Primary Directives

Feb 21 — Mar 30, 2019
London

Marlborough is pleased to present Primary Directives, a group exhibition in our London gallery. Featuring three generations of American artists working in a variety of mediums, the show centers on a complex of issues surrounding the body, economics and power dynamics. In particular, there is a focus on technology (from fax machines, to web cams) as accelerator and refractor of image and meaning. 

Mike Bouchet’s Untitled Video (a 4-channel patchwork of 10,000 10-minute pornographic scenes) acts as a conceptual centerpiece for the exhibition—a massive stained-glass window of frictionless capitalism and desire. 

Stan VanDerBeek’s 1970 work Fax Mural employs that proto-futuristic method of transmission to instantaneously beam stand-ins for his cut paper collages of fashion models and football players to far flung exhibitions, further cementing this artist’s reputation as a soothsayer of the information revolution that was to come. 

Petra Cortright creates works of video content in a manner familiar to users of Youtube. Where Bouchet appropriates the files directly from servers, Cortright makes new work within the idiom. The exhibitionism feels timely but also evokes the exhilarating mundanity of canonized early video works by Bruce Naumann. Her ebullient two-dimensional works, which originate in digital files, perform a similar critique of painting to beautiful effect. 

While more organic and visceral in origin and material, Ivana Bašić’s Belay My Light, the Ground is Gone (2018) is no less an illustration of an elaborate system under great stress. The emaciated figure is equipped with the apparatus of its own sustenance and demise, with its respiration, nourishment and elimination a closed system of self-cannibalizing violence. In the inverse, Davina Semo’s slender bronze cast of a spanking paddle draws a line between the lofty goals of Minimalism and the power dynamic inherent in the pleasure/pain continuum. 

Primary Directives can be thought of as the psychoanalytical id of an algorithm, a marketing strategy, an administrative apparatus or military operation. The number-crunched and compiled desires of countless individuals platformed and target-optimized for maximum effectiveness.

Works

Cortright, alcatraz puzzle fat chicks nude ff5, 2018, digital painting on anodized aluminium, 48 x 94 in., 121.9 x 238.8 cm, pc3 000001 luke walker 2
Petra Cortright, alcatraz puzzle fat chicks nude_FF5, 2018, digital painting on anodized aluminum, 48 × 94 in., 121.9 × 238.8 cm
Ivana bašić, mike bouchet, petra cortright, davina semo, stan vanderbeek. primary directives. marlborough london installation view 6 luke walker
Installation View.
Vanderbeek, fax mural, 1970, 12 xeroxed collages, 8.5 x 14 in. each, 102 x 14 in. total, 21.6 x 35 cm. each, 259 x 35 cm. total, copyright estate of stan vanderbeek luke walker 2
Stan VanDerBeek, Fax Mural, 1970, 12 Xeroxed collages, each 8 1/2 x 14 in., 102 × 14 in., 259.1 × 35.6 cm
Bašić, belay my light, (view 2), 2018, mixed media, 80 5 16 x 18 1 8 x 29 1 8 in., 204 x 46 x 74 cm, 24 x 12 3 16 x 32 1 4 in., 61 x 31 x 82 cm, ib 000006 luke walker
Ivana Bašić, Belay my light, the ground is gone., 2018, wax, pink alabaster, glass, breath, dust, weight, oil paint, pressure, stainless steel, figure 80 5/16 x 18 1/8 x 29 1/8 in., 121/4 × 24 × 321/4 in., 31 × 61 × 81.9 cm
Ivana bašić, mike bouchet, petra cortright, davina semo, stan vanderbeek. primary directives. marlborough london installation view 11 luke walker
Mike Bouchet, Untitled Video, 2011, 4 channel projection, dimensions variable.
Untitled video by mike bouchet detail marlborough contemporary london
Mike Bouchet, Still: Untitled Video, 2011, 4 channel projection, dimensions variable.
Ivana bašić, mike bouchet, petra cortright, davina semo, stan vanderbeek. primary directives. marlborough london installation view 19 luke walker
Installation View.
When she was in such moods she longed for some purely physical sensation to lift her out of them by davina semo marlborough contemporary london
Davina Semo, WHEN SHE WAS IN SUCH MOODS SHE LONGED FOR SOME PURELY PHYSICAL SENSATION TO PULL HER OUT OF THEM, 2013, cast bronze, edition of 5, 21 × 01/2 × 11/8 in., 53.3 × 1.3 × 2.9 cm
Banksi unbrush ponitaeyel by petra cortright marlborough contemporary london
Petra Cortright, banksi unbrush ponitaeyel, 2015, webcam video, TRT 1 min. 8 sec., dimensions variable.
Ivana bašić, mike bouchet, petra cortright, davina semo, stan vanderbeek. primary directives. marlborough london installation view 21 luke walker
Installation View.
Cortright, geriatric colleseum pussy visiting gazette release.raw, 2018, digital painting on anodized aluminium, 73 x 48 in., 185.4 x 121.9 cm, pc3 000002 luke walker 2
Petra Cortright, Geriatric Colleseum pussy visiting Gazette release.raw, 2018, digital painting on anodized aluminum, 73 × 48 in., 185.4 × 121.9 cm