Red Grooms

General

  • The artist lives and works in New York.

  • 1957Hans Hoffman School of Fine Arts, Provincetown, Massachusetts

  • 1956George Peabody College for Teachers, Nashville, Tennessee New School for Social Research, New York, New York

  • 1955School of the Art Institute of Chicago, Chicago, Illinois

  • 1937Born in Nashville, Tennessee

Awards

  • 2011Honoree, Open House New York, New York, New York, United States

  • 2003Lifetime Achievement Award, National Academy of Design, New York, New York, United States

  • 2000Elected member, American Academy of Arts & Letters, New York, New York, United States

  • 1996Art Masters Award, Artist Award for Sculpture, American Artist Magazine, New York, New York, United States

  • 1990Founders' Medal, Pennsylvania Academy, Philadelphia, Pennsylvania, United States

  • 1988Award of Honor, The Mayor’s Awards for Arts and Culture, New York, New York, United States

  • 1986Ten Best Illustrated Children’s Books Award, The New York Times, New York, New York, United States

  • 1986Governor’s Award in the Arts, State of Tennessee, Nashville, Tennessee, United States

  • 1986Gold Medal Honor, National Arts Club, New York, New York, United States

  • 1985President’s Award, Rhode Island School of Design, Providence, Rhode Island, United States

  • 1982Brickie Award, Lower Manhattan Cultural Council, New York, New York, United States

  • 1982Artists of the Year Award, 3rd Annual Arts Education Convention, Art Teachers of New York, New York, New York, United States

  • 1970Creative Artist Program Service Grant for Film, The New York State Council on the Arts, New York, New York, United States

  • 1968Grant, Ingram Merrill Foundation, New York, New York, United States

  • 1951The Scholastic Art and Writing Award, Scholastic Inc., New York, New York, United States

Biennials

  • 198518th Biennale, Middelheim Open Air Museum of Sculpture, Antwerp, Belgium

  • 1980"Drawings: The Pluralist Decade," 39 Esposizione Internazionale d’Arte, La Biennale di Venezia, Venice, Italy. Traveled to Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania

  • 196827 Esposizione Internazionale d’Arte, La Biennale di Venezia, Venice, Italy

Solo Exhibitions

  • 2013Red Grooms: Larger Than Life, Yale University Art Gallery, New Haven, Connecticut, United States.

  • 2013Red Grooms' New York City, Children's Museum of Manhattan, New York, New York, United States.

  • 2013Red Grooms: What's the Ruckus, Brattleboro Museum & Art Center, Brattleboro, Vermont, United States.

  • 2012Red Grooms: Torn from the Pages, Marlborough Gallery , New York, New York, United States.

  • 2011Red Grooms, New York: 1976-2011, Marlborough Gallery, New York, New York, United States.

  • 2010Old Masters and Modern Muses: Red Grooms’s Portraits of Artists, 1957-2009, Bryn Mawr College, Bryn Mawr, Pennsylvania, United States.

  • 2009Red Grooms: Dancing, Marlborough Chelsea, New York, New York, United States.

  • 2008Red Grooms: In the Studio, Hudson River Museum, Yonkers, New York, United States.

  • 2007Red Grooms: Recent Paintings, Marlborough Gallery, New York, New York, United States.

  • 2005Nassau Red! Red Grooms: Ruckus in Roslyn, Nassau County Museum of Art, Roslyn Harbor, New York, United States.

  • 2004Red Grooms: New Works in Wood, Marlborough Gallery, New York, New York, United States.

  • 2004Red Grooms: Paris – New York, Galerie Patrice Trigano, Paris, France.

  • 2004Adventures Past & Present with Red Grooms, Irving Galleries, Palm Beach, Florida, United States.

  • 2004The Private World of Red Grooms, Tibor de Nagy Gallery, New York, New York, United States.

  • 2004Red Grooms: Selections from the Graphic Work, Heckscher Museum of Art, Huntington, New York, United States.

  • 2003The Human Comedy: Portraits by Red Grooms, Katonah Museum of Art, Katonah, New York, United States. Traveled to the Norton Museum of Art, West Palm Beach, Florida; and the Gibbes Museum of Art, Charleston, South Carolina.

  • 2003Red Grooms, Lord and Taylor, New York, New York, United States.

  • 2002Red Grooms: Recent Works, Marlborough Gallery, New York, New York, United States.

  • 2000Red Grooms in Pursuit of Serious Fun, Contemporary Art Center of Virginia, Virginia Beach, Virginia, United States.

  • 2000Red Grooms: peintures et sculptures, Galerie Patrice Trigano, Paris, France.

  • 2000Red Grooms: Sculpture, Grounds for Sculpture, Hamilton, New Jersey, United States.

  • 2000Red Grooms: Selections from the Complete Graphics Works, The National Academy of Design, New York, New York, United States. Traveled to the Chicago Cultural Center, Chicago, Illinois; Montgomery Museum of Arts, Montgomery, Alabama; Museum of Fine Arts, St. Petersburg, Florida; Lowe Art Museum, University of Miami, Coral Gables, Florida; and the Frist Center for the Visual Arts, Nashville, Tennessee (through 2004).

  • 1999Red Grooms: New Monoprints, Marlborough Graphics, New York, New York, United States.

  • 1999Red Grooms: Sculptures and Constructions, Marlborough Florida, Boca Raton, Florida, United States. Inaugural Exhibition.

  • 1999Red Grooms: New Works, Marlborough Gallery, New York, New York, United States.

  • 1998Red Grooms and the Heroism of Modern Life, Palmer Museum of Art, University Park, Pennsylvania, United States.

  • 1998Red Grooms: Moby Dick Meets the New York Public Library, Norton Museum, Palm Beach, Florida, United States.

  • 1997Traveling with Red Grooms, Marlborough Gallery, New York, New York, United States.

  • 1997Snapshots, Hebrew Home for the Aged at Riverdale, Riverdale, New York, United States.

  • 1997Red Grooms, Knoxville Museum of Art, Knoxville, Tennessee, United States.

  • 1996Red Grooms: A Personal History of Art, New Britain Museum of American Art, New Britain, Connecticut, United States.

  • 1995Red Grooms: The New York Stories, Marlborough Gallery, New York, New York, United States.

  • 1995Red Grooms: What’s All the Ruckus About?, Cheekwood-Tennessee Botanical Gardens and Museum of Art, Nashville, Tennessee, United States. Traveled to The Polk Museum of Art, Lakeland, Florida; The Albany Museum of Art, Albany, Georgia; The Michell Art Gallery at St. John’s College, Annapolis, Maryland.

  • 1994Civic Virtues: Lights! Camera! Action!, Nations Bank Plaza, Charlotte, North Carolina, United states.

  • 1994Red Grooms’s Dame of the Narrows and the Greater New York Harbor, Brooklyn Museum, Brooklyn, New York, United States.

  • 1994Target: Red Grooms!, Frederick R. Weisman Museum of Art, Malibu, California, United States.

  • 1993Red Grooms’ Ruckus Rodeo, Rockwell Museum, Corning, New York, United States.

  • 1993Red Grooms, Nagoya City Art Museum, Nagoya, Japan. traveled to Ashiya City Museum of Art & History; Mitsukoshi Museum of Art, Tokyo; The Museum of Art, Kochi

  • 1993Have Brush Will Travel: Red Grooms’ Watercolor World, Marlborough Gallery, New York, New York, United States.

  • 1993Red Grooms, Art Museum of Southeast Texas, Beaumont, Texas, United States.

  • 1993Red Grooms at Grand Central, Grand Central Station, New York, New York, United States.

  • 1992Ruckus Rodeo, Arvada Center for the Arts and Humanities, Arvada, Colorado, United States.

  • 1992Red Grooms: New Works, Marlborough Gallery, New York, New York, United States.

  • 1992Red Grooms: Dame of the Narrows, Brooklyn Museum, Brooklyn, New York, United States. long-term installation

  • 1991Red Grooms, Kathryn Ellman Gallery, Aspen, Colorado, United States.

  • 1990Red Grooms: Tourist Traps and Other Places, Marlborough Gallery, New York, New York, United States.

  • 1990Red Grooms: Oeuvres Récentes, FIAC 1990, Paris, France.

  • 1989Traveling with Red Grooms: Watercolors 1987-89, Marlborough Gallery, New York, New York, United States.

  • 1987Recent Paintings, Sculptures and Drawings, Marlborough Gallery, New York, New York, United States.

  • 1987Graphics, Simms Fine Art, New orleans, Louisiana, United States.

  • 1987Red Grooms: Retrospective, Whitney Museum of American Art, New York, New York, United States.

  • 1987Red Grooms: Recent Prints, Carpenter Center for the Visual Arts, Cambridge, Massachusetts, United States.

  • 1986Homage to Red Grooms, Cumberland Gallery, Nashville, Tennessee, United States.

  • 1986Red Grooms: The Graphic Work, the Fine Arts Center Cheekwood, Nashville, Tennessee, United States. Traveled to Muscarelle Museum of Art, College of William and Mary, Williamsburg, Virginia; Ruth Eckerd Hall, Clearwater, Florida; Erie Art Museum, Erie, Pennsylvania; William Benton Museum of Art, University of Connecticut, Storrs, Connecticut; South Dakota Memorial Art Center, Brookings, South Dakota; The Nelson-Atkins Museum of Art, Tucson, Arizona; Louisiana Arts and Science Center, Baton Rouge, Louisiana; Amarillo Arts Center, Amarillo, Texas; Blanden Memorial Art Museum, Fort Dodge, Idaho; Roanoke Museum of Fine Art, Center in the Square, Roanoke, Virginia; The Canton Art Institute, Canton, Ohio; The Oklahoma Arts Center, Oklahoma City, Oklahoma; Anchorage Museum of History and Art, Anchorage, Alaska; The Bronx Museum of the Arts, Bronx, New York; The Hudson River Museum, Yonkers, New York; Federal Reserve Board Art Gallery, Washington, D.C.; Museum of Arts and Sciences, Macon, Georgia; and the Sunrise Art Museum/Fine Art Museum, Charleston, West Virginia.

  • 1986Rembrandt Takes a Walk, Marlborough Gallery, New York, New York, United States. Text by Mark Strand with illustrations by Red Grooms.

  • 1985 Hokin/Kaufman Gallery, Chicago, Illinois, United States.

  • 1985Red Grooms: A Retrospective 1956-1984, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, United States. Traveled to Denver Art Museum, Denver, Colorado; Museum of Contemporary Art, Los Angeles, California; and Tennessee State Museum, Nashville, Tennessee.

  • 1985Red Grooms!, Sette Publishing Co., Tempe, Arizona, United States.

  • 1985Red Grooms: Recent Work, Marlborough Fine Art, London, United Kingdom, United States.

  • 1985 Benjamin Mangel Gallery, Philadelphia, Pennsylvania, United States.

  • 1985Red Grooms: The Alley, Circulo de Bellas Artes, Madrid, Spain.

  • 1984Red Grooms: Recent Work, Marlborough Gallery, New York, New York, United States.

  • 1983Public Works - Private Patrons: Images of Modern Times by Red Grooms, Tampa Museum of Art, Tampa, Florida, United States. Traveled to Hunter Museum, Chattanooga, Tennessee.

  • 1983Ruckus Rodeo, North Carolina Museum of Art, Raleigh, North Carolina, United States.

  • 1983Maquettes, Monotypes and Graphics, Anderson Ranch, Aspen, Colorado, United States.

  • 1983Graphics from the 80’s, Unicorn Gallery, Aspen, Colorado, United States.

  • 1982Red Grooms 1977-1982, Carlson Gallery, University of Bridgeport, Bridgeport, Connecticut, United States.

  • 1982Red Grooms from the Museum’s Collection, Hirshhorn Museum and Sculpture Garden, Washington, DC, United States.

  • 1982Red Grooms: Ruckus Manhattan, Seibu Museum, Tokyo, Japan.

  • 1982 Benjamin Mangel Gallery, Philadelphia, Pennsylvania, United States.

  • 1982Red Grooms: Welcome to Cleveland, The New Gallery of Contemporary Art, Cleveland, Ohio, United States.

  • 1982Red Grooms: Philadelphia Cornucopia, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania, United States.

  • 1981Ruckus Rodeo, Aspen Center for the Visual Arts, Aspen, Colorado, United States.

  • 1981Ruckus Manhattan Revisited, Burlington House, New York, New York, United States.

  • 1981Red Grooms: Recent Works, Marlborough Gallery, New York, New York, United States.

  • 1981Red Grooms: Originals from Local Collections, Montgomery Bell Academy, Nashville, Tennessee, United States.

  • 1981Red Grooms: Prints of the Seventies, Fine Arts Center, Cheekwood, Nashville, Tennessee, United States. Traveled to University of Mississippi, University, Mississippi; West Georgia College, Carrollton, Georgia; University of South Carolina, Columbia, South Carolina; Pensacola Museum of Art, Pensacola, Florida; Hickory Museum, Hickory, North Carolina; Virginia Polytechnic Institute, Blacksburg, Virginia; Contemporary Arts Center, New Orleans, Louisiana; Louisville Art Gallery, Louisville, Kentucky; Waterworks Gallery, Salisbury, North Carolina; and Davidson College Art Gallery, Davidson, North Carolina.

  • 1980Discount Store, Lowe Art Museum, University of Miami, Miami, Florida, United States.

  • 1980 Camp Gallery/Signet Fine Prints, Saint Louis, Missouri, United States.

  • 1980Red Grooms: Works from the 60s, Hatton Art Gallery, Colorado State University, Fort Collins, Colorado, United States.

  • 1979Discount Store, Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia, United States.

  • 1979 Benjamin Mangel Gallery, Philadelphia, Pennsylvania, United States.

  • 1979The Bookstore, Hudson River Museum, Yonkers, New York, United States.

  • 1978 Martin Wiley Gallery, Nashville, Tennessee, United States.

  • 1978Discount Store, State University of New York, Purchase, New York, United States.

  • 1977 The New Gallery of Contemporary Art, Cleveland, Ohio, United States.

  • 1977 Galerie Roger d’Amecourt, Paris, France.

  • 1976Ruckus Manhattan, Marlborough Gallery , New York, New York, United States.

  • 1975Works on Paper, Brooke Alexander Gallery, New York, New York, United States.

  • 1973The Ruckus World of Red Grooms, Voorhees Hall, Rutgers Gallery of Art, New Brunswick, New Jersey, United States. Traveled to the New York Cultural Center, New York, New York; and Museo de Arte Contemporaneo, Caracas, Venezuela.

  • 1972 Allan Frumkin Gallery, Chicago, Illinois, United States.

  • 1972 Cheekwood Botanical Garden and Museum of Art, Nashville, Tennessee, United States.

  • 1972 Fendrick Gallery, Washington, DC, United States.

  • 1971 Institute of Contemporary Art, Boston, Massachusetts, United States.

  • 1971 John Bernard Myers Gallery, New York, New York, United States.

  • 1970 Tibor de Nagy Gallery, New York, New York, United States.

  • 1967City of Chicago, Allan Frumkin Gallery, Chicago, Illinois, United States. Traveled to the 34 Esposizione Internazionale d’Arte, La Biennale di Venezia, Venice, Italy; National Gallery of Art, Washington, D.C.; The Art Institute of Chicago, Chicago, Illinois; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, Nebraska; University of Wisconsin, Madison, Wisconsin; and the Chicago Cultural Center, Chicago, Illinois

  • 1966 Tibor de Nagy Gallery, New York, New York, United States.

  • 1965 Tibor de Nagy Gallery, New York, New York, United States.

  • 1963 Tibor de Nagy Gallery, New York, New York, United States.

  • 1962 Nashville Artists Guild, Nashville, Tennessee, United States.

  • 1960 Reuben Gallery, New York, New York, United States.

  • 1958 City Gallery, New York, New York, United States.

  • 1958 Sun Gallery, Provincetown, Massachusetts , United States.

Group Exhibitions

  • 2012Pop! Goes the Humor, Palm Springs Art Museum, Palm Springs, California, United States.

  • 2012Happenings: New York, 1958-1963, The Pace Gallery, New York, New York, United States.

  • 2012Body Language...selections from the Permanent Collection, Canton Museum of Art, Canton, Ohio, United States.

  • 2011The Big Reveal, Kemper Museum of Contemporary Art, Kansas City, Missouri, United States.

  • 2011American Pop, CU Art Museum, University of Colorado at Boulder, Boulder, Colorado, United States.

  • 2011Pop Icons: Andy Warhol and Roy Lichtenstein, Monterey Museum of Art , Monterey, California, United States.

  • 2011A Way with Words: Text in Art, The Heckscher Museum of Art, Huntington, New York, United States.

  • 2011 - 2012American Pop, South Shore Arts Gallery, Munster, Indiana, United States.

  • 2011East of Eden / Photorealism: Versions of Reality Photorealism as a Cold-War phenomenon, Ludwig Museum, Budapest, Hungary.

  • 2011Collectors' Choice: Selections from the Jane and Jay Braus Collection, Berkshire Museum, Pittsfield, Massachusetts, United States.

  • 2011Summer Group Exhibition, Marlborough Gallery, New York, New York, United States.

  • 2011The Tides of Provincetown: Pivotal Years in America's Oldest Continuous Art Colony 1899-2011, New Britain Museum of American Art, New Britain, Connecticut, United States.

  • 2011Forces of Nature: Selections from the Frederick R. Weisman Art Foundation, Louisiana Art and Science Museum, Baton Rouge, Louisiana, United States.

  • 2010 One Life: Echoes of Elvis, Smithsonian's National Portrait Gallery, Washington, D.C., United States.

  • 201010 ans deja, Marlborough Monaco, Monte Carlo, Monaco.

  • 2009Sculpture, Marlborough Gallery, New York, New York, United States.

  • 2009Works on Paper, Marlborough Gallery, New York, New York, United States.

  • 2009Art and Popular Culture from the Permanent Collection, The Clay Center for the Arts and Sciences of West Virginia, Charleston, West Virginia, United States.

  • 2009Shark’s Ink: The Legend of Bud Shark and his Indelible Ink, Museum of Contemporary Art Denver, Denver, Colorado, United States.

  • 2009New at the Morgan: Acquisitions Since 2004, The Morgan Library and Museum, New York, New York, United States.

  • 2009That ‘70s Show, Berkshire Museum, Pittsfield, Massachusetts, United States.

  • 2009From Washington to Warhol: Americana Redefined, Cheekwood Botanical Garden & Museum of Art, Nashville, Tennessee, United States.

  • 2009Summer Exhibition, Marlborough Chelsea, New York, New York, United States.

