picasso /  Artists Rights Society (ARS), <st1:place w:st="on"><st1:state w:st="on">New  York</st1:state></st1:place></p></dd>
  • <dt>Pablo Picasso</dt> <dt class="title">La Minotauromachie<em>, 1935</em></dt><dd class="series information"><p>Etching, grattoir and burin<br />
Plate: 19 1/2 x 27 1/2 inches<br />
A fine, rich impression, signed in ink and numbered 32/50<br />
<br />
 </p></dd><dd class="reference information"><p>Cat. No. 67</p>
<p> </p>
<p>Ref: Bloch 288; Geiser/Baer 573; Goeppert-Frank p. 111</p>
<p>Ex coll.: Rex Nankivell</p>
<p>Exhibited: Mexico, Museo Rufino Tamayo Arte Contemporáneo Internacional, <em>Los Picassos de Picasso en México: Una Exposición Retrospectiva</em>, 1982, cat no. 70</p>
<p>Collection Nelson Blitz Jr. and Catherine Woodard, New York</p></dd><dd class="additional information"><p>© 2010 Estate of Pablo Picasso /  Artists Rights Society (ARS), <st1:place w:st="on"><st1:state w:st="on">New  York</st1:state></st1:place></p></dd>
  • <dt>Pablo Picasso</dt> <dt class="title">La Femme au tambourin</dt><dd class="series information"><p>1938/1939</p>
<p> </p>
<p>Aquatint with grattoir, fifth (final) state</p>
<p> </p>
<p>Image: 26 1/8 x 20 1/4 inches</p>
<p> </p>
<p>Sheet: 30 x 22 1/4 inches</p>
<p> </p>
<p>A fine impression, signed in ink and inscribed ‘épreuve d’auteur’, aside from the</p>
<p> </p>
<p>numbered edition of 30</p>
<p> </p></dd><dd class="reference information"><p>Cat. No. 68<br />
<br />
Ref: Bloch 310; Geiser/Baer 646</p></dd><dd class="additional information"><p>© 2010 Estate of Pablo Picasso /  Artists Rights Society (ARS), <st1:place w:st="on"><st1:state w:st="on">New  York</st1:state></st1:place></p></dd>
  • <dt>Pablo Picasso</dt> <dt class="title">La Femme qui pleure. I<em>, 1937</em></dt><dd class="series information"><p>Etching, aquatint, drypoint and grattoir<br />
Plate: 27 3/16 x 19 7/8 inches<br />
A fine impression with rich burr of the 6th state, signed in pencil and numbered 14/15, on Montval paper<br />
<br />
Collection Nelson Blitz Jr. and Catherine Woodard, New York</p></dd><dd class="reference information"><p>Cat. No. 74<br />
<br />
Ref: Bloch 1333; Geiser/Baer 623</p></dd><dd class="additional information"><p>© 2010 Estate of Pablo Picasso /  Artists Rights Society (ARS), <st1:place w:st="on"><st1:state w:st="on">New  York</st1:state></st1:place></p></dd>
  • <dt>Pablo Picasso</dt> <dt class="title">L’Italienne<em>, 1953</em></dt><dd class="series information"><p>Lithograph<br />
Sheet: 25 3/4 x 19 5/8 inches<br />
Image: 17 3/4 x 13 7/8 inches<br />
Signed in pencil, a proof impression from the second (final) state, on Arches wove paper, aside from the edition of 50</p></dd><dd class="reference information"><p>Cat. No. 82</p>
<p>Ref: Bloch 740; Mourlot 238</p></dd><dd class="additional information"><p><span class="standardfont"><font size="3" face="Times New Roman"><span style="font-size: 12pt;">© </span></font></span>2010 Estate of Pablo Picasso /  Artists Rights Society (ARS), <st1:place w:st="on"><st1:state w:st="on">New  York</st1:state></st1:place></p></dd>
  • <dt>Pablo Picasso</dt> <dt class="title">Tête de femme [Portrait de Jacqueline de face. I]</dt><dd class="series information"><p>1961/1962<br />
Color linocut<br />
Image: 25 1/4 x 20 7/8 inches<br />
Sheet: 29 1/2 x 24 1/2 inches<br />
Signed in pencil and numbered from the edition of 50</p></dd><dd class="reference information"><p>Cat. No. 90<br />
<br />
Ref: Bloch 1064; Geiser/Baer 1278</p></dd><dd class="additional information"><p>© 2010 Estate of Pablo Picasso /  Artists Rights Society (ARS), <st1:place w:st="on"><st1:state w:st="on">New  York</st1:state></st1:place></p></dd>
  • <dt>Pablo Picasso</dt> <dt class="title">Le Chapeau à fleurs [Jacqueline au chapeau à fleurs. II]<em>, 1963</em></dt><dd class="series information"><p>Color linocut<br />
Image: 21 x 15 3/4 inches<br />
Sheet: 24 1/2 x 17 1/4 inches<br />
Signed in pencil and numbered from the edition of 50</p></dd><dd class="reference information"><p>Cat. No. 100</p>
<p>Ref: Bloch 1149; Geiser/Baer 1304.II</p></dd><dd class="additional information"><p><span class="standardfont"><font size="3" face="Times New Roman"><span style="font-size: 12pt;">© </span></font></span>2010 Estate of Pablo Picasso /  Artists Rights Society (ARS), <st1:place w:st="on"><st1:state w:st="on">New  York</st1:state></st1:place></p></dd>
  • <dt>Pablo Picasso</dt> <dt class="title">Jacqueline lisant<em>, 1964</em></dt><dd class="series information"><p>Linocut<br />
Image: 25 1/4 x 20 7/8 inches<br />
Sheet: 28 5/16 x 23 inches<br />
Signed and numbered from the edition of 50</p></dd><dd class="reference information"><p>Cat. No. 102<br />
<br />
Ref: Bloch 1181; Geiser/Baer 1292</p></dd><dd class="additional information"><p>© 2010 Estate of Pablo Picasso /  Artists Rights Society (ARS), <st1:place w:st="on"><st1:state w:st="on">New  York</st1:state></st1:place></p></dd>
  • <dt>Pablo Picasso</dt> <dt class="title">Femme assise dans un fauteuil [Portrait de Jacqueline au fauteuil]<em>, 1966</em></dt><dd class="series information"><p>Aquatint, etching, grattoir, and drypoin<br />
Plate: 18 3/4 x 12 3/4 inches<br />
Sheet: 24 3/4 x 17 7/8 inches<br />
Signed in pencil and numbered from the edition of 50</p></dd><dd class="reference information"><p>Cat. No. 125</p>
<p>Ref: Bloch 1394; Geiser/Baer 1416</p>
<p> </p></dd><dd class="additional information"><p>© 2010 Estate of Pablo Picasso /  Artists Rights Society (ARS), <st1:place w:st="on"><st1:state w:st="on">New  York</st1:state></st1:place></p></dd>
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Exhibition