  • 2009 - 2011I WANT Candy: The Sweet Stuff in American Art, Trust for Museum Exhibitions, Washington, DC, United States. Traveled to Fresno Metropolitan Museum, Fresno, CA; Nicolaysen Art Museum & Discovery Center, Casper, WY; Arts and Cultural Center, Lake Charles, LA; Contemporary Art Center of Virginia, Virginia Beach, VA; and Leigh Yawkey Woodson Art Museum, Wasau, WI.

  • 2008Focus: The Figure, Denver Art Museum, Denver, Colorado, United States.

  • 2008Group Exhibition, Marlborough Monaco, Monte Carlo, Monaco.

  • 2008Circa 1958: Breaking Ground in American Art, Ackland Art Museum, The University of North Carolina at Chapel Hill, Chapel Hill, North Carolina, United States.

  • 2008Art and Illusion: Selections from the Frederick R. Weisman Art Foundation, Susquehanna Art Museum, Harrisburg, Pennsylvania, United States.

  • 2008Sharks Ink Revisited, Haas Fine Arts Center, University of Wisconsin-Eau Claire, Eau Claire, Wisconsin, United States.

  • 2008Alex Katz and Friends, The Farnsworth Museum, Rockland, Maine, United States.

  • 2008Summer Show, Marlborough Chelsea, New York, New York, United States.

  • 2008Artists Collect: The Red Grooms and Lysiane Luong Private Collection, Cheekwood Botanical Garden and Museum of Art, Nashville, Tennessee, United States.

  • 2008Print Lovers at 30: Celebrating Three Decades of Giving, The Nelson-Atkins Museum of Art, Kansas City, Missouri, United States.

  • 2008Pop Art and After: Prints and Popular Culture, The Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey, United States.

  • 2007Painting and Sculpture, Marlborough Gallery, New York, New York, United States.

  • 2007 Sobre el Humor, Galería Marlborough, Madrid, Spain.

  • 2007I WANT Candy: The Sweet Stuff in American Art, Hudson River Museum, Yonkers, New York, United States.

  • 2007Summer Exhibition, Marlborough Gallery, New York, New York, United States.

  • 2007Wit & Whimsy, Marlborough Gallery, New York, New York, United States.

  • 2006Summer Exhibition, Marlborough Gallery, New York, New York, United States.

  • 2006The Figure in American Painting and Drawing 1985-2005, Ogunquit Museum of American Art, Ogunquit, Maine, United States.

  • 2006Sculpture, Marlborough Gallery, New York, New York, United States.

  • 2006Watercurrents 2006: The Figure, Lori Bookstein Fine Art, New York, New York, United States.

  • 2005Landscape, Cityscape, Marlborough Gallery, New York, New York, United States.

  • 2005Post Malcolm Modern, The Forbes Galleries, New York, New York, United States.

  • 2005Works on Paper, Marlborough Gallery, New York, New York, United States.

  • 2005Salamanca ciudad de la escultura, La Plaza de Anaya de Salamanca, Salamanca, Spain.

  • 2005True Colors: Meditations on the American Spirit, The Sixth Floor Museum at Dealey Plaza, Dallas, Texas, United States.

  • 2004New York, New York, Marlborough Madrid, Madrid, Spain.

  • 2004Colored Pencil, KS Art, New York, New York, United States.

  • 2003Summer Exhibition, Marlborough Gallery, New York, New York, United States.

  • 2003La Fête, Le Bellevue, Biarritz, France. traveled to Museo Valenciano de la Ilustración y la Modernidad, Valencia, Spain

  • 2002Tools as Art: The Hechinger Collection, Joslyn Museum of Art, Omaha, Nebraska, United States. traveled to City Museum, St. Louis, Missouri; Contemporary Art Center of Virginia, Virginia Beach, Virginia; Peninsula Fine Arts Center, Newport News, Virginia; The Cedar Rapids Museum of Art, Iowa; Palmer Museum of Art, Pennsylvania State University, University Park, Pennsylvania; DeCordova Museum and Sculpture Park, Lincoln Massachusetts; Charles Avampato Discovery Museum, Charleston, West Virginia; Louisiana Arts Guild, New Orleans, Louisiana; Leigh Yawkey Woodson Museum of Art, Wassau, Wisconsin; Minnesota Museum of American Art, St. Paul, Minnesota; Palm Springs Desert Museum, Palm Springs, California

  • 2002La Parade des Animaux, Festival International de Sculpture de Monte Carlo, Monte Carlo, Monaco, United States.

  • 2001Self-Made Men, DC Moore Gallery, Washington, D.C., United States.

  • 2001Out of the Fifties – into the Sixties: 6 Figurative Expressionists, Michael Rosenfeld Gallery, New York, New York, United States.

  • 2000Paintings, Marlborough Gallery, New York, New York, United States. Traveled to Marlborough Monaco, Monte Carlo, Monaco.

  • 2000Déjà vu: Reworking the Past, Katonah Museum of Art, Katonah, New York, United States.

  • 2000On Paper: Selected Drawings of the 19th and 20th Centuries, Marlborough Gallery, New York, New York, United States.

  • 2000The Figure: Another Side of Modernism, Newhouse Center for Contemporary Art, Staten Island, New York, United States.

  • 2000American Sculpture, International Sculpture Festival of Monte Carlo, Monte Carlo, Monaco.

  • 2000Carnivalesque, Brighton Museum and Art Gallery, Brighton, England. Traveled to Fabrica, Brighton, England; University Gallery, Brighton, England; Castle Museum and Art Gallery, Nottingham, England; Djanogly Art Gallery, Nottingham, England; and the City Art Centre, Edinburgh, Scotland.

  • 2000Summer Group Exhibition, Marlborough Gallery, New York, New York, United States.

  • 2000Sobre el humor, Marlborough Madrid, Madrid, Spain.

  • 1999Outward Bound: American Art at the Brink of the Twenty-First Century, Meridian International Center, Washington, D.C., United States.

  • 1998Coming off the Wall, The Susquehanna Art Museum, Harrisburg, Pennsylvania, United States.

  • 1998Les Champs de la Sculpture II, Champs Elysées Avenue, Paris, France.

  • 1997CityScapes, Marlborough Gallery, New York, New York, United States.

  • 1997ART 1997 CHICAGO: 5th Annual Expo of International Galleries Featuring Modern and Contemporary Art, Navy Pier, Chicago, Illinois, United States.

  • 1997Wit, Whimsy, and Humor, Castle Gallery, College of New Rochelle, New Rochelle, New York, United States.

  • 1996On Paper, Galleria d’arte il gabbiano, Rome, Italy.

  • 1996Town and Country: In Pursuit of Life’s Pleasures, Nassau County Museum of Fine Art, Roslyn Harbor, New York, United States.

  • 1995Il cinema amaggio di primi 100 anni del cinema, Galleria d’arte il gabbiano, Roma, Italy.

  • 1994Civic Virtues: Lights! Color! Action!, Nations Bank Plaza, Charlotte, North Carolina, United States.

  • 1994Figures de l’Art d’Aujourd’hui, Galerie Marwan Hoss, Paris, France.

  • 1994Art After Art, Nassau County Museum of Art, Roslyn Harbor, New York, United States.

  • 1994Debut: Selections from the Permanent Collection of Kansas City Art Institute, Kemper Museum of Contemporary Art, Kansas City, Missouri, United States.

  • 1994Kenneth Koch: Collaborations with Artists, Tibor de Nagy Gallery, New York, New York, United States.

  • 1994New York Realism: Past & Present, Fukishima Prefectorial Museum of Art in collaboration with The Japan Association of Art Museums, Tokyo, Japan. Traveled to Odakyu Museum, Tokyo, Japan; Kagoshima City Museum of Art, Kagoshima, Japan; Kitakyushu Municipal Museum of Art, Kitakyushu, Japan; The Museum of Art, Kintetsu, Osaka, Japan; Fukushima Prefectural Museum of Art, Fukushima, Japan.

  • 1993The Purloined Image, Flint Institute of Arts, Flint, Michigan, United States.

  • 1992Transforming the Western Image, Palm Springs Art Museum, Palm Springs, California, United States.

  • 1992Figures of Contemporary Sculpture: Images of Man, Isetan Museum of Art, Tokyo, Japan. Traveled to Damanu Muesum, Umeda-Osaka, Japan; Hiroshima City Museum of Contemporary Art, Hiroshima, Japan.

  • 1992On Paper, Marlborough Gallery, New York, New York, United States.

  • 1992City Views, University Art Gallery at Staller Center for the Arts, State University of New York, Stony Brook, New York, United States.

  • 1992Cocart, Bianca Pilat, Milan, Italy.

  • 1992From America’s Studio: Twelve Contemporary Masters, School of Art Institute of Chicago, Chicago, Illinois, United States.

  • 1992Wild and Wonderful!, Fletcher/Priest Gallery, Worcester, Massachusetts, United States.

  • 1992Contemporary Realist Watercolor, Sewall Art Gallery, Rice University, Houston, Texas, United States.

  • 1992Parallel Visions: Modern Artists and Outsider Art, Los Angeles County Museum of Art, Los Angeles, California, United States. Traveled to Centro de Renia Sofía, Madrid, Spain; Kunsthalle Basel, Basel, Switzerland; Setagaya Art Museum, Setagaya, Japan.

  • 1992Quotations: The Second History of Art, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut, United States.

  • 1991American Realism & Figurative Art: 1952-1991, the Miyagi Museum of Art, Sendai, Japan. Traveled to Sogo Museum of Art, Yokohama, Japan; The Tokushima Modern Art Museum, Tokushima, Japan; The Museum of Modern Art, Shiga, Japan; and the Kochi Prefectural Museum of Folk Art, Kochi, Japan.

  • 1991Poets/Painters Collaborators, Brooke Alexander Editions, New York, New York, United States.

  • 1991Selections from the Mary and Crosby Kemper Collection, Kansas City Art Institute, Kansas City, Missouri, United States.

  • 1991Height, Width, Length: Contemporary Sculpture from the Weatherspoon Collection, Weatherspoon Art Gallery, The University of North Carolina, Greensboro, North Carolina, United States.

  • 1990Breakthroughs: Avant-Garde Artists in Europe and America, 1950-1990, Wexner Center for the Arts, Ohio State University, Columbus, Ohio, United States.

  • 1990Marlborough en Pelaires, Centre Cultural Contemporani Pelaires, Palma de Mallorca, Spain, United States.

  • 1990American Art Today: The City, The Patricia & Phillip Frost Art Museum, Florida International University, Miami, Florida, United States.

  • 1990Fantasy in Fabric: The Artist as Couturier, Modern Art Museum of Fort Worth, Fort Worth, Texas, United States.

  • 1989American Works on Paper III, Spanierman Gallery, New York, New York, United States.

  • 1989The Figure, The Arkansas Arts Center, Little Rock, Arkansas, United States.

  • 1989Reagan: Cultural Icon, Center Gallery, Bucknell University, Lewisburg, Pennsylvania, United States.

  • 1989Sculpture by Abakanowicz, Botero, Bruskin, Davies, Grooms, Mason, Marlborough Gallery, New York, New York, United States.

  • 1989Selections from the Collection of Marc and Livia Strauss, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut, United States.

  • 1989Sculpture, John Berggruen Gallery, San Francisco, California, United States.

  • 1989The Future Now: Art of the Eighties, Bass Museum of Art, Miami Beach, Florida, United States.

  • 1988From The Back Room, Saxon-Lee Gallery, Los Angeles, California, United States.

  • 1988The Artist, the Book and the Child, Lockport Gallery, Illinois State Museum, Lockport, Illinois, United States. Traveled to Illinois State Museum, Springfield, Illinois; and Chicago Public Library Cultural Center, Chicago, Illinois

  • 1988Sculpture Inside Outside, Walker Art Center, Minneapolis, Minnesota, United States. Traveled to Museum of Fine Arts, Houston, Texas

  • 1988Un Recorrido Por el Arte Moderno: Seleción de obras del Museo de Arte Contemporaneo de Caracas, Museo de Arte Coro, Coro, Venezuela.

  • 1988Homage to Edward Hopper: Quoting the American Realist, Sidney Mishkin Gallery, Baruch College, New York, New York, United States.

  • 19881988 Butler Midyear Exhibition, Butler Institute of American Art, Youngstown, Ohio, United States.

  • 1988John Bernard Myers Memorial Exhibition, Camillos Kouros Gallery, New York, New York, United States.

  • 1988Visions/Revisions: Contemporary Representation, Marlborough Gallery, New York, New York, United States.

  • 1988Twentieth-Century Drawings from the Anderson Collection, Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, Stanford, California, United States.

  • 1988Alice and Look Who Else, Through the Looking Glass, Bernice Steinbaum Gallery, New York, New York, United States.

  • 1987After Pollock: Three Decades of Diversity, Iannetti Lanzone Gallery, San Francisco, California, United States.

  • 1987Printmaking: The Third Dimension, The Picker Art Gallery, Colgate University, Hamilton, New York, United States.

  • 1987The Grand Game of Baseball, Museum of the Borough of Brooklyn, Brooklyn College, Brooklyn, New York, United States.

  • 1987The Gleaning Eye: Selections from the Collection of Sandy Seawright, University of North Carolina, Charlotte, North Carolina, United States.

  • 1987Friends Collect: Selections from Private Collections of Friends of Art at Colby, Colby College Museum of Art, Waterville, Maine, United States.

  • 1987Diamonds Are Forever: Artists and Writers on Baseball, New York State Museum, Albany, New York, United States.

  • 1987Urban Visions: The Contemporary Artist and New York, University Center Art Gallery, Adelphi University, Garden City, New York, United States.

  • 1987Contemporary Cutouts, Whitney Museum of American Art at Champion, Stamford, Connecticut, United States.

  • 1986Signs of the Times: Pop Art and Photorealism in America, Artrain, Detroit, Michigan, United States. Traveled to twenty-one cities throughout Michigan, Nebraska, Missouri and Indiana

  • 1986After Matisse, organized and circulated by Independent Curators Inc., New York, New York, United States. Traveled to Queens Museum of Art, Queens, New York; The Chrysler Museum, Norfolk, Virginia; Portland Museum of Art, Portland, Maine; Bass Museum of Art, Miami Beach, Florida; The Phillips Collection, Washington D.C.; Dayton Art Institute, Dayton, Ohio; and Worcester Art Museum, Worcester, Massachusetts

  • 1986Third Wave Fusion, Artists’ Choice Museum, New York, New York, United States.

  • 1986An American Renaissance: Painting and Sculpture Since 1940, Museum of Art, Fort Lauderdale, Florida, United States.

  • 1986Print Making, Four Approaches: An Exhibition of Original Prints 1969-1985, Wilson Art Center, Rochester, New York, United States.

  • 1986A Feast for the Eyes, Allentown Art Museum, Allentown, Pennsylvania, United States.

  • 1986Landscape, Seascape, Cityscape: A Major Exhibition of Contemporary American Painting, Contemporary Arts Center, New Orleans, Louisiana, United States. Traveled to The New York Academy of Art, New York, New York

  • 1986Contemporary Cutouts, Whitney Museum of American Art at Philip Morris, New York, New York, United States.

  • 1986Hollywood: Legend and Reality, organized by the Smithsonian Institution Traveling Exhibition Service, National Museum of American History, Smithsonian Institution, Washington, D.C., United States. Traveled to Cooper-Hewitt Museum, New York, New York; Center for the Fine Arts, Miami, Florida; Cincinnati Art Museum, Cincinnati, Ohio; Denver Art Museum, Colorado;and The Natural History Museum of Los Angeles County, Los Angeles, California

  • 1985Works in Bronze, Palm Springs Art Museum, Palm Springs, California, United States.

  • 1985Contemporary American Monotypes, The Chrysler Museum, Norfolk, Virginia, United States.

  • 1985Wit in Sculpture, Ingber Gallery, New York, New York, United States.

  • 198520th Century American Drawings: The Figure in Contest, National Academy of Design, New York, New York, United States.

  • 1985Masters of Mischief: The Irreverent Spirit in Current Painting, Allen Frumkin Gallery, New York, New York, United States.

  • 1985Red Grooms and Warrington Colesott, Masters of Contemporary Satire, Sewell Art Gallery, Rice University, Houston, Texas, United States.

  • 198518th Biennal, Middelheim Open Air Museum of Sculpture, Antwerp, Belgium.

  • 1985Innocence and Experience, Greenville County Museum of Art, Greenville, South Carolina, United States.

  • 1984Art and Friendship: A Tribute to Fairfield Porter, Guild Hall Museum, East Hampton, New York, United States. Traveled to Artists’ Choice Museum, New York, New York; and New Britain Museum of American Arts, New Britain, Connecticut.

  • 1984Return of the Narrative, Palm Springs Art Museum, Palm Springs, California, United States.

  • 1984Artists in the Theater, Hillwood Art Gallery, Long Island University, Greenvale, New York, United States. Traveled to Guild Hall Museum, East Hampton, New York

  • 1984Figurative Sculpture: 10 Artists/2 Decades, California State University, Los Angeles, California, United States.

  • 1984International Masters of Contemporary Figuration, Marlborough Fine Arts, Tokyo , Japan.

  • 1984The Vermilion Touch: Master Prints from a Minneapolis Studio’s Archives, Minneapolis Institute of Arts, Minneapolis, Minnesota, United States.

  • 1984Intermedia: Between Painting and Sculpture, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut, United States.

  • 1984Blam! The Explosion of Pop, Minimalism, and Performance, 1953-1964, Whitney Museum of American Art, New York, New York, United States.

  • 1984American Bronze Sculpture: 1850 to Present, Newark Museum, Newark, New Jersey, United States.

  • 1984Monotypes from the Garner Tullis Workshop, John Berggruen Gallery, San Francisco, California, United States.

  • 1984On 42nd Street, Whitney Museum of American Art at Altria, New York, New York, United States.

  • 1984Metamanhattan, Whitney Museum of American Art Downtown Branch, New York, New York, United States.

  • 1983From the Beginning: A Graphics Exhibit of 24 Major American Artists, Pratt Graphics Center, New York, New York, United States.

  • 1983The Great East River Bridge 1883-1983, Brooklyn Museum, Brooklyn, New York, United States.

  • 1983Works on Paper, Marlborough Gallery, New York, New York, United States.

  • 1983The Painterly Figure: Veteran Expressionist Figure Painters, Monique Knowlton Gallery, New York, New York, United States.

  • 1983The Early Sixties: Red Grooms and Peter Saul, Allan Frumkin Gallery, New York, New York, United States.

  • 1983Self-Portraits: The Antic Vision, Allan Frumkin Gallery, New York, New York, United States.

  • 1983Time Out: Sport and Leisure in America Today, Tampa Museum of Art, Tampa, Florida, United States.

  • 1983Painted Light, Artists’ Choice Museum, New York, New York, United States. Traveled to the Reading Public Museum, Reading, Pennsylvania; Queens Museum of Art, Queens, New York; Museum of Art, Colby College, Waterville, Maine; The Butler Institute of American Art, Youngstown, Ohio

  • 1983Bodies & Souls, Artists’ Choice Museum, New York, New York, United States.

  • 1983Faces Since the Fifties, Center Gallery, Bucknell University, Lewisburg, Pennsylvania, United States.

  • 1982Narrative Sculpture, Sculpture Center, New York, New York, United States.

  • 1982Human Figure in Contemporary Art, Contemporary Arts Center, New Orleans, Louisiana, United States.

  • 1982Sculpture: Red Grooms, Dimitri Hadzi, Reuben Nakian, Tony B. Rosenthal, H.C. Westermann, Library of the Boston Athenaeum, Boston, Massachusetts, United States.

  • 1982Selections from the Dennis Adrian Collection, Museum of Contemporary Art, Chicago, Illinois, United States.

  • 1982Homo Sapiens: the Many Images, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut, United States.

  • 1982Cast in Carbondale, Laumeier Sculpture Park, St Louis, Missouri, United States. Traveled to Alexandria Museum, Alexandria, Louisiana

  • 1982Self-Portraits: From the Mirror, Allan Frumkin Gallery, New York, New York, United States.

  • 1982Carnegie International, Carnegie Museum of Art, Pittsburgh, Pennsylvania, United States. Traveled to Seattle Art Museum, Seattle, Washington

  • 1982The Kitchen and the Gallery: The Artist and the Chef, Burchfield Penney Art Center, Buffalo, New York, United States.

  • 1981Contemporary American Realism Since 1960, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, United States. Traveled to Oakland Museum, Oakland, California; and the Richmond Museum of Fine Art, Richmond, Virginia

  • 1980Selected 20th-Century American Self-Portraits, Harold Reed Gallery, New York, New York, United States.

  • 1980Drawings: The Pluralist Decade, 39 Esposizione Internazionale, La Biennale di Venezia, Venice, Italy. Traveled to Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania

  • 1980Drawings in Black and White: 1970-1980, Brooklyn Museum, Brooklyn, New York, United States.

  • 1980Urban Encounters, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania, United States.

  • 1980American Figure Painting: 1950-1980, Chrysler Museum, New York, New York, United States.

  • 1980Collaborations, Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois, United States.

  • 1980Aspects of the 70’s, The Rose Art Museum, Brandeis University, Waltham, Massachusetts, United States.

  • 1980Laughter, Dorothy and Dexter Baker Center for the Arts, Muhlenberg College, Allentown, Pennsylvania, United States.

  • 1980Irish Art 1943-73, Crawford Municipal Gallery, Cork, Ireland. Traveled to the Ulster Museum, Belfast, Northern Ireland

  • 1979Poets and Painters, Denver Art Museum, Denver, Colorado, United States. Traveled to The Nelson-Atkins Museum of Art, Kansas City, Missouri; and the Museum of Contemporary Art, San Diego at La Jolla, La Jolla, California

  • 1979Supershow!, Independent Curators International, New York, New York, United States. Traveled to Hudson River Museum, Yonkers, New York; Minnesota Museum of American Art, St. Paul, Minnesota; and the New Gallery of Contemporary Art, Cleveland, Ohio

  • 1979Group Exhibition, The Nelson-Atkins Museum of Art, Kansas City, Missouri, United States. Traveled to the Museum of Contemporary Art, San Diego at La Jolla, La Jolla, California

  • 1979Centennial Exhibition, The Art Institute of Chicago, Chicago, Illinois, United States.

  • 1978Late Twentieth Century Art, Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia, United States. Traveled to Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania

  • 1978Works in Small Format, Marlborough Gallery, New York, New York, United States.

  • 1978Art About Art, Whitney Museum of American Art, New York, New York, United States.

  • 1977Manscape 1977, City Art Center, Oklahoma City, Oklahoma, United States.

  • 1977Recent Works on Paper by American Artists, University of Wisconsin, Madison, Wisconsin, United States.

  • 1976The Great American Rodeo, Modern Art Museum of Fort Worth, Fort Worth, Texas, United States. Traveled to The Witte Museum, San Antonio, Texas

  • 1975Visions - Painting and Sculpture: Distinguished Alumni 1945 to the Present, School of the Art Institute of Chicago, Chicago, Illinois, United States.

  • 1975Symbols of Peace: William Penn’s Treaty with the Indians, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, United States.

  • 1975Realismus und Realität, Kunsthalle Darmstadt, Darmstadt, Germany.

  • 1974Inaugural Exhibition, Hirshhorn Museum and Sculpture Garden, Washington, DC, United States.

  • 1974Poets of the Cities/New York and San Francisco 1950-1965, Dallas Museum of Art in collaboration with Meadows Museum at Southern Methodist University, Dallas, Texas, United States. Traveled to San Francisco Museum of Modern Art, San Francisco, California; and the Wadsworth Atheneum Museum of Art, Hartford, Connecticut

  • 1973Extraordinary Realities, Whitney Museum of American Art, New York, New York, United States.

  • 1973New York Collection for Stockholm, Moderna Museet, Stockholm, Sweden.

  • 1972Astronauts on the Moon, Solomon R. Guggenheim Museum, New York, New York, United States.

  • 1970Happenings and Fluxus, Württembergischer Kunstverein Stuttgart, Stuttgart, Germany. Traveled to Stedelijk Museum, Amsterdam, The Netherlands; and Neue Gesellschaft für bildende Kunst, Berlin, Germany

  • 1970Figures – Environments with Discount Store, Walker Art Center, Minneapolis, Minnesota, United States. Traveled to Cincinnati Museum of Art, Cincinnati, Ohio; and the Dallas Museum of Art, Dallas, Texas

  • 1969Mimi and Red Hit the Road, Tibor de Nagy Gallery, New York, New York, United States.

  • 1969Spirit of the Comics, Institute of Contemporary Arts, University of Pennsylvania, Philadelphia, Pennsylvania, United States.

  • 196827 Esposizione Internazionale d’Arte, La Biennale di Venezia, Venice, Italy.

  • 1968Patriotic Images in American Art, American Federation of Arts, New York, New York, United States.

  • 1968Group Exhibition, Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, Nebraska, United States.

  • 1968Inaugural Group Exhibition, National Collection of Fine Arts, Smithsonian Institute, Washington, DC, United States.

  • 1966Harry N. Abrams Family Collection, The Jewish Museum, New York, New York, United States.

  • 1966Still Life, The Museum of Modern Art, New York, New York, United States.

  • 1966Contemporary Urban Visions, The New School for Social Research, New York, New York, United States.

  • 1965The American Realism, Worcester Art Museum, Worcester, Massachusetts, United States.

  • 1965Eleven from the Reuben Gallery, Solomon R. Guggenheim Museum, New York, New York, United States.

  • 1964Directions in Contemporary Painting and Sculpture, The Art Institute of Chicago, Chicago, Illinois, United States.

  • 196467th Annual American Exhibition, The Art Institute of Chicago, Chicago, Illinois, United States.

  • 1960New Media – New Forms, Martha Jackson Gallery, New York, New York, United States.

  • 1959Group Exhibition, The Delancey Street Museum, New York, New York, United States.

  • 1958Group Exhibition, Sun Gallery, Provincetown, Massachusetts, United States.

Public Collections

  • Colby College Museum of Art, Waterville, Maine, United States

  • Kemper Museum of Contemporary Art, Kansas City, Missouri, United States

  • Nagoya City Art Museum, Nagoya, Aichi, Japan

  • The Morgan Library and Museum, New York, New York, United States

  • Whitney Museum of American Art, New York, New York, United States

  • Southern Illinois University Museum, Southern Illinois University, Carbondale, Illinois, United States

  • Philadelphia Museum of Art, Philadelphia, Pennsylvania, United States

  • Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, United States

  • Palmer Museum of Art, Pennsylvania State University, University Park, Pennsylvania, United States

  • Northern Kentucky University, Newport, Kentucky, United States

  • New York Historical Society, New York, New York, United States

  • Vera List Center for Art and Politics, The New School, New York, New York, United States

  • New Jersey State Museum, Trenton, New Jersey, United States

  • The Museum of Modern Art, New York, New York, United States

  • Museum of Contemporary Art, Chicago, Illinois, United States

  • Museum of Art, Kochi, Japan

  • Museo de Arte Contemporaneo, Caracas, Venezuela

  • Moderna Museet, Stockholm, Sweden

  • Mint Museum of Art, Charlotte, North Carolina, United States

  • The Metropolitan Museum of Art, New York, New York, United States

  • Memphis Brooks Museum of Art, Memphis, Tennessee, United States

  • National Portrait Gallery, Smithsonian Institute, Washington , D.C., United States

  • Iwaki City Art Museum, Iwaki, Fukushima, Japan

  • Hunter Museum of American Art, Chattanooga, Tennessee, United States

  • Hudson River Museum, Yonkers, New York, United States

  • Hirshhorn Museum and Sculpture Garden, Washington, DC, United States

  • Solomon R. Guggenheim Museum, New York, New York, United States

  • Modern Art Museum of Fort Worth, Fort Worth, Texas, United States

  • Museum of Art Fort Lauderdale, Fort Lauderdale, Florida, United States

  • Everson Museum of Art, Syracuse, New York, United States

  • Denver Art Museum, Denver, Colorado, United States

  • Des Moines Art Center, Des Moines, Iowa, United States

  • Delaware Art Museum, Wilmington, Delaware, United States

  • The Cleveland Museum of Art, Cleveland, Ohio, United States

  • Chrysler Museum of Art, Norfolk, Virginia, United States

  • Cheekwood Botanical Garden and Museum of Art, Nashville, Tennessee, United States

  • Carnegie Museum of Art, Pittsburgh, Pennsylvania, United States

  • The Butler Institute of American Art, Youngstown, Ohio, United States

  • Brooklyn Museum of Art, Brooklyn, New York, United States

  • The Art Institute of Chicago, Chicago, Illinois, United States

  • Arkansas Art Center, Little Rock, Arkansas, United States

  • Museum of the Moving Image, Queens, New York, United States

  • Allen Memorial Art Museum, Oberlin, Ohio, United States

  • Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, United States

Public Commissions

  • 2010Commission, permanent outdoor installation, Marlins Ballpark, Miami, Florida, United States

  • 2004Piragüas de Frambuesa, outdoor sculpture, City of Coamo, Coamo, Commonwealth of Puerto Rico

  • 1999Monumental Cyclorama, mural and works on canvas, Shelly's, New York, New York, United States

  • 1998Tennessee Fox Trot Carousel, permanent outdoor installation, City of Nashville, Nashville, Tennessee, United States

  • 1996Imaike Broadway, outdoor sculpture, Imaike Shopping Street Association, Nagoya, Japan

  • 1996Some Like it Hot, outdoor sculpture, City of Nagoya, Nagoya, Japan

  • 1994Marathon, wall relief, New York State Council for the Arts in collaboration with Staten Island College, Staten Island, New York, United States

  • 1992The Agricultural Building, permanent environmental commission, Des Moines Art Center, Des Moines , Iowa, United States

  • 1988Tut’s Fever Movie Palace, permanent environmental commission, in collaboration with Lysiane Luong, The American Museum of the Moving Image, Queens, New York, United States

  • 1982Cornucopia, sculpto-pictorama, Century IV Citywide Celebration, Institute of Contemporary Art, Philadelphia, Pennsylvania, United States

  • 1978The Bookstore, permanent environmental commission, Hudson River Museum, Yonkers, New York, United States

  • 1978Way Down East, outdoor sculpture, Northern Kentucky University, Highland Heights, Kentucky, United States

  • 1968Magic City of the West, Public billboard, The Foster and Kleiser Company in collaboration with the Contemporary Museum of Art, Chicago, Illinois , United States

  • 1968Commission, Unknown, Contemporary Museum of Art, Chicago, Illinois, United States

Catalogues and Monographs

  • 2012Marlborough Inc.. Red Grooms: Torn from the Pages. New York: Marlborough Gallery.

  • 2011Marlborough Gallery. Red Grooms, New York: 1976-2011. New York: Marlborough Gallery.

  • 2009Hoban, Phoebe. Red Grooms: Dancing. New York: Marlborough Chelsea.

  • 2008Bland, Bartholomew F. Red Grooms: In the Studio. Yonkers, NY: Hudson River Museum.

  • 2008Feinstein, Rony and Emily Kass. Circa 1958: Breaking Ground in American Art. Chapel Hill, NC: The University of North Carolina Press.

  • 2007Bland, Bartholomew F. I WANT Candy: The Sweet stuff in American Art. Yonkers, NY: Hudson River Museum. pp. 9-10, 34

  • 2007Perrell, Franklin Hill. Art and Entertainment: From Toulouse Lautrec to Red Grooms. Roslyn Harbor, NY: Nassau County Museum of Art. pp. 2, 30, 31, 33, and back cover

  • 2007Marlborough Gallery. Red Grooms: Recent Paintings. New York: Marlborough Gallery.

  • 2006Winter Park City Commission. Art on the Green. Winter Park, FL: Winter Park City Commission.

  • 2005Schwartz, Constance and Franklin Hill Perrell. Nassau Red! Red Grooms/Ruckus in Roslyn. Roslyn Harbor, NY: The Nassau County Museum of Art.

  • 2005Kotz, Mary Lynn and Jean Westmacott. Southern Trace. Gainesville, GA: Brenau University Galleries. pp. 15, 24-25

  • 2005Galerie Patrice Trigano. Red Grooms: Paris–New York. Paris: Galerie Patrice Trigano.

  • 2004Yau, John. The Private World of Red Grooms. New York: Tibor de Nagy Gallery.

  • 2003Marlborough Gallery. Red Grooms: New Works in Wood. New York: Marlborough Gallery.

  • 2003Pentagraf Impresores, S.L. La Fête. Biarritz: Pentagraf Impresores, S.L.

  • 2003Dervaux, Isabel. The Human Comedy: Portraits by Red Grooms. Katonah, NY: Katonah Museum of Art.

  • 2003Grounds for Sculpture. Grounds for Sculpture, Rat’s. Vol. 2. Hamilton, NJ: Grounds for Sculpture.

  • 2002Marlborough Gallery. Red Grooms: Recent Works. New York: Marlborough Gallery.

  • 2002Tanguy, Sarah. Tools as Art: The Hechinger Collection. Washington, DC: International Arts and Artists.

  • 2001Michael Rosenfeld Gallery. Out of the Fifties–Into the Sixties: 6 Figurative Expressionists. New York: Michael Rosenfeld Gallery.

  • 2001Galerie Patrice Trigano. Red Grooms: peintures et sculptures. Paris: Galerie Patrice Trigano.

  • 2001Knestrick, Walter G. and Vincent Katz. Red Grooms: The Graphic Work. New York: Harry N. Abrams.

  • 2000Hyman, Timothy, and Roger Malbert. Carnivalesque. London: The South Bank Center. pp. 68-70

  • 2000CowParade Holdings Corporation. Cow Parade New York. New York: Workman Publishing. p. 30

  • 2000Georgia, Olivia et al. The Figure: Another Side of Modernism. Staten Island: Snug Harbor Cultural Center. pp. 7, 21, 76, 171, 215

  • 2000Les musées de la Ville de Paris. Les champs de la sculpture. Paris: Les musées de la Ville de Paris. p. 27

  • 2000Government of the Principality. Monte-Carlo International Sculpture Festival: Contemporary American Sculpture. Monte Carlo: Government of the Principality.

  • 2000Boemink, Barbara. Déjà Vu: Reworking the Past. Katonah, New York: Katonah Museum of Art. p. 5

  • 2000Beardsley, John. Red Grooms: Sculpture. Hamilton, NJ: Grounds for Sculpture.

  • 1998Robinson, Joyce Henri. Red Grooms and the Heroism of Modern Life. University Park, PA: Palmer Museum of Art.

  • 1997Buckley, Laurene. Red Grooms: A Personal History of Art. New Britain, CT: New Britain Museum of American Art.

  • 1997Heartney, Eleanor, and Sarah H. Kramer. Red Grooms. Edited by Stephen C. Wicks. Knoxville, TN: Knoxville Museum of Art.

  • 1995Walker, Celia, Christine Kreyling, and Rusty Freeman. Red Grooms: What’s All The Ruckus About?. Nashville: Cheekwood Botanical Garden and Museum of Art.

  • 1994Marlborough Gallery. Have Brush Will Travel: Red Grooms’ Watercolor World. New York: Marlborough Gallery.

  • 1994Halpern, Nora, and Barbara Freeman. Target: Red Grooms!. Malibu: Frederick R. Weisman Museum of Art, Pepperdine University.

  • 1993Mitchell, Charles Dee. Red Grooms. Beaumont, TX: Art Museum of Southeast Texas.

  • 1993Yamawaki, Kazuo and Arthur C. Danto. Red Grooms. Nagoya, Japan: Nagoya City Art Museum.

  • 1992Marlborough Gallery. Red Grooms: New Works. New York: Marlborough Gallery.

  • 1990Marlborough Gallery. Red Grooms: Œuvres Récent. Paris: FIAC.

  • 1990Marlborough Gallery. Red Grooms: Tourist Traps and Other Places. New York: Marlborough Gallery.

  • 1989Marlborough Gallery. Traveling with Red Grooms. New York: Marlborough Gallery.

  • 1988The Butler Institute of American Art. Fifty-second National Midyear Exhibition. Youngstown, OH: The Butler Institute of American Art, p. 5.

  • 1987Marlborough Gallery. Red Grooms: Recent Paintings, Sculptures and Drawings. New York: Marlborough Gallery.

  • 1985Stein, Judith. Red Grooms: Recent Works. London: Marlborough Fine Art.

  • 1985Stein, Judith, John Ashbery, and Janet K. Cutler. Red Grooms: A Retrospective, 1956-1984. Philadelphia: Pennsylvania Academy of the Fine Arts.

  • 1984Ratcliff, Carter. Red Grooms. New York: Abbeville Press.

  • 1984Marlborough Gallery. Red Grooms: Recent Works. New York: Marlborough Gallery.

  • 1983Nozynski, John H., Nancy A. Edwards, Bradley J. Nickels. Private Works–Private Patrons: Images of Modern Times by Red Grooms. Tampa, FL: The Tampa Museum.

  • 1982Talalay, Marjorie, William Olander, and Mark Gottlieb. Red Grooms’ Welcome to Cleveland. Cleveland: The New Gallery of Contemporary Art.