Pablo Picasso: Celebrating the Muse: Women in Picasso’s Prints from 1905-1968

Mar 23 2010-May 08 2010

Over 200 prints by Pablo Picasso in a variety of print-making techniques - etching, drypoint, linocut and lithography – that explore the theme of woman as muse in these media. Marlborough’s exhibition is the first comprehensive overview of this subject as specifically depicted in Picasso’s graphic oeuvre. The show will feature works spanning his entire career from his first print, Le Repas frugal, 1905, to selections from the tour-de-force of his late period, the Suite 347 of 1968.

A 192 page fully illustrated catalogue is available for purchase. The catalogue features an essay by Marilyn McCully, a detailed chronology of Picasso's printmaking, and a comprehensive checklist of all 205 works in the exhibition. E-mail us at mny@marlboroughgallery.com for more information or to order a copy.

Marilyn McCully taught art history at Princeton University, 1974-81, and since then has worked in London as an independent scholar and editor. She has organized exhibitions in Princeton, Washington and New York, London, Ferrara, Málaga, Istanbul, Auckland and Japan. Current projects include Picasso exhibitions for the Frick Collection, New York, and the National Gallery, Washington (2011), and for the Van Gogh Museum, Amsterdam, in collaboration with the Museu Picasso, Barcelona (also 2011).

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