  • 1982Ashbery, John. Red Grooms: Ruckus Manhattan. Tokyo: The Seibu Museum of Art.

  • 1981Marlborough Gallery. Red Grooms: Recent Works. New York: Marlborough Gallery.

  • 1981Alexander, Brooke and Virginia Cowles et al. Red Grooms: A Catalogue Raisonné of His Graphic Work 1957-1981. Nashville: The Fine Arts Center.

  • 1977Galerie Roger d’Amécourt. Red Grooms à Paris. Paris: Galerie Roger d’Amécourt.

  • 1976Marlborough Gallery. Red Grooms and The Ruckus Construction Co. Present Ruckus Manhattan. New York: Marlborough Gallery.

  • 1973Cate, Phillip Denis. The Ruckus World of Red Grooms. New Brunswick: Rutgers University Art Gallery.

Book Collaborations

  • 1988Grooms, Red and Barbara Haskell. Red Grooms: Ruckus Rodeo. New York: Harry N. Abrams, Inc.

  • 1987Grooms, Red and Mark Strand. Rembrandt Takes a Walk. New York: Clarkson Potter.

Illustrated Books

  • 2000Grooms, Red. Op-Ed, Op-Art. New York: The New York Times.

  • 1992Grooms, Red. Cover Illustration. New York: The New Yorker.

  • 1991Grooms, Red. An Artist, Present at the Creation, Reports. New York: The New York Times, sec. 2, p. 5.

  • 1980Grooms, Red. New York City. New York: The Sciences, New York Academy of Sciences, vol. 20, cover illustration.

  • 1974Grooms, Red. Cover Illustration. Country Cousins. New York: George Braziller, Inc.

Interviews

  • 1974Cummings, Paul. "Oral history interview with Red Grooms." Archives of American Art, Smithsonian Institution

  • 1967Seckler, Dorothy. "Oral history interview with Red Grooms." Archives of American Art, Smithsonian Institution

  • 1965Anonymous. "Oral history interview with Red Grooms and Marisol." Archives of American Art, Smithsonian Institution

Television

  • 2002Madeline Amgott (executive producer), "Hans Hoffman: Artist/Teacher, Teacher/Artist," Amgott Productions, Public Broadcasting Service, New York, United States

Live Performances

  • 1972Hippodrome Hardware, Ruckus Studio, New York, New York, United States

  • 1968Berkeley Eruption, University of California, Berkeley, California, United States

  • 1960The Magic Train Ride, Reuben Gallery, New York, New York, United States

  • 1959The Burning Building, Delancey Street Museum, New York, New York, United States

  • 1959The Walking Man, Sun Gallery, Provincetown, Massachusetts

  • 1958Play Called Fire, Sun Gallery, Provincetown, Massachusetts, United States

Performances in Film

  • 1984Man Waking Up, Rudy Burckhardt, in collaboration with unknown, music by unknown, edited by unknown, film by Rudy Burckhardt

  • 1969Encyclopedia of the Blessed, George Kuchar, in collaboration with unknown, music by unknown, edited by unknown, film by George Kuchar

  • 1965Secret of Wendel Sampson, Mike Kuchar, in collaboration with unknown, music by unknown, edited by unknown, film by Mike Kuchar

  • 1964Lurk, Rudy Burckhardt, in collaboration with unknown, music by unknown, edited by unknown, film by Rudy Burckhardt

  • 1963Miracle on the B.M.T, Rudy Burckhardt, in collaboration with unknown, music by unknown, edited by unknown, film by Rudy Burckhardt

Films

  • 1985Small Fry Gangster, Red Grooms, in collaboration with unknown, music by unknown, edited by David Saunders, film by Red Grooms

  • 1980Hippodrome Hardware, Red Grooms, in collaboration with unknown, music by unknown, edited by David Saunders, film by Red Grooms

  • 1978Little Red Riding Hood, Red Grooms, in collaboration with Rudy Burckhardt, music by unknown, edited by unknown, film by Red Grooms

  • 1975Ruckus Manhattan, Red Grooms, in collaboration with unknown, music by unknown, edited by unknown, film by Red Grooms

  • 1974Grow Great, Red Grooms, in collaboration with unknown, music by unknown, edited by unknown, film by Red Grooms

  • 1972The Conquest of Libya by Italia, 1912-13, Red Grooms, in collaboration with unknown, music by unknown, edited by unknown, film by Red Grooms

  • 1970Red Grooms’ Target Discount Store, Red Grooms, in collaboration with Allan Kraning, music by unknown, edited by unknown, film by Red Grooms

  • 1969Tappy Toes, Red Grooms, in collaboration with unknown, music by John Herbert McDowell, edited by unknown, film by Red Grooms

  • 1968Meow Meow, Red Grooms, in collaboration with Yvonne Anderson, music by unknown, edited by unknown, film by Red Grooms

  • 1966Fat Feet, Red Grooms, in collaboration with photography by Yvonne Anderson, music by unknown, edited by unknown, film by Red Grooms

  • 1962Ruckus Shorts, Red Grooms, in collaboration with photography by Rudy Burckhardt, music by unknown, edited by unknown, film by Red Grooms

  • 1962Shoot the Moon, Red Grooms, in collaboration with photography by Rudy Burckhardt, music by unknown, edited by unknown, film by Red Grooms

  • 1961The Unwelcome Guests, Red Grooms, in collaboration with unknown, music by unknown, edited by unknown, film by Red Grooms

Theatrical Designs

  • 1992Set design for Hot Water (a play by Red Grooms), Utopian Americana: Avant-garde Theater, Music, and Film in America Today, Turin, Italy

  • 1992Set design for The Burning Building (a play by Red Grooms), Utopian Americana: Avant-garde Theater, Music, and Film in America Today, Turin, Italy

  • 1991Set design for What’s So Funny (a play by David Gordon), Serious Fun in collaboration with the Spoleto Festival, Charleston, South Carolina, United States

  • 1991Set design for Chakra: A Celebration of India (a play by Jacques d’Amboise), The National Dance Institute, New York, New York, United States

  • 1991Set design for The Mysteries (a play by David Gordon), Serious Fun in collaboration with the Spoleto Festival, Charleston, South Carolina, United States

  • 1990Set design for The Shooting of Dan McGrew (a play by Jacques d’Amboise), The National Dance Institute, New York, New York, United States

  • 1989Set design for Meilleurs Amis (a play by Jacques d’Amboise), The National Dance Institute, New York, New York, United States

  • 1984Set design for Creation of the World (a play by Jacques d’Amboise), The National Dance Institute, New York, New York, United States

  • 1980Set design for City Junket (a play by Kenward Elmslie), Eye and Ear Theatre, New York, New York, United States

  • 1978Set design for The Red Robins (a play by Kenneth Koch), Theatre at St. Clement's, New York, New York, United States

  • 1968Set design for Berkeley Eruption (a play by Red Grooms), University of California, Berkeley, California, United States

  • 1964Set design for Guinevere (a play by Kenneth Koch), a play by Kenneth Koch, the American Theater for Poets, New York, New York

  • 1959Set design for The Walking Man (a play by Red Grooms), Sun Gallery, Provincetown, Massachusetts, United States

  • 1959Set design for The Burning Building (a play by Red Grooms), Delancey Street Museum, New York, New York, United States

  • 1958Set design for Play Called Fire (a play by Red Grooms), Sun Gallery, Provincetown, Massachusetts, United States

Bibliography

  • 2013A.. "Red Grooms & Stephen Hannock in Conversation." Brattleboro Museum & Art Center News, July 06, 2013

  • 2013Anonymous. "Raising a Ruckus in Southern Vermont." SO Vermonts Arts and Living , May 01, 2013

  • 2013Anonymous. "San Jose Museum of Art features contemporary works that feature scenes from classical Greek mythology." ArtDaily, April 22, 2013

  • 2013Grooms, Red. "Causing a Ruckus, By Red Grooms." Art in America, July 01, 2013

  • 2013Henke, Richard. "An Artistic Ruckus/ First Retrospective of Red Grooms's Work Opens at BMAC." The Commons

  • 2013Korp, Maureen. "An Art Lover's Hallowed Ground." Epoch Times, July 17, 2013

  • 2013Mahpour, Gabriella. "Red Grooms' New York City at the Children's Museum of Manhattan." New York Family, June 29, 2013

  • 2013TimeOut. ""'Red Grooms' New York City" at the Children's Museum of Manhattan." TimeOut New York , May 07, 2013

  • 2012Adams, Bruce and Margaret Engel. "The Impulsive Traveler: Miami’s Marlins Park, a big hit in Little Havana." The Washington Post, May 03, 2012

  • 2012Anderson, John. "What Happened in Washington." Washington City Paper, March 12, 2012

  • 2012Anonymous. "11 NYC Art Picks, From Ayad Alkadhi's Political Critiques to Fashion Week Highlights." Artinfo, February 08, 2012

  • 2012Anonymous. "Best Bizarre Statues or Public Art in South Florida." CBS Miami, October 01, 2012

  • 2012Anonymous. "Exhibition of new works by the inimitable American artist Red Grooms opens at Marlborough." ArtDaily, October 27, 2012

  • 2012Anonymous. "Omar Infante hits first Miami Marlins home run in new ballpark; Marlins top Astros." The Miami Herald, April 04, 2012

  • 2012Anonymous. "Summer exhibition features contemporary sculptures by nine renowned artist." Artdaily.org

  • 2012Barnett, Mary. "New 9-foot sculpture by Red Grooms installed at Hunter Museum." Nooga, February 29, 2012

  • 2012Capozzi, Joe. "Marlins Park, with roof open, fish swimming and a cool breeze blowing, a big hit at FanFest." Palm Beach Post, March 07, 2012

  • 2012Cason, Nancy. "Red Grooms in a New York State of Mind." Nashville Arts Magazine, August 01, 2012

  • 2012Cotter, Holland. "Feb. 19 - 25: Art." The New York Times, February 17, 2012

  • 2012Crandell, Ben. "For Art Basel, rethinking Jeffrey Loria's crazy sculpture at Marlins Park." SouthFlorida.com, December 03, 2012

  • 2012Davis, Craig. "Marlins Park home-run sculpture is artist Red Grooms' whimsical celebration." Sun Sentinel, March 16, 2012

  • 2012Davis, Craig. "Play ball! Miami high school powers primed for first pitch at Marlins Park." Sun Sentinel, March 04, 2012

  • 2012Friedman, Sally. "Surrounding their lives with art." Philadelphia Inquirer, March 02, 2012

  • 2012Hardy, Greg. "Marlins Park sculpture is… quite a piece of work." ESPN, March 08, 2012

  • 2012Harrison, Helen A.. "Eye on Art-The Power of Sculpture." The Sag Harbor Express, July 25, 2012

  • 2012Heinrich, Will. "Transcendental Sublimation: ‘Anne Truitt: Drawings’ at Matthew Marks and ‘Happenings’ at the Pace Gallery." The New York Observer, February 21, 2012

  • 2012Hevesi, Dennis. "Robert R. McElroy Dies at 84; Documented Art ‘Happenings’." The New York Times, March 01, 2012

  • 2012Kaduk, Kevin. "Omar Infante activates Marlins sculpture for first time, home run ball ends up with lingerie model." Yahoo! Sports, April 15, 2012

  • 2012Kane, Dan. "Canton Museum of Art's permanent collection." Canton Rep, January 06, 2012

  • 2012Kino, Carol. "What Happened at Those Happenings?." The New York Times, February 05, 2012 p. AR30

  • 2012Klugh, Justin. "Domesticating the Marlins Home Run Sculpture." Call to the Pen, April 18, 2012

  • 2012Lipson, Karin. "Celebrating the Birth and Impact of Pollock." The New York Times, May 18, 2012

  • 2012Mallory, Brad. "$2M Art Collection Goes Beyond Brush Strokes." Keloland Television, May 29, 2012

  • 2012Morosi, Jon Paul. "What will Ozzie do with second chance?." Fox Sports, April 18, 2012

  • 2012Moser, Whet. "Red Grooms, the Perfect Artist for the Entertaining New Miami Marlins." Chicago Magazine, January 05, 2012

  • 2012Ohta, Yukie. "The Bookstore." New York Bound Books, April 09, 2012

  • 2012Pearlman, Ellen. "When New York Was Really Happening." Hyperallergic, February 14, 2012

  • 2012Peralta, Eyder. "Flying Fish In The Outfield, A Tank Behind The Plate: It's Opening Day In Miami." NPR, April 04, 2012

  • 2012Pollock, Barbara. "It's all happening." artnet, February 29, 2012

  • 2012Pousner, Howard. "Atlanta Arts and Culture Sculpture grows on you in Atlanta Botanical Garden setting." Atlanta Journal Constitution, May 16, 2012

  • 2012Rosencrans, C. Trent. "Artist Red Grooms says he's happy with his work at Marlins Park." CBS, March 16, 2012

  • 2012Roth, David. "Baseball Bids Adieu to Gary Carter." The Wall Street Journal, February 17, 2012

  • 2012The Associated Press. "UGA museum to exhibit artists including Warhol." The Telegraph, June 22, 2012

  • 2012Tomasson, Chris. "Fans, players get first look at Marlins Park." Fox, March 03, 2012

  • 2012Voss, Jay. "Play Ball." viz., April 04, 2012

  • 2012Wolff, Rachel. "How Happenings Happened." New York Magazine, February 05, 2012

  • 2012Ybarra, Michael J.. "Palm Springs Art Museum takes glee in 'Pop! Goes the Humor'." Los Angeles Times, June 23, 2012

  • 2011Anonymous. "ACA Galleries Host Fragments Modern and Contemporary Collage." Broadway World, April 29, 2011

  • 2011Anonymous. "Exhibition examines Provincetown art colony." Auction News Central, June 16, 2011

  • 2011Anonymous. "Fat Feet or Flat Foot?." The Poetry Foundation, October 12, 2011

  • 2011Anonymous. "Field Trip Friday: Museum of the Moving Image." Open House New York, July 01, 2011

  • 2011Anonymous. "Marlborough Gallery Features Red Grooms." Broadway World, August 23, 2011

  • 2011Anonymous. "OHNY’s Annual Benefit & Auction Re-Cap." Open House New York, May 31, 2011

  • 2011Anonymous. "Red Grooms." New York, October 10, 2011

  • 2011Anonymous. "Show & Tell: Red Grooms Parodies New York." Artinfo, September 20, 2011

  • 2011Anonymous. "The ARTINFO Agenda: 11 Exhibitions Not to Miss This Week, From Matthew Barney to Mickalene Thomas." Artinfo, September 14, 2011

  • 2011Anonymous. "The Contemporary Jewish Museum Presents Seeing Gertrude Stein: Five Stories." Art Daily, May 12, 2011

  • 2011Anonymous. "Tides Of Provincetown’ Opens At New Britain Museum July 15." Antiques and the Arts, June 17, 2011

  • 2011Anonymous. "TWI-NY Talk: Red Grooms." This Week in New York, October 20, 2011

  • 2011Armitage, Hugh. "'Someday Funnies’ remembers the ‘60s." Digital Spy, May 26, 2011

  • 2011Esplund, Lance. "Height and Depths of Expression." The Wall Street Journal, October 01, 2011

  • 2011Finn, Robin. "Like Christo, Thinking Big." The New York Times, December 16, 2011

  • 2011Hoffman, Barbara. "Red alert." New York Post, September 23, 2011

  • 2011Hruby, Patrick. "Time To 'Occupy The Marlins'." The Post Game, December 13, 2011

  • 2011Lynne, Jill. "Red Grooms and ‘Moi’-Art That Makes You Smile." The Huffington P ost, November 28, 2011

  • 2011Martin, Allison. "Candid perspectives of New York City by Red Grooms." Examiner, October 03, 2011

  • 2011Pini, Gary. "“Eight Items or Less: Red Grooms at Marlborough Gallery + The Return of Coco66?." Paper Magazine, September 21, 2011

  • 2011Regina. "Red Grooms: Nashville Native, National Treasure." Americana Week, December 27, 2011

  • 2011Schechter, Joel. "Picasso's Muse and Warhol's, Too." The Jewish Daily Forward, May 16, 2011

  • 2011Sledge, Matt. "Miami Marlins Home Run Display: Red Grooms Thinks You'll Come Around To His Work Of Art." The Huffington Post, November 30, 2011

  • 2011Smith, Roberta. "STO: ‘My Slow Called Life’ and Brian Novatny: ‘Picture FIshing’." The New York Times, December 22, 2011

  • 2011Staff. "Louisiana Art and Science Museum Announces October 2011 Schedule." Dallas Art News, September 14, 2011

  • 2011Viebrock, Susan. "Hals and Grooms in New York." Telluride Inside… and Out, October 02, 2011

  • 2011Winn, Steven. "Jewish museum offers insight into Gertrude Stein." San Francisco Chronicle, May 15, 2011

  • 2011Wolgamott, L. Ken. "Some highlights of the area museums' fall shows." Lincoln Journal Star, September 17, 2011

  • 2011Young, Quentin. "Colorado's most important collections on view at CU Art Museum." Longmont Times Call, September 23, 2011

  • 2010Wolff, Rachel. "Ain't Nothing but Elvis." ARTnews January, p. 22

  • 2010Wolff, Rachel. "Red Grooms: Marlborough Chelsea." ARTnews January, p. 111

  • 2009Anderson-Spivy, Alexandra. "Good Old Boys." Artnet, December 15, 2009

  • 2009Anonymous. "Monumental Sculptures by Red Grooms on View at Marlborough Chelsea." Art Daily, October 20, 2009

  • 2009Anonymous. "New at the Morgan." The New York Times, April 16, 2009

  • 2009Anonymous. "Red Grooms’ Solar Sculptures: We Asked the Artist to Create Sun Logos for Our Anniversary." CBS News, February 01, 2009

  • 2009Anonymous. "Shark’s Ink: The Legend of Bud Shark and His Indelible Ink." Art Daily, February 02, 2009

  • 2009Anonymous. "The National Portrait Gallery Presents Two Exhibitions on Elvis Presley in 2010." Art Daily, December 11, 2009

  • 2009Campbell, Janie. "Ballpark's Public Tribute to Daytona Beach Approved." NBC Miami, December 18, 2009

  • 2009Cotter, Holland. "J.P. Morgan’s Shopaholic Approach to Art Collecting Gets an Update." The New York Times, April 17, 2009 p. C25

  • 2009Jones, MiChelle. "Cheekwood mixes it up with new exhibit." The Tennessean, July 19, 2009

  • 2009Talalay, Sarah. "Artist Red Grooms to create jumping marlin home run celebration art in Marlins’ ballpark." The South Florida Sun Sentinel, December 15, 2009

  • 2009Viebrock, Susan. "Red Grooms and Stephen Wald." Telluride Inside...and Out, October 31, 2009

  • 2009Zucker, Adam. "Red Groom's 'Dancing' at Marlborough Gallery." Berkshire Fine Arts, October 19, 2009

  • 2008Genocchio, Benjamin. "An Exhibition to Make You Smile." The New York Times, March 09, 2008, p. 10

  • 2008Hammett, Leisa A. "Cheekwood exhibit features created, collected works by pioneering Nashville artist." The City Paper, December 11, 2008

  • 2008Maddox, David. "A Room of One’s Ownership: A public exhibit takes on new meaning through the prism of private collecting." Nashville Scene, October 29, 2008

  • 2008Van Dongen, Susan. "Pop Goes the Zimmerli: Red Grooms, Robert Rauschenberg, Jasper Johns, Roy Lichtenstein and Claes Oldenburg are among the artists on view in New Brunswick." The Princeton Packet, October 08, 2008

  • 2007Kagan, Dick. "Being Red." Art and Antiques, July, pp. 43-45

  • 2007Rifkin, Mark. "Grooms Strikes Back: New York City Multimedia Artist Re-Imagines the Met’s Unicorn Tapestries." Times Square, October 16, 2007

  • 2006Drucker, Hal. "What goes around comes around." 50 Plus Senior News, March

  • 2005Anonymous. "Red Grooms: Ruckus in Roslyn." Muse News, August, p. 3

  • 2005Cotter, Holland. "A School’s Colorful Patina." The New York Times, September 09, 2005 p. 27, 30

  • 2005Peterson, Iver. "Weirdness and Beauty, Set in Stone." The New York Times, June 18, 2005 pp. B1, B4

  • 2005Sarka, Amie. "Red Grooms brings pop art to new level." University Wire, February 02, 2005

  • 2004Anonymous. "Graphic Works Show: From Elvis to Dali." Antiques and Collectables, March 03, 2004, p. 6

  • 2004Cleveland, David. "Red Grooms." ARTnews, September, pp. 141-142

  • 2004Cloutier, M.M. "Chaos Theory." Palm Beach Daily News, February 23, 2004 pp. 1, 7

  • 2004Henry, Clare. "ARTS: Pop art brings peace, where once it brought love." Financial Times, May 11, 2004, p. 10

  • 2004Hoving, Thomas. "The Man Who Makes a Ruckus of New York." The New York Times Book Review, July 11, 2004 pp. 1, 10-11

  • 2004Smith, Roberta. "Art in Review; Red Grooms." The New York Times, May 21, 2004 p. E27

  • 2004Stein Greben, Deidre. "Seeing Red in 3-D." Newsday, February 20, 2004

  • 2004Tallmer, Jerry. "Red Grooms: It’s the city that makes the language." The Villager, Vol. 73, No. 54, May 12-18, 2004

  • 2003Anonymous. "Art Adventures for kids at Katonah Museum of Art." The Lewisboro, February 06, 2003

  • 2003Gouveia, Georgette. "Gotta laugh." The Journal News, February 02, 2003

  • 2003Hutton, Florence. "Good-humored vision of life, portraits by Red Grooms, 'The Human Comedy'." North County News, January 15, 2003 p. B1

  • 2003La Ferla, Ruth. "Together Again, That Colorful Couple, Art and Fashion." The New York Times, September 30, 2004

  • 2003Van Gelder, Lawrence. "Evolutionary Art." The New York Times, February 26, 2003 p. E2

  • 2003Van Gelder, Lawrence. "West Palm Beach, Fla.: Red Grooms." The New York Times, May 22, 2003 p. E2

  • 2003Zimmer, William. "Portraits From Red Grooms’s Family Album." The New York Times, February 09, 2003, p. 28

  • 2001Andre, Mila. "Grooms' Graphic Images." New York Daily News, July 13, 2001

  • 2001Anonymous. "Red Grooms." La Gazette de l’Hôtel Drouot, January 12, 2001

  • 2001Berger, Leslie. "Art Talk: Seeing Red." ARTnews, Summer, p. 48

  • 2001Budick, Ariella. "Past Present: Known for Urban Works, Artist Red Grooms Has Always Known That Capturing the Present Can Be an Exercise in Nostalgia." Newsday, July 22, 2001

  • 2001Chudet, Daniel. "Les galeries Parisiennes." Cóté Arts, January 01, 2001

  • 2001Kissel, Howard. "Pop Art That Keeps its Fizz." New York Daily News, July 29, 2001

  • 2001Nuridsany, Michel. "Grooms, subversif jovial." Le Figaro, January 05, 2001

  • 2000Annas, Teresa. "Exhibit Depicts Everyday Art, Found on the Bus, in the Alley." The Virginian-Pilot, June 05, 2000 pp. B1, B9

  • 2000Annas, Teresa. "Painting His Town Red: Beach Exhibit Shows Art is ‘Serious Fun’ for this Nashville-Reared New Yorker." The Virginian-Pilot, June 07, 2000 pp. E1, E4

  • 2000Arditi, Fiamma. "L’Innocenza di un marziano." Ars, December, pp. 142-145

  • 2000Henry, Clare. "Dumb Blondes and Eager Cowboys." The Art Newspaper, Vol. 11, No. 105, July-August

  • 2000Henry, Clare. "Reviews: Hamilton, NJ, Red Grooms, Grounds for Sculpture." Sculpture, Vol. 19, No. 10, December

  • 1999Anonymous. "Grooms: ‘Tennessee Fox Trot Carousel,’ Nashville, TN." Sculpture, June, pp. 16-17

  • 1999Coli, Jorge. "Red Grooms." Folha de São Paulo, May 02, 1999

  • 1999McKinley, Jill. "Marlborough Florida Opens with Red Grooms." Gold Coast Lifestyle, January 21, 1999, p. 6

  • 1998Allen, Jenny. "The Carousel." Life, August, pp. 69-71

  • 1998Bostick, Alan. "Art of the Clown: Red Grooms’ Tennessee Carousel Spins Toward Completion." The Tennessean, June 28, 1998 pp. K1, K6

  • 1998Filler, Martin. "Red Grooms’ Merry New Merry-Go-Round." The New York Times, November 22, 1998, pp. 46-47

  • 1998Miller, Donald. "Penn State Exhibit Celebrates Grooms’ Witty Sculptures." Pittsburgh Post-Gazette, October 03, 1998

  • 1998Robinson, Joyce Henri. "'The Bus' Next Stop State College." Town and Gown, September, pp. 64-68

  • 1998Robinson, Joyce Henri. "Not the Only Big Game." Nittany Lion Kickoff, p. 64

  • 1998Schneider, Daniel B. "New York as Art Form." The New York Times, June 14, 1998

  • 1998Vogel, Carol. "For Nashville, From Red Grooms." The New York Times, July 21, 1998 pp. 1, 3

  • 1998Zimbler, Harry. "A Red Grooms Sensibility." State College Magazine, December, p. 13

  • 1997Anonymous. "Red Grooms’ Creating a Ruckus at KMA." The Knoxville News Sentinel, May 02, 1997

  • 1997Anonymous. "Why See Red Grooms?." The Knoxville News Sentinel, July 13, 1997

  • 1997Barrett, Chris. "Black Magic Lantern." Metro Pulse, July 10, 1997, p. 19

  • 1997Cristy, Kristl L. "On the Bus–Exhibit is Invite to Please Step Inside." The Daily Times, May 09, 1997 pp. 1C, 7C

  • 1997Ippolito, Mark. "Council Dances Along With Fox Trot Carousel." The Tennessean, October 22, 1997 p. 5B

  • 1997Kimmons, Cherie. "Red Grooms’ Art Makes You Giggle." Press Enterprise, June 11, 1997 pp. A1-A3

  • 1997Mason, Doug. "In Celebration of Red Grooms, Filmmaker." The Knoxville News Sentinel, July 11, 1997, pp. 11-15

  • 1997Stahl, Gael B. "Wild and Wonderful Red Grooms Exhibit Hits Knoxville." Tennessee Town and City, June 16, 1997, p. 5

  • 1997Zimmerman, David. "Red Grooms’ Happy Homecoming." USA Today, May 30, 1997 7D

  • 1996Anonymous. "A & E Scene." The Hartford Courant, October 13, 1996

  • 1996Anonymous. "Artist’s Diary." The Art Newspaper Vol. 7, No. 65, December, p. 40

  • 1996Anonymous. "Biographies of the 1996 Art Masters Winners." Art Masters, June, pp. 12-15

  • 1996Anonymous. "Color Me Red." The Hartford Advocate, October 10, 1996, p. 17

  • 1996Anonymous. "New Britain Museum of Art." The Hartford Advocate, September 26, 1996

  • 1996Anonymous. "Red Grooms." Personnel Journal, July, p. 96

  • 1996Anonymous. "Review." The New York Times, August 04, 1996 p. 45

  • 1996Anonymous. "Review." The New York Times, October 15, 1996 p. D9

  • 1996Anonymous. "Second Saturday’ Promises Family Fun." The Herald, October 11, 1996 p. D6

  • 1996Borum, Jenifer P. "Red Grooms." Artforum, April, pp. 103-104

  • 1996Dreyfuss, Ira. "A Bus Made of Vinyl." Destinations, February, p. 80

  • 1996Jarrell, Joe. "Red Grooms." Sculpture September/October, p. 55

  • 1996Karmel, Peter. "Review." The New York TImes, January 19, 1996

  • 1996Pacheco, Patrick. "The Art Collector as Activist: Stewart and Lynda Resnick." Art and Antiques, March, pp. 92-93

  • 1996Rosoff, Patricia. "Groomed for Success: An Ambitious Little Museum Takes a Humorous Look Back and a Giant Leap Forward With Red Grooms." Hartford Advocate, October 10-17, p. 22

  • 1996Sullivan, Terry. "When Influence Becomes Inspiration." Art Masters June, p. 12

  • 1996Zimmer, William. "The Eye of the Artist on Other Artists." New York Times, November 17, 1996

  • 1995Anonymous. "Art Galleries and Antiques." Where, New York November, pp. 54, 93

  • 1995Anonymous. "Exhibition Will Bring Smiles to Art Lovers." The Hickory Daily Record, November 13, 1995

  • 1995Anonymous. "Red Grooms." New York Magazine, October 30, 1995, p. 118

  • 1995Anonymous. "Red Grooms." New York Magazine, November 13, 1995

  • 1995Anonymous. "Red Grooms." New York Magazine, November 06, 1995

  • 1995Anonymous. "Red Grooms." New York Magazine, November 20, 1995

  • 1995Anonymous. "Red Grooms." The New Yorker, November 06, 1995

  • 1995Anonymous. "Red Grooms." The New Yorker, November 27, 1995

  • 1995Anonymous. "Red Grooms at Marlborough Gallery." The Long Island Arts Review Magazine, November 01, 1995, p. 21

  • 1995Anonymous. "Sculpto-Pictorama City." Where, New York, November 01, 1995

  • 1995Artner, Alan G. "New ‘Moon’ Rising: Grooms, Guare Team up for the Remains Play." Chicago Tribune, April 23, 1995 pp. 3, 5, 22

  • 1995Chappell, Susan. "Painter Comes Home to His $5 Roots." Nashville Banner, June 07, 1995 p. C3

  • 1995De Ricco, Hank. "Red Grooms-Sculpture." The New York Art Intelligencer, Fall, p. 17

  • 1995Kimmelman, Michael. "Street Smart Visions by Red Grooms." The New York Times, November 03, 1995

  • 1995Lemon, Brendan. "Moonglow." The New Yorker, May 05, 1995, pp. 80-81

  • 1995McKenzie, Michael. "Paint the Town Red: Red Groom’s New York Stories." Cover, November, pp. 14-15, 64

  • 1995Revuelta, Laura. "Collectión de la Embajada de Estados Unidos: Tempos Modernos." Blanco y Negro, May 28, 1995, pp. 38-44

  • 1995Saccoccia, Susan. "Red Grooms Constructs His Gleeful Cityscapes with Shrewd Charm." The Christian Science Monitor, January 25, 1995, p. 12

  • 1995Saffian, Sarah. "Event." The Daily News, October 28, 1995

  • 1995Tallmer, Jerry. "Shaping ‘New York Stories’." Newsday, November 10, 1995

  • 1994Cotter, Holland. "Kenneth Koch at Tibor de Nagy." The New York Times, December 23, 1994

  • 1994Sjorstom, Jan. "Red Grooms Show is Opening Today." Palm Beach Daily News, Vol. 98, March 5, 1994, pp. 1-2

  • 1993Anderson, Porter. "Worldly Whimsy." Profile, July, p. 19

  • 1993Anonymous. "Art Attack: Noted New York Artist Red Grooms Was Invited to Organize an Exhibition." Soap Opera Weekly, Vol.4, Issue 33

  • 1993Anonymous. "Automotive Art Expression." Collector Car Insider, September, p. 73

  • 1993Anonymous. "For Artists of All Ages." The New York Times, April 25, 1993, p. 6

  • 1993Anonymous. "Grand Central Terminal Invites Gazing, Not Waiting." The New York Times, March 04, 1993

  • 1993Anonymous. "New York Artist Red Grooms Fills Grand Central’s Newly Restored Waiting Room with the Exuberant Exaggerations of His ‘Ruckus Manhattan’." The New York Scene,, July 01, 1993 Vol. 23. No. 2, Summer

  • 1993Anonymous. "Off the Tracks." The New York Times, March 14, 1993

  • 1993Anonymous. "Red Grooms at Grand Central." Metropolis, May 01, 1993

  • 1993Anonymous. "Red Grooms at Grand Central 1993." On Track, April, p. 3, 6

  • 1993Anonymous. "Red Grooms For Openers." The New York Times, March 07, 1993, p. 10

  • 1993Anonymous. "Red Grooms: En la estacion Grand Central." Vea, April/May/June, p. 6

  • 1993Anonymous. "Review." New York Magazine, July 05, 1993

  • 1993Anonymous. "Review." The New Yorker, July 05, 1993

  • 1993Anonymous. "Review." The New Yorker, September 06, 1993

  • 1993Anonymous. "The View from the World Trade Center in Red Grooms’ New Exhibit in Grand Central Station’s Former Main Waiting Room that Opened March 12." The New York Observer, March 22, 1993, p. 4

  • 1993Cassim, Julia. "Kickin’ up a Ruckus, Paintin’ the Town Red." Japan Times, November 28, 1993

  • 1993Ellis, Elaine A. "New Grand Central Waiting Room Will Include Gigantic Sculptures." Gannett Suburban Newspapers, February 17, 1993

  • 1993Exler, Elisabeth. "Red Grooms: In The Pursuit of Fun." Manhattan Arts International, Summer, p. 7

  • 1993Johnson, Patricia C. "Lush Watercolor Works Support Artistic Visions." Houston Chronicle, March 27, 1993 pp. D1, D8

  • 1993Kutner, Janet. "New York’s Art Scene is Bustling Today." The Dallas Morning News, May 30, 1993 pp. C3-C4

  • 1993MacAdam, Barbara. "Dial a Sob." ARTnews ARTnews, Summer, pp. 37

  • 1993MacAdam, Barbara. "Fried Greetings." ARTnews April, pp. 23-24

  • 1993McKenna, George L. "Print Society Gifts Enhance Collection." The Nelson-Atkins Museum of Art Newsletter, Summer

  • 1993Norwich, William. "Ann is a Friend of Grooms." New York Post, July 06, 1993

  • 1993Oxman, Alice. "É Arrivato l’artista." Capital, May 01, 1993, p. 25

  • 1993S, L. "Gemälde Für die Suppenküche." Art, May 01, 1993, p. 11

  • 1993Sjostrom, Jan. "PB Gallery Season a Work of Art." Palm Beach Daily News, December 26, 1993 pp. B1, B5

  • 1993Slesin, Suzanne. "Red Grooms Takes On Grand Central." The New York Times, April 01, 1993

  • 1993Smith, Roberta. "In Installation Art, a Bit of the Spoiled Brat." The New York Times, January 03, 1993, p. 31

  • 1992Andre, Michael. "Transparency: Luise Ross Gallery." Cover Magazine Vol.6, No. 5, June

  • 1992Anonymous. "Art World Hits the Hustings for ‘92." Art in America October, p. 32

  • 1992Daxland, John T. "Grooms: Marriage of History and Humor." Daily News, April 11, 1992, p. 13

  • 1992Glueck, Grace. New York: The Painted City. Salt Lake City: Peregrine Smith Books, 1992 pp. 30-31

  • 1992Grooms, Red. "The World According to Steinberg." The New York Times, December 06, 1992 pp. 7, 32

  • 1992H, J. "In New York Notiert." AURBAU, April 24, 1992, p. 6

  • 1992Hahn, Elizabeth. "Hot Off the Presses: Keeping Up With New Prints." Christie’s Magazine Vol. 13, No. 4, February/March

  • 1992Kimmelman, Michael. "Quotations: The Second History of Art." The New York Times, August 21, 1992 p. C23

  • 1992Litt, Steven. "Noted Sculptor Among Five Hired to Adorn Gateway." The Plain Dealer, May 02, 1992 p. D3

  • 1992McCracken, David. "Rating the Venerable School of the Art Institute." Chicago Tribune, May 10, 1992, p. 18

  • 1992Scobie, Ilka. "Red Grooms: Marlborough Gallery." MASCOB, April 03, 1992

  • 1992Scobie, Ilka. "Red Grooms: Off the Top." Cover Magazine, April 01, 1992, p. 23

  • 1992Vogel, Carol. "The Art Market: More Grooms." The New York Times, October 16, 1992

  • 1992Wix, Elisabeth. "New York in Artists’ Eyes." Newsday, October 09, 1992

  • 1991Barek, Florence. "Red Grooms, L’Homme Qui Fait Bouger La Ville." Art et Valeurs No. 21, February, p. 2

  • 1991Barnett, Catherine. "Studio Visit." Mirabella, May 01, 1991, pp. 60-62

  • 1991Danto, Arthur C. Encounters & Reflections: Art in the Historical Present. New York: Noonday Press, 1991

  • 1991Darmon, Adrian. "Les Stars Du Pop Art." Art et Valeurs, February 01, 1991 No. 21, February, pp. 18-23

  • 1991Slesin, Suzanne. "An Indian Temple of Foam Rubber and Ingenuity." The New York Times, May 29, 1991

  • 1990Anonymous. "FIAC: Le Débarquement Américain." Glamour France November, p. 42

  • 1990Anonymous. "Red Grooms." Geijutsu Shincho No. 10, pp. 107-110

  • 1990Barboza, Steven. "The Man who is Called the Pied Piper of Dance." Smithsonian Vol. 20, No. 12, March, pp. 84-95

  • 1990Daxland, John. "Red Lights Up a Room." New York Daily News, April 14, 1990

  • 1990Dullea, Georgia. "In Yonkers, Art With a River View." The New York Times, October 14, 1990, p. 44

  • 1990F, M. M. "Expos: Red Grooms: La Vie en Rose." Elle France, October 01, 1990, p. 38

  • 1990Gallery, Valery. "Wall Patrol." Cover, April 01, 1990, p. 5

  • 1990Huser, France. "Le Grand Marché de la Peinture." Le Nouvel Observateur, October 18, 1990, pp. 17-18

  • 1990Jouve, Caroline. "L’Amérique: la FIAC." Art et Valeurs No. 17, October, pp. 41-43

  • 1990Kohen, Helen L. "FIU Exhibition Finds in Urban Landscape." The Miami Herald, January 14, 1990

  • 1990Maignan, Florence. "La FIAC: l’Heure Américaine." La Vie Francaise, October 27, 1990, pp. 90-91

  • 1990N, M. "FIAC: Ouverture." Le Figaro, October 24, 1990

  • 1990Pradel, Jean-Louis. "Fric-FIAC." L’Evenement de Jeudi, October 25, 1990, p. 146

  • 1990Smith, Roberta. "Sculpture in the City, from Blankets to Bronze." The New York Times, April 20, 1990 pp. C1, C28

  • 1990Tanaka, Hiroko. Art is Beautiful: Interviews with New York Artists. Tokyo: Kawade Shobo Shinsha, 1990 pp. 92-95

  • 1990Van Den Abeele, Lieven. "FIAC Voelt Pols Van Kunstmarkt." De Standard, October 25, 1990

  • 1989Ashbery, John. John Ashbery: Reported Sightings: Art Chronicles, 1957-87. Edited by David Bergman. New York: Knopf, 1989

  • 1989Berman, Marshall. "Taking to the Street." Boston Review Vol. 14, No. 3, pp. 5-6, 16-18

  • 1989Billington, Linda. "Raising a Ruckus." Anchorage Daily News, October 15, 1989 pp. E1, E3

  • 1989Daxland, John. "On the Road with Red." New York Daily News, February 25, 1989, p. 15

  • 1989Jones, Baird. "Eye on New York." Art & Artists April/May

  • 1989Prud'Homme, Alex. "Red’s Set." New York Magazine Vol. 22, No. 23, June 5, 1989, p. 26

  • 1989Slesin, Suzanne. "A Bed Only Red Grooms Could Have Envisioned." The New York Times, September 21, 2011 p. C3

  • 1989Smith, Roberta. "The Rollicking Red Grooms, Without All the Noise." The New York Times, August 11, 1989

  • 1989Tallmer, Jerry. "Red Grooms au Naturel." New York Post, March 03, 1989

  • 1989Tanaka, Hiroko. "Red Grooms." Hi Fashion no. 178, February, pp. 128-129

  • 1989Wolff, Theodore. "Figures with a Modernist Look." The Christian Science Monitor, June 12, 1989, p. 15

  • 1988Anonymous. "1988: Previews From 36 Artists." The New York Times, January 03, 1988 pp.1, 30

  • 1988Anonymous. "Book Art: Illustrations for Children Shown at Lockport Gallery." The Joliet Herald, December 04, 1988 p. C1

  • 1988Corliss, Richard. "Twin Shrines to the Silver Screen." Time Vol. 132, No. 13, September 26, 1988, pp. 96-97

  • 1988Finch, Christopher. Twentieth-Century Watercolors. New York: Abbeville Press, 1988

  • 1988Goldberg, Vicki. "The Banquet for Henri Rousseau." Connoisseur August, pp. 41-45

  • 1988Gordon, Nadine C. "Red Grooms and the Art of Education." The Artists’ Proof January, p. 10

  • 1988Holden, Stephan. "From Tut to Taylor, Moving-Image Museum Captures Film History." The New York Times, August 30, 1988

  • 1988McFadden, Cyra. "The Palomino Is a Flirt." The New Times Book Review, December 04, 1988

  • 1988Nagy, Katja Von. "Red Grooms: Kunst muss Spaß machen." Welt am Sonntag No. 42, October 16, p. 51

  • 1988Tanaka, Y. "The Style-Wise Man (Moving Image)." Brutus No. 194, December 15, p. 11

  • 1987Anonymous. "Red Grooms at the Whitney Museum." Art Now Vol. 7, No. 1, September, pp. 62-63

  • 1987Cotter, Holland. "Portraits of the Artists." Art in America Vol. 11, November, pp. 154-57

  • 1987Dwyer, Jim. "The Modern Art of Subway." New York Newsday, vol. 47, no. 333 Vol. 47, No. 333, August 4, pp. 6, 32

  • 1987Gladstone, Valerie. "Red Grooms: Rooms of His Own." Daily News, July 19, 1987, p. 8

  • 1987Goldberger, Paul. "Red Grooms’s Cities of the Mind." The New York Times, August 09, 1987 pp. 1, 32

  • 1987Gross, John. "Caricature in the Hands of Red Grooms, and Satirists of the Jazz Age." The New York Times, August 23, 1987

  • 1987Henry, Gerrit. "Review." ARTnews September, p. 131

  • 1987Lipson, Karin. "New York: Grit and Glamour." New York Newsday, October 02, 1987

  • 1987Oppenheimer, Joel. "The Cedars." New York Magazine December 21-28, pp. 82-83

  • 1987Smith, Roberta. "Art: Red Grooms Show At Whitney Museum." The New York Times, July 31, 1987

  • 1987Smith, Roberta. "Red Grooms." The New York Times, April 17, 1987

  • 1987Tallmer, Jerry. "'Ruckus' Whitney." New York Post, July 23, 1987, pp. 27-28

  • 1987Wade, Marcia J. "Red Grooms." Horizon Vol. 30, No. 6, July/August, pp. 12-16

  • 1987Yau, John. "Red Grooms." Artforum September, pp. 127-28

  • 1986Curtis, Cathy. "Exhibit Lets You Experience Sight, Sound of Manhattan." The Orange County Register, May 09, 1986, p. 29

  • 1986Drohojowska, Hunter. "The Steven Spielberg of Contemporary Art." Los Angeles Herald Examiner, March 18, 1985

  • 1986Frank, Peter. "The Gee-Wisdom of Red Grooms." LA Weekly Vol. 8, No. 17, March 21-27, pp. 23, 27, 29

  • 1986Hieronymus, Clara. "For a Fun Journey through Art, Visit Red Grooms’ Retrospective." The Tennessean, September 07, 1986

  • 1986Le Quire, Louise. "Red Grooms’ ‘Monkeyshines’." Touchstone Fall, pp. 14-15

  • 1986Lummis, Suzanne. "Through Grooms’ Looking Glass." Downtown News, March 31, 1986

  • 1986Muchnic, Suzanne. "Pride and Grooms: A Lively Retrospective." Los Angeles Times, March 17, 1986 Part 4

  • 1986Rico, Diana. "MOCA exhibits bigger than life." Daily News, March 14, 1986

  • 1986Roche, Nancy McGuire. "A Homecoming: The Celebration of Two Native Artists." Premiere: Arts and Entertainment Summer, Vol. 6, No. 4, pp. 12-14, 16

  • 1986Wakefield, Sanford Suzan. "Red Grooms’ Humanity Runs Amok." Evening Outlook, April 15, 1986

  • 1986Wilson, William. "Borofsky and Grooms: Twice The Carnival." Los Angeles Times, March 23, 1986, p. 86

  • 1985Anonymous. "A Chagall-Grooms Twin Bill." The Philadelphia Inquirer, June 23, 1985

  • 1985Ayers, Robert. "Red Grooms." Art Monthly, April 01, 1985

  • 1985Brenson, Michael. "One-man Show Will Enrich the Season." The New York Times, September 08, 1985 pp. H43, H46

  • 1985Gross, John. "Book Review: ‘Red Grooms’ by Carter Ratcliff." The New York Times, April 30, 1985

  • 1985Hine, Thomas. "From Grooms, Joyous Works Based on Reality." The Philadelphia Inquirer, August 11, 1985, p. 14

  • 1985Hunnewell, Richard. "Uptown." Art/World Summer

  • 1985Katz, Vincent. "Good Grooming." Ritz, January 01, 1985

  • 1985Lyon, Christopher. "Red Grooms Himself for Oblivion." Chicago Sun-Times, February 22, 1985, p. 60

  • 1985Olivares, Rosa. "Crónicas de exposiciones: Red Grooms." Año III No. 29, p. 66

  • 1985Plagens, Peter. "Contemporary Sculpture." Art in America October, pp. 19, 21

  • 1985Price, Max. "Soured on life? Visit the Red Grooms Retrospective." The Denver Post, November 01, 1985, p. 4

  • 1985Ratcliff, Carter. Red Grooms. New York: Abbeville Press, 1985

  • 1985Richard, Paul. "Red Grooms: Art With 100 Faces." The Washington Post, August 25, 1985 pp. L1, L5

  • 1985Russell, John. "A Red Grooms Traveling Carnival." The New York Times, August 25, 1985 pp. 1, 27

  • 1985Russell, John. "Red Grooms." The New York Times, March 29, 1985

  • 1985Serraller, Francisco Calvo. "Dos versiones de Nueva York: Red Grooms y la generación del East Village en Madrid." El Pais, November 22, 1985

  • 1985Sozanski, Edward J. "Behind Dazzle, Grooms Shows a Serious Side." The Philadelphia Inquirer, Sunday, August 11, 1985, p. 14

  • 1985Sozanski, Edward J. "Red Grooms: Art that is Full of Fun." The Philadelphia Inquirer, June 23, 1985 pp. 1, 16

  • 1985Tully, Judd. "Red Grooms Has Artful Fun with High Culture–and Low." Smithsonian June, pp. 104-110, 113-115

  • 1985Weales, Gerald. "Grooms: An Artist and a Showman." The Philadelphia Inquirer, June 23, 1985, p. 7

  • 1985Wilson, William. "Meanwhile, Back at the Raunch...." Los Angeles Times, August 11, 1985 pp. 85, 87

  • 1985Wykes-Joyce, Max. "Red Grooms Raises Another Ruckus." International Herald Tribune, January 26, 1985

  • 1984Cummings, Paul. Twentieth Century American Drawings: The Figure in Context. Washington, DC: International Foundation, 1984 pp. 64-65

  • 1984Danto, Arthur. "Art." The Nation, October 20, 1984, pp. 390-393

  • 1984Doss, Erika. "Uncommon prints." Minneapolis Society of Fine Art Vol. 7, January, pp. 13-16

  • 1984Glueck, Grace. "Art: Exploring 6 Years of Pop and Minimalism." The New York Times, September 28, 1984 p. C27

  • 1984Glueck, Grace. "Bronze in the Hands of American Sculptors." The New York Times, December 23, 1984 p. H29

  • 1984Glueck, Grace. "On 42nd Street: Artists’ Vision." The New York Times, October 26, 1984 p. C15

  • 1984Glueck, Grace. "Red Grooms on the Road." The New York Times, April 13, 1984 pp. C1, C26

  • 1984Glueck, Grace. "‘Family’ Revived Art on Cape Cod." The New York Times, August 01, 1984 p. C17

  • 1984Grooms, Red. "One Artist’s Paris." The New York Times Magazine, March 18, 1984, p. 90

  • 1984Howell, Camille. "Troubled Times for a Premier Printmaker." Minneapolis Star Tribune, April 01, 1984, p. 18

  • 1984Russell, John. "City Art: Lessons for a Critic." The New York Times Magazine, November 04, 1984 pp. 105, 146

  • 1984Russell, John. "When Art Came Out of the Studio and Mingled." The New York Times, October 28, 1984 p. H33

  • 1984Schaire, Jeffrey. "Taking Liberties." Arts and Antiques, June 01, 1984

  • 1984Smith, Roberta. "Splat!." The Village Voice, October 16, 1984

  • 1984Tully, Judd. Re-Dact, An Anthology of Art Criticism,. edited by Peter Frank. New York: Willis, Locker and Owens, 1984 pp. 195-196

  • 1983Anderson, Jack. "Red Grooms Designs ‘Musketeers’ for d’Amboise." The New York Times, May 15, 1983

  • 1983Anonymous. "Dance Festival." The New York Times, May 15, 1983, p. 49

  • 1983Anonymous. "Photos and Words." The New York Times, March 18, 1983

  • 1983Bartholomew, Caroline. "Artist Red Grooms Just Loves to Help Create a Ruckus." Nashville Banner, May 06, 1983

  • 1983Benbow, Charles. "Grooms Art a Playful ‘Ruckus’." St. Petersburg Times, May 30, 1983

  • 1983Crane, Jeanette. "Tampa Museum Is Offering Five Special Attractions." St. Petersburg Independent, June 02, 1983

  • 1983Filler, Martin. "The Brooklyn Bridge at 100." Art in America Vol. 71, Summer, p. 148

  • 1983Glueck, Grace. "Revival of the Portrait." The New York Times Magazine, November 06, 1983 pp. 56-57, 74

  • 1983Goldberger, Paul. "Brooklyn Salutes Its Great Bridge at 100 with Paintings, Photos and Words." The New York Times, March 18, 1983 p. C11

  • 1983Goleas, Janet. Contemporary Arts. 2nd Edition. New York: St. Martin’s Press, 1983 pp. 366-367

  • 1983Henry, Gerrit. "The Painterly Figure." ARTnews, May 01, 1983 Vol. 82, May 1, p. 164

  • 1983Levin, Kim. "Allan Frumkin: Peter Saul/Red Grooms." The Village Voice, March 15, 1983

  • 1983Milani, Joanne. "Hot Art: Big City Heat." Tampa Bay Monthly, August 01, 1983

  • 1983Myers, John Bernard. Tracking the Marvelous. New York: Random House, 1983 cover illustration, pp. 202-206, 210

  • 1983Ratcliff, Carter. "The Short Life of the Sincere Stroke." Art in America Vol. 71, January, p. 74

  • 1983Raynor, Vivien. "Art: Saul and Grooms." The New York Times, March 18, 1983 p. C24

  • 1983Rettig, Dave. "Red Ruckus Grooms: Kind of Controlled Chaos." Artline Vol. 4, May, pp. 6-8

  • 1983Schulman, Daniel. "Self-Portraits, Part II: The Antic Vision." Arts Magazine Vol. 57, March, p. 31

  • 1983Wintour, Anna. "Painting the Town." New York Magazine, August 29, 1983, p. 59

  • 1983Wolff, Theodore F. "Early Works of Famous Artists Can Surprise You." Christian Science Monitor, March 15, 1983

  • 1982Anonymous. "A Wondrous Work of Art." Philadelphia Inquirer, June 22, 1982

  • 1982Anonymous. "February Spotlights: Art; A Grooms Retrospective." Saturday Review Vol. 9, February, p. 8

  • 1982Anonymous. "For Irate Citizens, Public Sculptures Belong Anywhere but on a Pedestal." People Vol. 20, November 14, 2011

  • 1982Anonymous. "News, Public Sculpture Down But Not Out." Artline Artline, vol. 4, February

  • 1982Anonymous. "No Place for Pigeons." Focus Vol. 657, May 27, 1982

  • 1982Anonymous. "Not Funny." Rocky Mountain News, September 30, 1982

  • 1982Anonymous. "Red Grooms Brings Prop–and People–Packed Art to UB." Bridgeport Sunday Post, February 21, 1982

  • 1982Anonymous. "Task for Arts Commission." Denver Post, September 30, 1982

  • 1982Anonymous. "The Vasari Diary-O, Give Me a Home...." ARTnews, December 01, 1982 Vol. 82, December, p. 11

  • 1982Anonymous. "Where It Is." Philadelphia Inquirer, March 13, 1982

  • 1982Baldwin, Roger. "Red Grooms at UB: Creating a Ruckus." Fairfield Advocate, March 10, 1982

  • 1982Brenson, Michael. "Art People: Art Lights Up Times Square." The New York Times, June 25, 1982 p. C26

  • 1982Brewster, Todd. "Slaphappy Birthday, Philadelphia!." Life, August 01, 1982, pp. 45-48

  • 1982Canaday, John. "An Evening with Red Grooms." The Smithsonian Associate Vol. 10, February/March, p. 1, 10

  • 1982Carroll, Vincent. "At Times, Art Appreciation Requires Some Artfulness." Rocky Mountain News, November 17, 1982

  • 1982Cebulski, Frank. "Auto Art." Artweek Vol. 13, October 16

  • 1982Clurman, Irene. "Eye on Art: Grooms’ ‘Shoot-Out’ a Rib-Tickling Sculpture." Rocky Mountain News, September 10, 1982

  • 1982Clurman, Irene. "Shifting Fate for Grooms ‘Shoot-Out’." Rocky Mountain News, November 22, 1982

  • 1982Conheim, Maryanne. "‘Cornucopia’ Installation Is Delayed." Philadelphia Inquirer, March 27, 1982

  • 1982Deitz, Paula. "Design Notebook." The New York Times, April 08, 1982 p. C9

  • 1982Donohoe, Victoria. "Looking for Permanent Place for Philadelphia Cornucopia." Philadelphia Inquirer, August 22, 1982

  • 1982Donohoe, Victoria. "To the Fun, Grooms Adds Some History." Philadelphia Inquirer, June 13, 1982

  • 1982Gottlieb, Mark. "Getting Around." Northern Ohio Lie, vol. 2 Vol. 2, April, pp. 26, 29-31

  • 1982Hieronymous, Clara. "Red Grooms Joins in Birthday Celebration." The Tennessean, August 15, 1982

  • 1982Hine, Thomas. "Popular Walk-Through History of Philadelphia Returns to Public View." Philadelphia Inquirer, March 19, 1982

  • 1982Hornick, Lita. Night Flight. New York: The Kulcher Foundation, 1982 pp. 9, 179-181

  • 1982Hoving, Thomas. "How to Commission a Monument." Connoisseur Vol. 213, January

  • 1982Johnson, Ellen, ed. American Artists on Art from 1940-1980. New York: Harper and Row, 1982 p. 59

  • 1982Kalin, Diane. "Red Grooms Turning Philadelphia into a Saturday Morning Cartoon." City Paper, July 01, 1982

  • 1982Keating, Douglas. "Art Makes History and Makes It Fun, Too." Philadelphia Inquirer, June 22, 1982

  • 1982Keating, Douglas, and Victoria Donohoe. "A Cornucopia of Humor from Artist Red Grooms." Philadelphia Inquirer, June 11, 1982

  • 1982Kiefer, Geraldine Wojno. "Red Grooms." Arts Magazine Vol. 56, May, p. 8

  • 1982MacPherson, Kitta. "Artists Applaud a Paterson ‘Work in Progress’." The Star-Ledger, December 02, 1982

  • 1982Martin, Claire. "The Comic Cosmos of Red Grooms." The Denver Post, November 06, 1982

  • 1982Morson, Berny. "Artists Crash Protest." Rocky Mountain News, September 29, 1982

  • 1982Moss, Jacqueline. "Grooms Wacky, Sordid Wisdom: From 42nd St. to Disney World." Connecticut Newspapers, Inc., March 07, 1982

  • 1982Olander, William. "Red Grooms." ARTnews Vol. 81, September, pp. 120-121

  • 1982Ostrow, Joanne. "Red Grooms and His Ruckus." The Washington Post, February 26, 1982

  • 1982Price, Max. "Controversial Sculpture to Move." Denver Post, September 29, 1982

  • 1982Raynor, Vivien. "A Jocular View of the Art World." The New York Times, March 14, 1982, p. 22

  • 1982Raynor, Vivien. "Art People: ‘Not Afraid’ in the Subway." The New York Times, May 21, 1982, p. 26

  • 1982Richard, Paul. "The Unbridled Grooms." The Washington Post, March 02, 1982

  • 1982Russell, John. "Art View: William Rush–One of Nature’s Truth-Tellers; Philadelphia." The New York Times, August 08, 1982 p. H24

  • 1982Russell, John. "Contemporary Self-Portraits." The New York Times, December 10, 1982 p. C29

  • 1982Russell, John. "In Boston: From the Old World to the New." The New York Times, March 14, 1982, p. 33

  • 1982Scott, Martha B. "Fun Art of Red Grooms Has the Flair of a P.T. Barnum." Bridgeport Sunday Post, February 28, 1982

  • 1982Sozanski, Edward J. "‘Cornucopia’ Witty Where It Was, Looks Like A Bad Joke Where It Is." Philadelphia Inquirer, March 13, 1982

  • 1982Sozanski, Edward J. "‘Cornucopia’: An Appraisal by 4 Noted Subjects." Philadelphia Inquirer, March 29, 1982

  • 1982Stein, Judith. "An Impish Artist Sculpts a Whimsical Philadelphia." Philadelphia Inquirer, May 28, 1982

  • 1982Stein, Judith. "Red Grooms at the ICA." Art in America Vol. 70, December, p. 129

  • 1982Tulenko, Karelei. "From ‘Ruckus Manhattan’ to ‘Ruckus Roxy,’ The Art of Red Grooms Bemuses and Delights." Art Voices January/February, pp. 15-19

  • 1981Ashbery, John. "Painting the Town Red." Newsweek, April 20, 1981 pp. 86, 89

  • 1981Baro, Gene. "Marlborough Exhibition." Art International Vol. 4, August/September, p. 122

  • 1981Glueck, Grace. "New Home, New Look for ‘Ruckus Manhattan’." The New York Times, December 18, 1981 p. C32

  • 1981Glueck, Grace. "Red Grooms Reshapes His Loony World." The New York Times, March 29, 1981 pp. 1, 20

  • 1981Goodyear, Frank H., Jr. Contemporary American Realism Since 1960. New York: Little, Brown and Company, 1981 p. 216

  • 1981Larson, Kay. "He Who Laughs Less." New York Magazine, April 20, 1981, pp. 50-51

  • 1981McNeilly, Caroline. "Friend Brings Grooms Art Home." Nashville Banner, August 06, 1981

  • 1981Osborne, Harold. The Oxford Companion to Twentieth Century Art. New York: Oxford University Press, 1981 p. 236

  • 1981Phillips, Deborah C. "Red Grooms." ARTnews Vol. 80, October, pp. 217-218

  • 1981Ratcliff, Carter. "Red Grooms’ Human Comedy." Portfolio Vol. 3, March/April, pp. 56-61

  • 1981Renz, M. A. "Little Red Riding Hood." Young Viewer/Film Review Supplement Vol. 3/4, April, pp. 26-27

  • 1981Russell, John. "Art: Ellsworth Kelly and Red Grooms Shows." The New York Times, April 17, 1981 p. C18

  • 1981Simpson, Charles R. SoHo: The Artist in the City. Chicago: University of Chicago Press, 1981 p. 27

  • 1981Slesin, Suzanne. "Safes As Combinations of Art and Security." The New York Times, April 30, 1981 p. C8

  • 1981Vishny, Michele. "Red Grooms." Art Magazine Vol. 55, April, p. 3

  • 1980Anonymous. "Multiples and Objects and Artists’ Books: Red Grooms, Peking Delight'." The Print Collector’s Newsletter Vol. 10, January/February, p. 203

  • 1980Anonymous. "Prints and Photographs Published: Red Grooms, 'Lorna Doone'." The Print Collector’s Newsletter Vol. 2, March/April, p. 16

  • 1980Arthur, John. Realist Drawings and Watercolors. New York: Little, Brown and Company, 1980 pp. 70-71, 77

  • 1980Artner, Alan G. "Exhibits Focus on Still-Life Photos and Collaborations." Chicago Tribune, October 19, 1980

  • 1980Berkvist, Robert. "From ‘Breaking Away’ to ‘Division Street’–In Love with America; The America of Steve Tesich." The New York Times, October 05, 1980, p. 1

  • 1980Betti, Claudia, and Teel Sale. Drawing, A Contemporary Approach. New York: Holt, Rinehart and Winston, 1980 pp. 155, 209, 259, 348

  • 1980Clurman, Irene. "Early Antics of Red Grooms on Display at CSU." Rocky Mountain News, September 01, 1980

  • 1980Forsling, Stephen. "Fizzles, Savage Breeze, Kitty Hawk and a Message from Degas." ARTnews Vol. 79, September, p. 127

  • 1980Glueck, Grace. "Art People: The Earth Is Their Palette." The New York Times, April 04, 1980 p. C24

  • 1980Glueck, Grace. "How Picasso’s Vision Affects American Artists." The New York Times, June 22, 1980, p. 25

  • 1980Goldman, Judith. "Izdavanje I Stampanje Grafika U Aminiki." Pregled Vol. 212, May/June, p. 9

  • 1980Kohen, Helen. "Seeing Red." Miami Herald, February 03, 1980

  • 1980Kohen, Helen. "Some Stand-outs and Other Sights Stay in Mind’s Eye." Miami Herald, January 01, 1980

  • 1980Phillips, Deborah C. "Prints and Photographs Published: Red Grooms, ‘Lorna Doone’." ARTnews Vol. 79, September, pp. 44, 46

  • 1980Tomkins, Calvin. Off the Wall: Robert Rauschenberg and the Art World of Our Time. Garden City, New York: Doubleday and Company, 1980 pp. 152-154

  • 1980Welish, Marjorie. "‘City Junket’ at Playhouse 46." Art in America Vol. 69, January, p. 127

  • 1979Anonymous. "A Viewer’s Journal." Film News, p. 9

  • 1979Anonymous. "Real Books and Plastic Customers Meet in Red Grooms Bookstore." The Riverdale Press, May 10, 1979

  • 1979Baigell, Matthew. A Dictionary of American Art. New York: Harper and Row, 1979, p. 145

  • 1979Beals, Katherine. "Visions of Red Grooms." Gannett Westchester, March 18, 1979

  • 1979Cochran, J.R.. "Aarrgh! Sigh! Red Grooms Misses Punch and the Joke!." The Philadelphia Bulletin, October 28, 1979

  • 1979Dugan, I. W., Jr. "Art in Public Places." Beaux Arts Vol. 2, Summer, pp. 21-22

  • 1979Emerson, Ken. "Grooving with Grooms in Yonkers." The New York Times Magazine, March 04, 1979, pp. 19-21

  • 1979Findsen, Owen. "Red Grooms: A New Idiom for American Sculpture." Cincinnati Enquirer, April 15, 1979

  • 1979Findsen, Owen. "Red Grooms: Ruckus Lands in Kentucky." Courier Journal, April 15, 1979

  • 1979Glueck, Grace. "Art People: Art, Too, Gets Used Up." The New York Times, November 13, 1979 p. C25

  • 1979Glueck, Grace. "Art People: The Morgan Groomsized." The New York Times, December 22, 1979 p. C28

  • 1979Glueck, Grace. "Hudson Museum in Heroic Role." The New York Times, June 09, 1979 p. C20

  • 1979Hawthorne, Don. "Does the Public Want Public Sculpture?." ARTnews Vol. 81, May, p. 63

  • 1979Hegeman, William. "A Printer for the Jet Age." ARTnews Vol. 78, September, pp. 87-89

  • 1979Kramer, Hilton. "2 Streams of American Art at the Whitney." The New York Times, September 04, 1979

  • 1979Lansdell, Sarah. "New Sculptures at NKU." Courier Journal, April 15, 1979

  • 1979Lansdell, Sarah. "Red Grooms: ‘Way Down East’ Sculptor Samples the South." Courier Journal, April 15, 1979

  • 1979Lerner, Harriet. "Good Grooming at the Hudson River Museum." Illustrated Westchester Vol. 43, March, pp. 23, 29

  • 1979Marchionni, Carmel Camise. "Bookstore, Out of Pages of Imagination." Gannett Westchester, March 04, 1979

  • 1979Marzio, Peter. "A Museum and a School: An Uneasy but Creative Union." Chicago History Vol. 3, Spring, p. 48

  • 1979McFadden, Sarah. "Going Places, Part I: Beyond Museum Row." Art in America Vol. 68, February, p. 72

  • 1979Merritt, Robert. "Art: Discount Store Set." Richmond Times Dispatch, March 28, 1979

  • 1979Proctor, Roy. "The Discount Store, What Is Grooms Trying to Say." Richmond Times News Leader, March 31, 1979

  • 1979Rickey, Carrie. "The More the Merrier." The Village Voice, October 29, 2011

  • 1979Russell, John. "Art: Red Grooms and Dan Flavin." The New York Times August 3, p. C19

  • 1979Shirey, David L. "Hudson River Museum." The New York Times, May 15, 1979, p. 16

  • 1979Siwek, Polly. "Bookstore." Westchester Magazine Vol. 2, March

  • 1979Stofflet-Santiago, Mary. "Three Films by Red Grooms." Artweek Vol. 10, October 20, pp. 12-13

  • 1979Strasser, Todd. "Interview: Red Grooms." Ocular Vol. 4, Winter, pp. 50-60

  • 1979Tully, Judd. "Way Down East: Red Grooms’ Monument to D.W. Griffith." Horizon Vol. 22, August, p. 9

  • 1979Vogel, Amos. "Independents." Film Comments September/October, pp. 76-77

  • 1979Wilson, Janet. "And Now, From the Folks Who Brought You Ruckus Manhattan." ARTnews Vol. 78, March, pp. 102-103

  • 1978Ashbery, John. "Something Borrowed, Something New." New York Magazine Vol. 2, August 7, pp. 54-55

  • 1978Beals, Katherine. "Love, Laughter, Come to Neuberger Museum." Westchester Weekend, May 05, 1978

  • 1978Canby, Vincent. "Film Forum: ‘Ruckus’." The New York Times, January 27, 1978 p. C18

  • 1978Carroll, Noel. "Red Grooms at Film Forum, 'Son of Whopper'." SoHo News, January 26, 1978

  • 1978Downes, Rackstraw, ed. Fairfield Porter: Art In Its Own Terms, Selected Criticism 1935-1975. New York: Taplinger Publishing Co, 1978, pp. 124-127

  • 1978Hanson, Henry. "Red Grooms’ Chicago Returns." Chicago September, pp. 230-231, 233

  • 1978Hieronymus, Clara. "Well Worth the Wait." The Tennessean, November 26, 1978

  • 1978LeQuire, Louise. "Art about Art." Artweek Vol. 10, January 27, pp. 1, 24

  • 1978Russell, John. "De-Complication Is the Aim." The New York Times, May 14, 1978, p. 27

  • 1978Sandler, Irving. The New York School: The Painters and Sculptors of the Fifties. New York: Harper and Row, 1978 pp. 34, 41, 196, 197, 208, 210, 299, 301, 306, 323

  • 1978Seawright, Sandy. "Red Grooms: Home is Always Nashville." Art Voices/South November/December, p. 9

  • 1978Shirey, David L. "Life is Earnest, Art is Fun." The New York Times, June 11, 1978, p. 16

  • 1978Zbytniewski, Joan. "Red Grooms." Progressive Grocer Vol. 58, January, pp. 96-98

  • 1977Anonymous. "Miss Bellamy Is Guest ‘Preacher’ at St. Clement’s." The New York Times, January 30, 1977 p. A18

  • 1977Anonymous. "Paris Review: Roger d’Amécourt." International Herald Tribune, June 04, 1977

  • 1977Anonymous. "Red Grooms." Connaissance des Arts Vol. 304, June, p. 13

  • 1977Anonymous. "Seeing the Message." The Sunday Oklahoman, May 01, 1977

  • 1977Blume, Mary. "Archetypal Yokel in Nervous City." International Herald Tribune, June 26, 1977

  • 1977Conway , Madeleine, and Nancy Kirk. The Artist’s Cookbook. New York: The Museum of Modern Art, 1977, pp. 59-62

  • 1977Cummings, Paul. Dictionary of Contemporary American Artists. New York: St. Martin’s Press, 1977, p. 223

  • 1977Dittiere, Monique. "Sans Jamais Tomber Dans le Vulgaire." L' Aurore, June 29, 1977

  • 1977Glueck, Grace. "Art People." The New York Times, March 11, 1977 p. C22

  • 1977Glueck, Grace. "Scenery Takes Bow in Queens." The New York Times, December 30, 1977 p. C3

  • 1977Herrera, Hayden. "Manhattan Seven." Art in America Vol. 65, July/August, pp. 59-61

  • 1977Hieronymus, Clara. "Red Grooms Finds Hometown Elegant." The Tennessean, June 29, 1977

  • 1977Micha, Rene. "Paris." Art International Vol. 21, July/August, p. 65

  • 1977Schwartz, Ellen. "Ad Reinhardt and Red Grooms." ARTnews, January 01, 1977 Vol. 77, January, pp. 140, 142

  • 1977Tully, Judd. Red Grooms and Ruckus Manhattan. New York: George Braziller, 1977

  • 1977Turner, Norman. "25th Anniversary Show: Tibor de Nagy." Arts Magazine Vol. 51, March, pp. 33-34

  • 1977Warnold, Jeanine. "Les Guignols de Red Grooms." Le Figaro, June 20, 1977

  • 1976Andre, Michael. "Ruckus Manhattan." ARTnews Vol. 75, April, pp. 118-119

  • 1976Anonymous. "Distorted Porn." Scew, June 07, 1976

  • 1976Anonymous. "Fun City’s Best Fun." Mademoiselle Vol. 82, March, pp. 118-119

  • 1976Anonymous. "Ruckus Manhattan Company." Scholastic Vol. 6, pp. 7, 9

  • 1976Anonymous. "The Talk of the Town-Four Civic Gatherings." The New Yorker Vol. 52, May 31, pp. 29-30

  • 1976Baker, Sherry. "Red Grooms." Atlanta Gazette, July 07, 1976

  • 1976Bourdon, David. "Manhattan Is Groomed, American Ephemera Preserved." The Village Voice, May 24, 1976

  • 1976Buckley, Tom. "About New York: Collectible Manhattan." The New York Times, June 07, 1976, p. 57

  • 1976Cavaliere, Barbara. "Figurative Painting." Arts Magazine Vol. 51, February, pp. 19-20

  • 1976Forman, Nessa. "The Nurturing of a Native Icon." The Sunday Bulletin, May 30, 1976

  • 1976Gaugh, Harry F. "Oakleigh Collection." Arts Magazine Vol. 51, January, p. 17

  • 1976Gifford, J. Nebraska and M.B. Shestack. "Red Grooms." Cue, June 12, 1976, pp. 8-9

  • 1976Glueck, Grace. "Art People." The New York Times, November 26, 1976 p. C18

  • 1976Glueck, Grace. "Notes: Auctions, Agents and the Arts of Texas." The New York Times, February 08, 1976 p. D35

  • 1976Glueck, Grace. "The City’s Biggest Gallery Show Twits the City." The New York Times, June 13, 1976 pp. B1, B35

  • 1976Hand, Judson. "Underground Art, How Artists Look at Our Subways." New York Sunday News, October 17, 1976

  • 1976Haydon, Harold. "Cheers and Hurrahs for SAIC." Chicago Sun Times, September 26, 1976

  • 1976Hess, Thomas B. "Grooms, Goya, and the Grotesque." New York Magazine, June 28, 1976, pp. 76-77

  • 1976Hoelterhoff, Manuela. "The Ruckus Gang Takes on Manhattan." The Wall Street Journal, June 02, 1976

  • 1976Hughes, Robert. "Gorgeous Parody." Time, January 19, 1976

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  • 1976Kramer, Hilton. "A Successful Counterexhibition Inspired by the Whitney’s Failure." The New York Times, July 18, 1976 p. D22

  • 1976Kramer, Hilton. "Art: 30 Years of American Prints." The New York Times, November 19, 1976 p. C18

  • 1976Kramer, Hilton. "Art: After Grooms, BMT is Bucolic." The New York Times, May 07, 1976 p. C12

  • 1976Kramer, Hilton. "Nashvillean Scores High in New York." The Tennessean, July 12, 1976

  • 1976Kutner, Janet. "Art, the Cowboy, and the Fatstock." The Dallas Morning News, February 15, 1976

  • 1976Loercher, Diana. "‘Ruckus Manhattan’ Is Art–and Also Fun." The Christian Science Monitor, June 28, 1976

  • 1976Lorber, Richard. "Red Grooms." Arts Magazine, September 01, 1976 Vol. 51, September, p. 30

  • 1976O’Beil, Hedy. "A Funhouse Odyssey." Eastside Courier, June 03, 1976

  • 1976Pursell, Julie. "Treasures Museums Buy to Show." Nashville Banner, October 28, 1976

  • 1976Rose, Barbara. "Find a Mad City Inside New York Gallery Walls." Vogue, July 19, 1976, p. 54

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  • 1976Tallmer, Jerry. "A Little City With a Big Art." The New York Post, June 19, 1976

  • 1976Tomkins, Calvin. The Scene: Reports on Post-Modern Art. New York: Viking Press, 1976, p. 202

  • 1976Wallach, Amei. "Making New York a Fun City." Newsday, May 09, 1976 pp. 4-5, 28

  • 1975Alloway, Lawrence. Topics in American Art Since 1945. New York: W.W. Norton and Co., 1975, pp. 151-153

  • 1975Anderson, Wayne. American Sculpture in Process, 1930-1970. New York: Little, Brown and Co, 1975, p. 179

  • 1975Anonymous. "'Tappy Toes’ Joins ‘Fat Feet’." Cheekwood Mirror, June 01, 1975 Vol. 16, June

  • 1975Anonymous. "Big Board’s Baby Brother." At the Market Vol. 8, December

  • 1975Anonymous. "Collage." ARTnews Vol. 74, September, p. 118

  • 1975Anonymous. "News Reports, A Fashion Show of Manhattan Buildings." Progressive Architecture, August 01, 1975, p. 19

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  • 1975Davis, Douglas. "What’s in the Galleries." Newsweek, December 08, 1975 Vol. 86, December 8, pp. 106-107

  • 1975Derfner, Phyllis. "Red Grooms." Art International, May 15, 1975 Vol. 19, May 15, p. 68

  • 1975Doar, Harriet. "Pop Goes to the 60’s and 70’s in the Mint Museum." The Charlotte Observer, June 15, 1975

  • 1975Doar, Harriet. "Reflections: The ‘60s and ‘70s." The Charlotte Observer, May 18, 1975

  • 1975Ellenzweig, Allen. "Art Reviews: Red Grooms." Arts Magazine, June 01, 1975 Vol. 49, June, p. 11.

  • 1975Genauer, Emily. "Art and the Artist." New York Post, December 27, 1975

  • 1975Gerston , Jill. "A Quiet ‘Hello’ to the New Year." The New York Times, January 02, 1975, p. 37

  • 1975Glueck, Grace. "3-Dimensional Comic Strip of Downtown on View." The New York Times, November 28, 1975, p. 39

  • 1975Glueck, Grace. "In ‘Rebuilt’ Manhattan, Trade Center Rises 30 Feet and Woolworth Building Is Wooden." The New York Times, May 27, 1975, p. 27

  • 1975Glueck, Grace. "Tennessee Raises Manhattan Ruckus." The New York Times, June 08, 1975

  • 1975Grillo, Jean Bergantini. "What the Ruckus Is All About." The New York Sunday News, December 14, 1975

  • 1975Huxtable, Ada Louise. "Architectural View: Grooms’s Zany ‘Manhattan’ Puts the City in Focus." The New York Times, December 21, 1975 pp. B1, B41

  • 1975Kramer, Hilton. "Art: Red Grooms." The New York Times, March 29, 1975, p. 11

  • 1975Lasky, Arthur. "I'll Take Manhattan." World Trade Community News, September 02, 1975 Vol. 1, September 2, p. 6

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  • 1975Pursell, Julie. "A Nashvillean Creates a New York Ruckus." The Nashville Banner, January 23, 1975

  • 1975Pursell, Julie. "Art Acquisitions Crown VU Centennial." Nashville Banner, October 02, 1975

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  • 1975Richard, Paul. "Red’s Big Apple: Mad Hatter’s Manhattan." The Washington Post, November 19, 1975 p. G1

  • 1975Tully, Judd. "Ruckus Resurrects-From Della Robbia with Love." SoHo Weekly News, November 19, 1975

  • 1975Zucker, Barbara. "Grooms Is Constructing Manhattan, Indoors." The Village Voice, November 24, 1975

  • 1974Anonymous. "Vita in Città." Cantrill’s Film Notes Vol. 17-18, June

  • 1974Browstein, Michael. Country Cousins. New York: George Braziller, 1974 cover illustration

  • 1974Grooms, Red. "Portfolio." The Paris Review, March 01, 1974 Vol. 57, Spring, pp. 131-138

  • 1974Henri, Adrian. Total Art: Environments, Happenings and Performance. New York and Toronto: Oxford University Press, 1974 pp. 33, 88, 89, 107, 157

  • 1974Stein, Judith. "Reviews and Previews–Embody Art." Art Philadelphia, October 01, 1974, p. 15

  • 1973Argelander, Ronald. "Red Grooms’ Hippodrome Hardware." Drama Review Vol. 16, June, pp. 95-100

  • 1973Canaday, John. "Art: The Ruckus World of Red Grooms." The New York Times, December 08, 1973, p. 29

  • 1973Canaday, John. "Ruckus on Columbus Circle." The New York Times, December 16, 1973 p. D25

  • 1973Glueck, Grace. "Odd Man Out: Red Grooms, the Ruckus Kid." ARTnews, December 01, 1973 Vol. 72, December, pp. 23-27

  • 1973Greenspun, Roger. "Screen: ‘Hippodrome Hardware’." The New York Times, February 17, 1973, p. 39

  • 1973Halasz, Piri. "Rutgers Exhibiting Diverting Art Show." The New York Times, September 30, 1973, p. 78

  • 1973Havlice, Patricia Pate. Index to Artistic Biography. Vol. 1, A-H. Metuchen, New Jersey: The Scarecrow Press, 1973, p. 543

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  • 1973Mekas, Jonas. "Movie Journal." The Village Voice, March 08, 1973

  • 1973Naumann, Francis. "The Ruckus World of Red Grooms." Artforum Vol. 12, March, pp. 78-79

  • 1973Rose, Barbara. "Good and Plenty at the Cultural Center." New York Magazine, December 24, 1973, pp. 70-71

  • 1972Canaday, John . "Grooms and Other Specials." The New York Times, December 16, 1972, p. 27

  • 1972Constable, Rosalind. "New Realism in Sculpture: Look Alive!." Saturday Review Vol. 55, April 22, pp. 38-40

  • 1972Greenspun, Roger. "Screen: Palette of Art." The New York Times, April 14, 1972, p. 23

  • 1972Henry, Gerrit. "Review: Red Grooms." ARTnews Vol. 72, January, p. 77

  • 1972Hunter, Sam. American Art of the 20th Century. New York: Harry N. Abrams, 1972, p. 568

  • 1972Lewis, Jo Ann. "The Art of Red Grooms: Fun, But Not So Funny." The Evening Star, March 14, 1972

  • 1972Richard, Paul. "Modern Messes and Marvels." The Washington Post, March 22, 1972

  • 1972Richard, Paul. "Moonscape Diorama." The Washington Post, January 19, 1972

  • 1972Schwartz, Barbara. "Letter from New York." Craft Horizons, vol. 32, April 01, 1972 Vol. 32, April, p. 58

  • 1972Schwartz, Sanford. "New York Letter." Art International Vol. 17, March, p. 54.

  • 1972Staff. Current Biography. Vol. 33. New York: H.W. Wilson Company, 1972

  • 1971Anonymous. "Red Grooms’ Room." Around the Hub, March 01, 1971

  • 1971Canaday, John. "Happy Things in Art: 'Discount Store'." The New York Times, February 04, 1971, p. 28

  • 1971Canaday, John. "Intruder in the Hothouse." The New York Times, February 07, 1971 p. D21

  • 1971G., J. "Reviews and Previews: Red Grooms." Art News, vol. 70 Vol. 70, April, p. 14

  • 1971Kneubühler, Theo. "The Happening: History, Theory and Consequences." Werk, February 01, 1971, pp. 142-143

  • 1971Kramer, Hilton. "Red Grooms’s 'Mr. & Mrs. Rembrandt'." The New York Times, December 11, 1971, p. 27

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  • 1971Richard, Paul. "Big Time Corn-Ucopia." The Washington Post, April 04, 1971

  • 1970Compton, Michael. Pop Art. London and New York: Hamlyn Publishing Group, 1970, p. 92

  • 1970De Neve, Rose. "Red Grooms: The Artist as Animator." Print Vol. 24, September/October, pp. 59-65

  • 1970Gilbert, Dorothy. Who’s Who in American Art. Vol. 10. New York: R.R. Bowker, 1970

  • 1970Glueck, Grace. "Collectible vs. Conceptual." Art in America Vol. 58, May/June, p. 36

  • 1970Kostelanetz, Richard. The Theatre of Mixed Means: An Introduction to Happenings, Kinetic Environments and Other Mixed-Means Performances. London: Pitman, 1970 p. 135, 138, 291

  • 1970Kramer, Hilton. "Frivolous or Serious?." The New York Times, June 21, 1970, p. 21

  • 1969Barker, J. "In the Galleries: Mimi and Red Grooms." Arts Magazine Vol. 43, Summer, p. 67

  • 1969Butler, Joseph T. "The American Way with Art: Red Grooms’ ‘City of Chicago’." Connoisseur Vol. 173, March, p. 148-149

  • 1969Canaday, John. "Red Grooms and Mimi Gross." The New York Times, May 31, 1969, p. 19

  • 1969Donohoe, Victoria. "Philadelphia Art Scene, McCleaf Gallery." Philadelphia Inquirer, January 04, 1969

  • 1969Gentili, Giogio. "Euphoric Design for the Consumer." Casabella Vol. 33, August/September, p. 339

  • 1969Gollin, June. "Reviews and Previews: Red Grooms." ARTnews Vol. 68, Summer, p. 14

  • 1969Goodrich, David. "Anybody Want to Buy Chicago?." The Saturday Evening Post, February 08, 1969, pp. 36-39

  • 1969Howard, Leslie. "City of Chicago, Builder Lucky." The Lincoln Star, March 18, 1969

  • 1969Myers, John Bernard. The Poets of the New York School. Philadelphia: University of Pennsylvania, 1969 p. 64, 68

  • 1969Schjeldahl, Peter. "Red Grooms: He Dares to Make Art That Is Fun." The New York Times, June 15, 1969, p. 15

  • 1968Anderson, Jon. "A Pop Chicago: Larger than Life and Smaller, Too." Chicago Sunday Times, December 24, 1968

  • 1968Anonymous. "Biennale von Venedig." Werk Vol. 55, September, p. 603

  • 1968Anonymous. "Collectors." Time, March 29, 1968 Vol. 91, p. 71

  • 1968Anonymous. "It’s...It’s...Double Take...Why It’s Chicago." Chicago Sun Times, January 22, 1968

  • 1968Anonymous. "Red Grooms." Das Kunstwerk August/September, p. 21

  • 1968Anonymous. "Venezia 34 Biennale." Domus, September 09, 1968 Vol. 466, p. 50

  • 1968Balchen, Bess. "One Guy’s Chicago, That’s Grooms’ Chicago." AIA Journal Vol. 51, June, p. 87-94

  • 1968Canaday, John. "Venice on the Potomac." The New York Times, January 05, 1968 p. D29

  • 1968Drick, George. "Red's Chicago." ChicagoLand Vol. 5, January, p. 32-34

  • 1968Feldman, Anita. "The Figurative, the Literary, the Literal: American Figurative Tradition at the Venice Biennale." Arts Magazine, July 01, 1968 Vol. 42, Summer, p. 22, 25-26

  • 1968Fink, John. "Art’s the Big Picture." Chicago Tribune, June 09, 1968

  • 1968Fink, John. "See Chicago First." Chicago Tribune Sunday Magazine, February 25, 1968, p. 3

  • 1968Glueck, Grace. "The More the Media: Chicagorama." The New York Times, February 04, 1968, p. 35

  • 1968Hieronymus, Clara. "Red’s Chicago, Bridges and All Go to Venice." The Tennessean, February 25, 1968

  • 1968Irwin, D.. "The Venice Biennale: The Breaking of Boundaries." Apollo Vol. 88, October, p. 292-294

  • 1968Kay, Virginia. "Virginia Kay Column." Chicago Daily News, January 19, 1968

  • 1968Kay, Virginia. "Virginia Kay Column." Chicago Daily News, December 31, 1968

  • 1968Richard, Paul. "Biennale Entry Is Confusing." The Washington Post, December 03, 1968

  • 1968Sommerville, Gerald. "Wood and Paper Sculpture, Chicago Satire Arrives for a Long Stay." The Evening Star, December 17, 1968

  • 1968Williams, Michaela. "Son of Smokey Stover." Chicago Daily News, December 30, 1968

  • 1967Feldman, Edmund Burke. Art as Image and Idea. Englewood Cliffs, New Jersey: Prentice-Hall, 1967, p. 340

  • 1967Glueck, Grace. "A Swinger from Dogpatch." The New York Times, January 08, 1967 p. D26

  • 1967Kroll, Jack. "People Painter." Newsweek, January 30, 1967, pp. 48-49

  • 1967Rosenberg, Harold. "The Art World: Defining Art." The New Yorker, February 25, 1967 Vol. 43, February 25, p. 100-102, 105-106

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  • 1966Berrigan, Ted. "Red Power." ARTnews Vol. 65, December, p. 44-46

  • 1966Burton, Scott. "Reviews and Previews: Red Grooms." ARTnews Vol. 65, Summer, p. 10, 12

  • 1966Cummings, Paul. Dictionary of Contemporary American Artists. New York: St. Martin’s Press, 1966, p. 181

  • 1966Gilbert, Dorothy. Who’s Who in American Art. New York: R.R. Bowker Co., 1966, p. 181

  • 1966Kaprow, Allan. Assemblage, Environments & Happenings. New York: Harry N. Abrams., 1966

  • 1966Lippard, Lucy R. Pop Art. New York: Frederick A. Praeger, 1966 p. 74, 135

  • 1966Sontag, Susan. Against Interpretation. New York: Farrar, Straus and Giroux, 1966, p. 264

  • 1965Anonymous. "Painting: Grand Pop Moses." Time, April 09, 1965 Vol. 85, April 9, p. 76

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  • 1965Goldin, Amy. "Red Grooms." Arts Magazine Vol. 39, May/June, p. 57

  • 1965Hansen, Al. A Primer of Happenings and Time/Space Art. New York: Something Else Press, 1965, p. 68

  • 1965Kirby, Michael, ed. Happenings, An Illustrated Anthology. New York: E.P. Dutton and Co., 1965, pp. 118-133

  • 1965Matusow, Harvey Marshall. The Art Collectors Almanac. Huntington Station, NY: Jerome E. Treisman, 1965, p. 244

  • 1965Piene, Nan. "Christmas for Children." Art in America, December 01, 1965 Vol. 53, December, p. 25-26

  • 1964Bryant, Edward. "New Talent: Old Problems." Art in America Vol. 52, August, p. 108

  • 1964Kozloff, Max. "Art and the New York Avant-Garde." Partisan Review Vol. 31, Fall, p. 550

  • 1964Oeri, Georgine. "The Object of Art." Quadrum Vol. 16, Summer, p. 20-21

  • 1963Hieronymus, Clara. "A Bright Occasion." The Tennessean, November 17, 1963

  • 1963Katz, Alex. "Rudolph Burckhardt: Multiple Fugitive." ARTnews Vol. 62, December, p. 40

  • 1963Rose, Barbara. "New York Letter." Art International Vol. 7, December 5, p. 62-63

  • 1963Sandler, Irving H. "In the Galleries: Red Grooms." New York Post, October 27, 1963

  • 1963Swenson, Gene R. "Reviews and Previews: New Names This Month." ARTnews Vol. 62, October, p. 14

  • 1963Tillim, Sidney. "In the Galleries: Red Grooms." Arts Magazine Vol. 38, December, p. 63-64

  • 1962Franklin, Corinne. "Red Grooms’ Work Shows Big Spark of Spontaneity." Nashville Banner, May 12, 1962

  • 1962Hieronymus, Clara. "Alas, Festival Grows Up." The Tennessean, May 13, 1962

  • 1962Janis, and Rudi Blesh, Harriet. Collage: Personalities, Concepts, Techniques. Philadelphia: Chilton Co., 1962, pp. 273-276

  • 1962Johnston, Jill. "Happenings, New York Scene." Encore, September 01, 1962

  • 1961Constable, Rosalind. "Scouting Report on the Avant-Garde." Esquire, pp. 86-88 Vol. 55, June

  • 1961Franklin, Corinne. "Red Grooms Deeply Involved in Happy and Intense Life." Nashville Banner, December 30, 1961

  • 1961Grooms, Red and Mimi Gross. A Book of Drawings. Florence: self-published, 1961

  • 1961Kaprow, Allan. "‘Happenings’ in the New York Scene." ARTnews, p. 37 Vol. 60, May

  • 1961LeQuire, Louise. "Charles Grooms, The Artist at 23." Motive, pp. 21-29 Vol. 31

  • 1961McDarrah, Fred. The Artist’s World in Pictures. New York: E.P. Dutton and Co., 1961, p. 184

  • 1960Anonymous. "Art: Here Today... ." Time, June 20, 1960, p. 62 Vol. 74

  • 1960Burrows, Clyde. "New Media, Forms." New York Herald Tribune, June 12, 1960

  • 1960Canaday, John. "Art: A Wild, but Curious, End-of-Season Treat." The New York Times, June 07, 1960, p. 32

  • 1960Hess, Thomas B. "Mixed Mediums for a Soft Revolution." ARTnews Vol. 59, Summer, p. 45, 62

  • 1960Hess, Thomas B. "The Year’s Best: 1960." ARTnews p. 25, 50, Vol. 59, January

  • 1960Hieronymus, Clara. "Nashville Artist Now in Europe, Charles Grooms Is Traveling, Developing New Ideas in Art." The Tennessean, July 24, 1960

  • 1960Porter, Fairfield. "Art." The Nation, February 13, 1960, p. 154 Vol. 190, No. 7

  • 1960Ratliff, Marc, ed. "The Burning Building of Red Grooms." Exodus, p. 14 Vol. 3, Summer

  • 1960Sandler, Irving H. "Ash Can Revisited, a New York Letter." Art International, October 04, 1960, pp. 29-30 Vol. 4

  • 1960Seelye, Anne. "Reviews and Previews: New Names This Month–Red Grooms." ARTnews, p. 18 Vol. 58, February

  • 1960Tallmer, Jerry. "Theatre (?): Three New Happenings." Village Voice, January 13, 1960

  • 1960Ventura, Anita. "In the Galleries: Red Grooms." Arts Magazine, p. 67 Vol. 34, February

  • 1959Hale, Herbert D. "Reviews and Previews: New Names This Month–Milder and Grooms." ARTnews, p. 19 Vol. 57, No. 10, February

  • 1958LeQuire, Louise. "Southeastern Show Scheduled in Atlanta." Nashville Banner, August 01, 1958

  • 1955LeQuire, Louise. "2 Hillsboro Students Plan Exhibit; Dance, Music Enhance Peabody Event." Nashville Banner, February 11, 1955

  • 1955LeQuire, Louise. "September 13 Deadline for State Fair Entries." Nashville Banner, August 19, 1955

  • 1954Anonymous. "Poster Contest Winners." Nashville Banner, November 03, 1954

  • 1952Anonymous. "2 Hillsboro Students Win National Art Recognition." The Tennessean, May 03, 1952